Crime Detective Mystery Thriller Group discussion
Group Reading
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Little Black Lies by Sharon Bolton
I know that we are having some technical difficulties with group members due to notifications so I hope that you will check in while you're reading the book without being notified. I have been in touch with someone at Goodreads and they're looking into this. We hope to have this resolved soon.
In any case, I have been hearing a lot of good things about this book. I'm starting on it today. In our last group read, people were putting putting up spoiler questions so others couldn't view them. I would say feel free to do this as well if you feel like raising some questions now.
In any case, I have been hearing a lot of good things about this book. I'm starting on it today. In our last group read, people were putting putting up spoiler questions so others couldn't view them. I would say feel free to do this as well if you feel like raising some questions now.


Oh well - next time.......

But Block's book is pretty good. I'm almost finished with it and really like it.
Worlds of difference, though.


I did not know about this author read along but I love the idea. We did this in one of my other groups so I can vouch for the fact that it is a great! Looking forward to this :)


Also, I think it's a bit descriptive. I mean, it's enthralling and all but it's a little too focused on explaining a point to the t. That's a little off putting for me- however I am not abandoning the book. But with crime/mystery genre I expect to get a fast moving story that doesn't pay so much attention to useless or unnecessary details.
Going good otherwise. Not as fast as I'd like but kinda interesting.
I've read about 14% of the book right now and I'm enjoying it.



Long story, not necessarily an interesting one, but the attached blog post covers it in some detail. http://www.sjbolton.com/blog.php?id=132
Welcome to the group read Sharon. Great insight into how Little Black Lies was written.


Actually, a huge amount. Quite often a book starts for me with a particular place. I get a real buzz from seeing places that are beautiful on the surface and asking myself, what's going on underneath? What's wriggling through the undergrowth? My Lacey Flint novels are mainly set in the industrial east end of London, but that has a strange, desolate beauty for me too. One of the most frequent criticisms of my writing (and it's referenced in the comments above, I see!) is that I can be 'too descriptive'. Whilst I understand this style of writing is not to everyone's taste, it's something I will never change. A book is slightly empty, for me, if it brings no strong sense of place with it.


Just wondering what's easier to write, the series or standalones? Which do you prefer?

Love the explanation! Sharon is a terrific name and much more memorable than SJ.
I always find initials difficult to search online. It depends on how they were entered into the search engine.
Thanks for the blog link, look forward to reading your other postings!

Thank you. That came about because one of the ideas I wanted to explore with Little Black Lies was that of maritime mythology and culture. I spent months researching the history of sea faring and whaling in particular, and naturally came across the Rime of the Ancient Mariner, one of the most famous sea-related poems written. I was immediately struck by how powerful a symbol of guilt the dead albatross was, and as the albatross is a relatively common bird in the Falkland Islands, I couldn't not use it.

For me, standalones are much easier. I think one has to write the sort of books one loves to read, and I've always loved the completeness of standalones. I never intended Lacey to be a series character but when I got to the end of Now You See Me, I felt I'd only begun to scratch the surface of her character. I've loved writing the four Lacey books (and two short stories) but she and I are taking a well-earned break from each other for a while now.
I usually ask this question at the group reads and get a different answer.
In Who Was That Lady, which was the biography of a pulp fiction writer named Craig Rice, the author said that Ms. Rice wrote by the seat of her pants by locking herself in a room and after a few days, she was done. What is your writing process? In addition, I would like to learn about the thought and writing process which goes into your descriptions. I think this would be great to understand especially when reading other books such as ones by Tana French, who uses a lot of descriptions in her writing.
Sorry if my question was long.
In Who Was That Lady, which was the biography of a pulp fiction writer named Craig Rice, the author said that Ms. Rice wrote by the seat of her pants by locking herself in a room and after a few days, she was done. What is your writing process? In addition, I would like to learn about the thought and writing process which goes into your descriptions. I think this would be great to understand especially when reading other books such as ones by Tana French, who uses a lot of descriptions in her writing.
Sorry if my question was long.


In Who Was That Lady, which was the biography of a pulp fiction writer named Craig Rice, the author said that Ms. Rice w..."
I think a thorough answer could be a whole lot longer! My writing process is akin to most people's working days. My son goes to school, I walk the dog, then I sit down at my desk and write until I run out of steam or until my son gets home. I publish a book a year, typically starting work on the research and planning in the Autumn, getting the first draft submitted by end of June, then using the summer for edits and proof reading. Occasionally, I'm asking to write something else, such as a novella, and that can make the timescale very tight. I'm not sure I can explain the process behind descriptions, to be honest. They come quite naturally to me. Sometimes I use photographs, but quite often I write with 'my eyes closed', just imagining how a particular place might make me feel.

