Tentatively, Convenience's Reviews > Babel-17
Babel-17
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Delany was married to poet Marilyn Hacker from 1961 to 1980. From 1970 to 1971 they coedited 4 "Quark" anthologies. "Babel-17" was originally published in 1979. To quote from the back blurb: "A brilliant poet and her colorful crew range the galaxy to solve the riddle of a language that has become a deadly weapon in the hands of the enemy." Delany has lived the life of a sexual explorer, of a person acutely thoughtful about language, a person experimenting w/ his life full-blown - & his novels reflect this. His heros are often people of a nature similar to himself. They aren't armor-clad Space Marines - transplanted macho military men in a rush to blow away the monsters - they're street performers, poets, people trying to be free & coping w/ the difficult problems of universes w/ imagination & liberation instead of brute force. Language as a weapon? Language as a trap? Language as a conceptual labyrinth full of power?
"She didn't "look at the room."
She "somethinged at the something." The first something was a tiny vocable that implied an immediate, but passive, perception that could be aural or olfactory as well as visual. The second something was three equally tiny phonemes that blended at different musical pitches: one, an indicator that fixed the size of the chamber at roughly twenty-five feet cubical, the second identifying the color and probable substance of the walls - some blue metal - while the third was at once a place holder for particles that should denote the room's function when she discovered it, and a sort of grammatical tag by which she could refer to the whole experience with only the one symbol for as long as she needed. All four sounds took less time on her tongue and in her mind than the one clumsy dipthong in 'room', Babel-17; she had felt it before with other languages, the opening, the widening, the mind forced to sudden growth. But this, this was like the sudden focusing of a lens blurry for years."
"She didn't "look at the room."
She "somethinged at the something." The first something was a tiny vocable that implied an immediate, but passive, perception that could be aural or olfactory as well as visual. The second something was three equally tiny phonemes that blended at different musical pitches: one, an indicator that fixed the size of the chamber at roughly twenty-five feet cubical, the second identifying the color and probable substance of the walls - some blue metal - while the third was at once a place holder for particles that should denote the room's function when she discovered it, and a sort of grammatical tag by which she could refer to the whole experience with only the one symbol for as long as she needed. All four sounds took less time on her tongue and in her mind than the one clumsy dipthong in 'room', Babel-17; she had felt it before with other languages, the opening, the widening, the mind forced to sudden growth. But this, this was like the sudden focusing of a lens blurry for years."
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June 24, 2008
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Eddie
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Jun 24, 2008 07:15AM

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By the way, yr bk reviews are some of the strongest I've read on GoodReads & if I weren't already swamped w/ things-to-read I'd probably check out just about everything you review positively that I'm not already familiar w/! Maybe we shd start an "intellectuals who used to work for Kinko's" club or something.

I appreciate the recommendations. I had a copy of Dhalgren for probably 20 years and never read it and now I've lost it. Lame, but I'd rather not read a mass market format now anyway.
Your library of reviews is vast and fascinating.
