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Divine Comedy, Dante > Paradiso 30: Beatrice Transfigured/The River of Light/The Celestial Rose

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message 1: by Laurel (new)

Laurel Hicks (goodreadscomlaurele) | 2438 comments Ciardi:

THE GREAT THEME is drawing to a close. Here in the Empyrean, Beatrice is at last at home, her beauty made perfect, and Dante utters a lofty PRAISE OF BEATRICE. Beatrice promises Dante a VISION OF BOTH HOSTS OF PARADISE. He is blinded by a new radiance, hears a voice announce that he shall be given new powers, and immediately he sees a VISION OF A RIVER OF LIGHT. As in the Terrestrial Paradise, he is commanded to drink. No sooner is his face submerged in the water than the vision grows circular and re-forms as a VISION OF THE MYSTIC ROSE.

Reynolds/Sayers:

The transcendant and inexpressible beauty of Beatrice: When the light of God and of the angels has vanished from his view, Dante turns to look once more at Beatrice. He finds her so transfigured that all he has ever said till now in praise of her would be inadequate to express her beauty at this moment. In this solemn and deeply moving image, Dante conveys, in the allegory, that only God can fully know and fully comprehend the beauty and truth of the most sublime doctrines of theology. In the story, Beatrice is about to return to her throne in the Empyrean and no mortal can express the glory of a blessed spirit, for it is derived from the vision of God.

The Empyrean: Beyond the nine spheres which circle the earth, contained within no space, and beyond time, is the Empyrean, the abode of God, the angels, and the saints. To this place, or state of being, Dante has now come. But first his eyes are dazzled by the light which swathes him. Once again he is blinded and this second temporary death of the eyesight, giving birth to the final vision of Paradise, is taken by some commentators to be an allegory of death itself. No living being can see God; therefore, if the vision is to be made credible, something analagous to the separating of the soul from the body must take place. It seems more probable that the kindling of his new sight is a further symbol of the Thomist doctrine that the state of blessedness is reached by means of vision, whence comes the love of the soul for God, and, from such love, joy that transcends all delight.

The River of Light: By a succession of images, Dante seeks to convey the gradualness of his approach to the ultimate vision. His first sight of the Empyrean is symbolical, a foreshadowing of the truth which he will behold. The river, flowing from an infinite height, symbolizes divine grace poured forth upon creation. The flowers on the banks are the souls of the redeemed, the living sparks represent the angels who minister grace to the souls. Dante has first to drink, with his eyes, of the river of grace. As he does so, its contours change and he sees it as a circular sea of light. This is said by most commentators to symbolize the light of glory which proceeds from the Divine Essence. In the story, Dante learns that it is reflected from the convex surface of the Primum Mobile, to which it gives that life and potency which is distributed by the angels to the stellar heaven and the planetary spheres and so, ultimately, to the earth and to mankind.

The White Rose: The circle of light, which is the light of God’s glory, forms the yellow of the vast white rose which Dante next beholds. Its petals rising in more than a thousand tiers are the thrones of the blessed, whom Dante can perceive despite the distance, for he is now beyond the limitations of time and space. The rose in mediaeval literature was the symbol of earthly love; Dante’s white rose is the symbol of divine love.


message 2: by Lily (last edited Mar 10, 2013 03:53AM) (new)

Lily (joy1) | 5012 comments http://www.lockportstreetgallery.com/...

Dali_Paradiso_30

Salvador Dali: Paradiso Canto 30. “The Infinite Beauty of Beatrice.”


message 3: by Lily (last edited Mar 13, 2013 02:22PM) (new)

Lily (joy1) | 5012 comments http://www.worldofdante.org/media/ima...

Botticelli_Paradiso_Canto_30_River_of_Light

Sandro Botticelli: Paradiso Canto XXX. “The Empyrean: Dante and Beatrice in the River of Light.” c.1480 - c.1495. Drawing.

Cielo Empireo: Realm of pure light outside of space and time in which God sits on high in Paradise. Whereas the angels preside over the other heavens, God presides over the Empyrean.

(No illustration available for Canto 31.)


message 4: by Lily (new)

Lily (joy1) | 5012 comments (Clearer image:) http://www.worldofdante.org/media/ima...

Flaxman_Paradise_Canto_30.94_Heavenly_Court

John Flaxman: Paradiso Canto XXX.94. “Court of Heaven.” 1793. Engraving.

Sweet, but a bit cutesy?


message 5: by Laurel (new)

Laurel Hicks (goodreadscomlaurele) | 2438 comments Lily wrote: "http://www.worldofdante.org/media/ima...



Sandro Botticelli: Paradiso Canto XXX. “The Empyrean: Dante and Beatrice in the River of Light.” c.1480 - c.14..."


Do I see little cherubs tumbling amidst the flowers?


message 6: by Lily (new)

Lily (joy1) | 5012 comments Laurele wrote: "Lily wrote: "http://www.worldofdante.org/media/ima...

Sandro Botticelli: Paradiso Canto XXX. “The Empyrean: Dante and Beatrice in the River of Light.” ...Laurele wrote: "Do I see little cherubs tumbling amidst the flowers?"


Oh, I missed those! There are lots of them in the river, but it sure looks like they are tumbling among the flowers.

This illustration would be such a fun one to see and have a chance to discuss with a curator knowledgeable on Botticelli and this project. I don't know without searching a bit which ones are where, but I believe the vast majority are at the Vatican. A few are scattered elsewhere, possibly all in Europe.


message 7: by Lily (new)

Lily (joy1) | 5012 comments http://www.worldofdante.org/media/ima...

Yates_Paradiso_Canto_30.61_Light

Giovanni di Paolo: Paradiso Canto XXX.61. “Dante and Beatrice Ascend to the Empyrean, Represented as a River of Light.” c.1450. Manuscript illumination. Yates Thompson 36. British Library.


message 8: by Lily (new)

Lily (joy1) | 5012 comments http://www.worldofdante.org/media/ima...

Yates_Paradiso_Canto_30.133_Rose

Giovanni di Paolo: Paradiso Canto XXX.133. “Seat of Henry VII in the Heavenly Rose.” c.1450. Manuscript illumination. Yates Thompson 36. British Library.


message 9: by Lily (last edited Mar 16, 2013 04:44AM) (new)

Lily (joy1) | 5012 comments http://etcweb.princeton.edu/dante/pdp...

Nattini_Paradiso_Canto_30

Amos Nattini: Paradiso Canto XXX. "Forse semilia miglia di lontano..." 1923. (First line. In Hollander translation, that becomes “About six thousand miles away from here…”)


message 10: by Lily (new)

Lily (joy1) | 5012 comments http://www.blakearchive.org/blake/ima...

Blake_Paradiso_Canto_30_Empyrean

William Blake: Paradiso Canto XXX. "Dante in the Empyrean Drinking at the River of Light." c. 1824-27.


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