Thank you, Christine, but please don't feel too sorry for me. I earn a very nice living from doing a job I love. I consider myself very lucky. That said, British authors are not terribly popular in the US. Comments on Amazon often refer to my books being 'too British'. Not quite sure what that's supposed to mean! I'm sure my publishers (St Martins Press) are doing their best, but they are up against the sheer numbers of books published in the US every year. It's an incredibly competitive field.


A very dark love story, between a convicted serial killer and the lawyer who campaigns for his release.


Sharon wrote: "Ron wrote: "I usually ask this question at the group reads and get a different answer.
In Who Was That Lady, which was the biography of a pulp fiction writer named Craig Rice, the author said tha..."
Great answer. Thank you.
In Who Was That Lady, which was the biography of a pulp fiction writer named Craig Rice, the author said tha..."
Great answer. Thank you.

I have a funny little story to tell about my review of "Little Black Lies". I went on Google to find a picture of a dog that looked like Queenie as Sharon described her. I found one that fit the bill and included it in my review. Then I posted the link to my review on Twitter and Sharon saw it. She contacted me to let me know that it WAS Queenie! What are the chances of that happening???

Does Sharon own Queenie in real life?

It is obvious that Sharon described her perfectly!

Hi Sharon,
I'm a big fan! Water and boats tend to play a big part in most of your books, and I noticed you have a boat as your twitter header :) Would I be right in assuming the water is a big part of your life too? Please don't tell me you go swimming in the River Thames too?? :)

I LOVED Little Black Lies. If I could add stars for this book, I would. Sharon, you are really clever. There are two things that stood out with me in the end. How the child got lost and returned, brilliant! It is only human to think the worst first. The ending, *gasp* I just had to reread the last couple of sentences. Had a feeling and was right but the execution of it was just phenomenal!
Guilt is a powerful emotion and leads to different types of behavior. A child dying at the hands of another, whether accidental or recklessly is not talked about a lot. I've noticed how you, Sharon, touch on subjects that others don't think of of don't want to write about. That is why I like your books so much.
How much research goes into your books? Is it a lot of what you already know or have experienced or do you have to do a lot of leg work such as visiting the setting, meeting with people of specialties or using google?
message 41:
by
Sandy *The world could end while I was reading and I would never notice*
(new)

You have a really damaged cast with your characters in this novel - you have two women, both dealing with extreme grief, each in their own way, one man dealing with that same grief in yet another fashion, and an ex-soldier suffering from PTSD - any and all of whom could have been guilty of the murders of the missing children. What made you decide on your final outcome? (sorry I am trying not to give anything away to anyone who has not yet finished the book)
And Jean has already asked my other question re: do you know who is guilty before you start to write, or do you just let it unfold as you go along...?
Which brings me to another question, have you ever started writing with a particular outcome in mind, then changed your mind as you went along?
Thank you for taking the time to answer our questions - it is greatly appreciated. 8:D


Lynne, that was a crazy story! So cool!
First off, this is my first Sharon Bolton and I love it! I've been staying up on early mornings just to read another page. It's crazy. I love the smoothness of the book. Not very often can writers pull off interweaving romance or any other kind of relationship with crime (and I don't mean crimes of passion here) but she completely nailed it.
That scene with the Sharks? Really effective. Albeit it didn't touch me as strong as some others, it did leave an impression on me. I can understand how something like that could overshadow you entirely. It's really sad. I loved chapters 22 & 23. Wow. That last line gave me chills!
Sharon, that's an amazing story about how you came up with the idea and Rachel's character. My heart goes out to both the women. I agree with you about standalones. I never really thought of them that way- being complete. I always took them for books where I can start anywhere and I wouldn't have to worry about a back story or the character development. I didn't really have a question for you. I guess I am so enthralled by the book I can think of nothing I have to ask. Besides, anything that I did want to, it's already been asked. Although, I do have something I want to ask now that I've read your story about "Rachel". You've portrayed the character of a mother (Catrin) who lost all her children so perfectly, I wonder what went into that in the way of research? Did you talk to those mothers from the accident you witnessed? I mean, being a mother, I'm sure you could imagine what it must feel like but even so, one cannot know what it is like for those women to actually live through it. I just turned 20, I'm pretty sure I can't understand even as much as you could but being a woman I can say it's got to be devastating. I don't have kids but I can't even conceive the idea of anything like that ever happening to them. I've seen women going through it, in fact, my own grandmother has to go throw it! My mom always tells me how hard it must be and I think I can sympathize with my mom on that but how can one say how it must really be like? Maybe I'm just overthinking but this hit me about Cat and I haven't been able to stop thinking about it.
I'll be looking forward to further works from you and reading your previous stuff. Cheers!

