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I really like The America's Test Kitchen Family Cookbook - it has tons of great recipes, and is great for weeknight cooking. It comes in a loose-leaf binder, too, so you can rearrange the pages if you want, or pull the page you're cooking from.
I'm also a fan of the Williams-Sonoma Collection (they have a book on everything from Mexican to breakfast to Christmas food). I've posted recipes here from their Risotto book, their Soup book, and their Cookies book.
What books do you like? Feel free to add them to the group bookshelf.

Anything from Cooks Illustrated or Cook's Country (the magazines...which you can get hardbound at the end of the year)
The Yellow Farmhouse Cookbook
America's Test Kitchen




However, his books would probably be better for your 19 month old than your six year old.



What a feast! Chef Brian Clafton's menu pays tribute to the best recipes published in the early 1900s from celebrated local cooks in The Berlin Cookbook, Canadian Farm Cookbook and The New Cookbook by the Ladies of Toronto.
Chicken Broth with Golden Drops (Mrs. H.D. McKeller & Miss Kimmel, The Berlin Cookbook)
Brown Bread (Mrs. E. Bricker, The Berlin Cookbook)
Whole Wheat Bread (The Berlin Cookbook)
Maple Baked Ham (The New Cookbook by the Ladies of Toronto)
Gohate - Veal Meatloaf (Mrs. R. Mylius, The Berlin Cookbook)
Pickled Red Cabbage (Vera Mitchell, Canadian Farm Cookbook)
Asparagus Vinaigrette (The New Cookbook by the Ladies of Toronto)
Scalloped Potatoes (Miss K. Mangold, The Berlin Cookbook)
Pound Cake (Miss Zelpha Marr, Canadian Farm Cookbook)
Rhubarb Marmalade (Miss E.C. Smith, Canadian Farm Cookbook)


I also like the My turn around Program cookbook by weight watchers. not a WW myself, but my mom uses this and got me a copy. love it!! every recipe we have tried is quick easy and delish!!
I also just bought the Martha Stewart cookie book. I love baking and can't wait to try out recipes (I could eat the pages the pictures are that tempting.

You might also want to take a look at Sometimes the Spoon Runs Away with Another Spoon Coloring Book and Girls Will Be Boys Will Be Girls: A Coloring Book.
These colouring books are fabulous fun and make a lively little introduction to the concepts of, and issues surrounding feminism, gender sterotyping and subversion, and sexual orientation. Children will love them...and so will the supervising adult! ;)

My Goodreads friend Melanie recommended those books to me. I really love her Colouring Outside The Lines zine.

This is my first time posting here and it is a very exciting topic for me! I have a 17 month old son. We love Todd Parr! You may also want to look at the Barefoot Book company to see wha..."
HI Carly, I know exactly what you're going through! My son is 25 now and when he was born I was determined to offer him "both" viiws, sides, opinios etc to everything,the most important thing was to make sure he can find his way without being pressed in male stereotypes. One result was, that his hair was always very long, he even had ponytails most of the time and he loved dresses.( This was because he loved me wearing a dress and obviously he thought being "chic" means to wear a dress.)The most funny thing happened one day in summer on a playground with lots of children and mums. Ben was in his favourite purplr dress and had 2 ponytails! Because he was blond and had bright blue eyes, he really looked like a lovely little girl. He was just building sand castles with 3 other kids, when suddenly he lifted up his gress, went 2 steps away and had a pee in a bush! You should have seen the faces of the other women at the playground... Hilarious!
Anyway, I did exactly what you did, taught him the right words, always used the female word when there was one,tried to sensibilize him for equality etc.
There wer a lot of people who thought we were crazy, even we would harm our son with such kind of education, but I can say: He is a wonderful man today and he is a real feminist!
Some words about books: I always found it very important to give my daughters books with characters to identify with, but good role models, not female clichees, the helpless and stupid little girl, who needed to be saved by a boy and nonsense like that. 20 years ago, there were not so many good books for girls on the market and what we did, was changing the gender in some books, you know, when the main character was a boy, who experienced the most amazing adventures, I just changed him into a girl and gave him my daughters name. A lot of work, but really helpful. (sorry for every mistakes in language, didn't bother to look in my dictionary this time) ;-)



Hi Bondama, that is another proof that it is well worth to educate your childern in a "feminist style". I did the same and I'm very proud of my daughter and my son, specially when they try to explain a feminist view of life to their mates.(They are 25 and 23 now).
I hope we will hear more of you, now the group is active again! Welcome!