My stories never write themselves, I'm afraid. If only! My plots are very complex (every year I say to myself, I'm going to write a simple book, but it never works out that way!) and so I need to do quite a lot of planning before I start. I've got a pretty good idea of how it's going to pan out. That's not to say I have all the answers, or that things won't change as I go along, just that I do need at least an outline road map in my head.

Hmmn, tricky one. Apart from the one that I know you're thinking of, I'm really not sure which books you're thinking of. I thought all my villains got their just deserts. I do feel very strongly that I owe my reader a resolution, a solution to the mystery and some sense of completion, or justice being done. That's not the same, though, as having all the loose ends tied up. I think even the most meticulous drafter of plots can afford to leave a few loose ends. I'm not sure we can take this 'vague question and vague answer' session much further in public. You might have to private message me via Facebook or my website. ;-)

It is obvious that Sharon described her perfectly!"
Or maybe she's just a unique little dog. My friend was one of the first people to read Little Black Lies. Every morning for a week, out dog walking, she'd give me updates, but never a mention of the brilliance of the writing, the originality of the story, the depth of characterisation. All she could talk about was that blessed dog making her literary debut!

Hi Sharon,
I'm a big fan! Water and boats tend to play a big part in most of your books, and I noticed you have a boat as your twitter header :) Would I be rig..."
I have swum in the Thames, but a long time ago, not in central London and I wouldn't do it again! I once worked for the National Rivers Authority Thames Region, and got to know the river Thames very well. I think my love of it (and awe of it) probably stems from those days. On the whole, I think most British people have a love of the sea, probably because most of us live relatively close to it and because of our heritage as a sea faring nation. Being married to a very keen sailor helps too.

I LOVED Little Black Lies. If I could add stars for this book, I would. Sharon, you are really clever. There are two things t..."
Thank you, Freda, that's all very kind. As to the research, I do quite a lot, but not too much. (I think a lot of writers feel that endless research and fact checking can make up for a lack of basic story telling skills) So, once I know what I'm going to write about, I probably spend two or three months reading around my subject. That usually teaches me most of what I need to know, and helps me form the plot at the same time. After that, it comes out of my head. This is a story, at the end of the day, meant to be exciting and to entertain and sometimes too much factual stuff can get in the way of that. Once the book is more or less finished, I have a team of experts who come in and check everything out.

Lynne, that was a crazy story! So cool!
First off, this is my first Sh..."
Thank you for all your kind words, Ishita, they are very much appreciated. As to portraying Catrin's grief - no, I would never consider trying to interview someone who had really lost children. That would feel terribly insensitive and intrusive, and not necessarily too helpful. Relatively few people, I think, can properly articulate deep grief. I read several books by grieving parents and they did help but ultimately, I think for the experience to be convincing to the reader, it had to be my own, even if that own was only imagined. I'm not sure if this makes any sort of sense, so let me try again: No two people will have the same experience of deep grief, so no one will read the one I offer and say, that isn't correct. All they can say is, that isn't quite how it happened for me. If I've done my job properly, though, it should have enough to resonate with every reader, whether they have first hand experience similar to Catrin's or not. Best I can do, I'm afraid. You're asking me to explain something that, ultimately, can't be explained. At the end of the day, no writer really knows how she/he does it.

That's a bit like asking me if I have a favourite child! I suppose Lacey Flint is probably the character I feel closest to, but that's because I've spent most time with her. I'm not sure she's necessarily my favourite, though. I suppose if I absolutely had to pick, I would probably go for Awakening, my second novel, and its protagonist, Clara Benning. Possibly because both were such a joy to write.
We will begin reading Little Black Lies By Sharon Bolton. Sharon Bolton will be joining us.