Welcome, Bondama!
I am so very pleased that you decided to be part of this Feminism group. Thank you for sharing with us a glimpse of your experiences of motherhood. It is so exciting that a member of your family is going to be published in the New American Review; I would love it if you would contact me when her first short story is printed! I am already wondering about her genre and style...and am quite excited about reading it myself!

By way of background, Erin went through one of the most awful situations a human being can. When she was 23, she went over to visit her mother: She found her mother dead, stabbed by her stepfather. It's taken her years to get over this -- and one of the ways she's working through this is by writing. I think, when you read the story, this might make it easier to understand.

Speechless. F***ing speechless. Devastated. Angry. Aching. I will search for Erin's story...

http://www.youtube.com/watch?v=0rbMHL..."
That was great. Did you see the "dream job" update?

Because I work full time outside the home and my husband runs a home-based business and thus does a lot of the daily kid-tending I think we de facto set a useful example for them in terms of sex roles within a family. And yet it blows my mind when they come home saying things like "boys are doctors and girls are nurses." So I don't even need books for them that are explicitly about feminist views of sex roles but ones that offhandedly have the characters going to a female doctor or having a male preschool teacher, etc.



I hope some of you will find it interesting!
Born at Home
www.vimeo.com

This essay is part of the Women Doing Literary Things blog series. WDLT features weekly essays by women novelists, poets, editors, librarians, journalists, academics, booksellers and more, on the topic of being a woman in theliterary arts. The series is curated by Niranjana Iyer, a freelance writer from Canada.
Uma Krishnaswami was born in India and now lives in northwest New Mexico. She is the author of a retold story collection (The Broken Tusk), picture books (Monsoon, Chachaji’s Cup, and The Happiest Tree: A Yoga Story), early readers (Holi, and Yoga Class) and novels for young readers (Naming Maya and The Grand Plan to Fix Everything). In addition to her writing she is on the faculty of the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults.
Visit her website at http://www.umakrishnaswami.com/
“In the world of children’s literature the gender divide is alive and well, but it’s not about the representation of women. Go to any children’s writer’s conference and you’ll find rooms full of women, with the occasional man doing his best not to feel like an affirmative action icon. In YA and illustration circles, you’ll find a few more men. Still, all the way from the days of Ursula Nordstrom and Harper Books for Boys and Girls, this has been a field dominated by women. As in elementary school teaching, and for a similar host of complex reasons, droves of male writers don’t seem to be writing for children.
And then there’s the question of who reads and who does not. The common wisdom holds that girls read. Boys don’t. They won’t at any rate read books with girls on the cover, or books with girls as protagonists, or books with girlish themes (whatever those are). Girls on the other hand (still referring to the common wisdom that gets tossed about with no regard for where it came from or where it’s been) are endlessly forgiving, and will read anything regardless of the genders of characters or whether the covers are pink or blue. Judging by the pinkness of some covers, you’d think the publishers were actively trying to discourage those picky boys.
And here is another thing. No one talks about girls who don’t read. Presumably there are some. Why are we not in a stew about them? And why does everyone talk about boys who don’t read as if they were representative of all boys? It seems a little unfair, but then we who are not men and boys have an unfair advantage over them. We know and have known for several hundred years, that fairness as a concept is mightily flawed.
So since I am not a man but only what Ursula Le Guin once called a ”Pretend-a-Him,” I thought I’d go to the source. I asked Greg Leitich Smith, a real live man who writes for real live young readers, for his opinion on this whole complicated muddle of gender in our little universe of children’s books. Here’s Greg’s reply:
“BOYS DON’T READ: As a former boy who read a great deal, I’ve always been somewhat suspicious of this statement. It often seems to me we’re lumping “boys” together in some sort of over-generalized anthropological grouping. (I understand why, sometimes, but still.) It would probably be more accurate to say, “some boys don’t read…” Also, when I hear this statement, I’m not sure it’s including boys who read magazines and nonfiction….
BOYS WON’T READ BOOKS WITH GIRL PROTAGONISTS: I think it depends on the book. If, say, the novel is (a) entirely self-reflection, and (sometimes message-y) emoting or (b) exclusively a romance (in which the entire focus of the plot involves girl A falling in love with both boy B), then perhaps a boy is less likely to pick it up. But a girl protagonist per se is not an absolute veto for a boy reader.
WOMEN CAN’T/SHOULDN’T WRITE MALE PROTAGONISTS: Nonsense.”
Ha! So there. It’s the book that counts, and doesn’t good story still rule in children’s books? Plot matters. Action matters. Children won’t read in the hope of finding some obscure literary affectation that doesn’t show up until page 300, but that doesn’t mean they’re not smart and can’t make meaningful connections among texts they read and between life and text. As for the gender of the author–really, I don’t give a chin-hair, and I tend to think I’m not alone.”


Michele, I don't doubt the answer the your question is really complicated (and probably is a combination of publishing pressure, plain old tradition, and possibly even internalized sexism). My favorite children's writer is Diana Wynne Jones, and definitely it's been noted by her fans that she writes more male protagonists. I recently read an essay by her (from 1992) about heroes in which she addresses why she did so that I think answers some of your questions, right from the horse's mouth (from the perspective of children's lit author)! Here are some relevant passages: (the bold is me)
"For a long time I couldn’t write a story with a female hero. The identification was too close, and I kept getting caught up in the actual tactile sensations of being a girl – which meant you towered over boys the same age, were forced to wear your hair so that it got in the way, and that your chest flopped embarrassingly – and I knew that in order to see my hero as a real person, I had to be slightly more distant than that. There were other factors here too. First, my own children were all boys, and I knew not only how they felt and behaved, but what they needed in a book as well. Second, at that time – twenty years ago – neither my sons, nor any other boy, would be seen dead reading a book with a female hero. It really was absolute. They would not. But girls – partly out of necessity – didn’t mind a male hero. But I think the third, hidden factor was the most important. According to the psychologist Jung – and I think he is correct – every person has an open, fully-acknowledged personality of the same sex as their own, and a submerged half which has all the characteristics of the opposite sex. Twenty years ago I was still learning how I wanted to do things, and what I wanted to do was to write fantasy that might resonate on all levels, from the deep hidden ones, to the most mundane and everyday. If I chose a male hero, I could go after my own submerged half and so get in touch with all the hidden, mythical, archetypal things that were lurking down there. Over the years I’ve grown to trust this primordial sludge at the bottom of my mind. I know it’s there now, and I know I can get in touch with it as soon I start writing hard enough to forget to eat or to go to bed." (Commentary by me, I'm not sure I buy that third reason.)
(You have to know she starts the essay by comparing a tennis match to heroic narrative.) "There was another kind of double thinking going on at the tennis too, at least among the commentators. If a male player hit the ball into the net when he didn’t need to, they went, 'Oh what an appalling shot to play at this stage in the game!' but if a female player did, it was, 'Oh well, women are expected to make mistakes.' I was pretty indignant about this, until I realised that the women players didn’t actually make many unforced errors. The commentators’ expectations were years out of date. The women’s expectations about themselves had changed. It is one of those many fields in which feminism has made an enormous subtle difference. Exactly the same change has come about in children’s books. About ten years ago, boys started being prepared to read books with a female hero. I found everything had gone much easier without, then, being able to say how or why. Females weren’t expected to behave like wimps and you could make them the centre of the story. By that time anyway, I found the tactile sense of being female stopped bothering me – which may have been part of the same revolution – and it was a real release. I wrote The Spellcoats, told by a girl, and The Time of the Ghost, from the point of view of a female ghost, then – although this one has only just been published – Black Maria, which explores the traditional roles of the sexes. After that, with a feeling that this was the big one, Fire and Hemlock.
"Fire and Hemlock follows a girl, Polly, from the age of ten to nineteen. Such was my sense of release at that time, that the book was written at white heat – I had absolutely no trouble in tapping the deepest, most resonating levels and relating them to normal present-day relationships. The heat of writing pulled in poetry, myth and folktales by the handful. Polly kept flicking from role to role as hero of at least a score of folktales: Cupid and Psyche or its dark obverse, the Wicked Wedding, Tam Lin, Snow white, Thomas Rhymer, Bluebeard, Cinderella, Sleeping Beauty, East of the Sun and West of the Moon, and many more. It was amazing to me as I wrote to find exactly how many well-known tales have a female protagonist.
"Reviewers – who seem to perform the same function as commentators at tennis matches – did not like this. The chief review of Fire and Hemlock ran, 'This is a girls’ book and I don’t see why I should try to understand it' End review. Last year Black Maria got much the same treatment. Things have not changed that much."
The whole essay is here (and pretty short), if you want the context: http://www.leemac.freeserve.co.uk/her...

Funnily, Cinderella was also in the story as Edna's counterpart. Guess who actually lived "happily ever after"? That's right, it was Edna!
Unfortunately, my knowledge in this area ends somewhere around The Paper Bag Princess and Free To Be...You And Me (and the wonderful William's Doll story, just perfect for my boys who adore their baby dolls). What's new in feminist stories for kids?