Forrest's Reviews > The Quay Brothers' Universum

The Quay Brothers' Universum by Marente Bloemheuvel
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Jul 13, 2017

it was amazing

This entire book is a Wunderkammer. It's a memory of a relationship I've never had with the Quay's, incomplete snippets of our shared experience, though we've never met. I remember as I read, but there are memories hidden in the gaps between pictures and words, interstitial recollections that may or may not be fully material. This has steeped my brain in ether. I don't know if I will wake up. What is waking, what are dreams?!?

Suzanne Buchan's introductory essay "Short Circuits and Footnote Traces" is sheer brilliance, and by "brilliance," I mean a murky shadow of darkness. Buchan has articulated what I love about the Brothers Quay works in a way that I cannot. And I will not go into depth on her essay here. It deserves to be explored by you directly, without my interference. If you love Quay or are merely curious, let her essay be your Baedeker.

Beyond the introduction are dozens of stills from the Quay Brothers' films interspersed with prose selections by Robert Walser and Bruno Schulz. A short selection from The Diaries of Franz Kafka is also provided, like Walser's and Schulz's fictional pieces, without context. Those familiar with the Quay's films will feel the spontaneous firing of synaptic connections as they read, more from the feel of the prose than from direct situational or plot parallels (though they are present, as well). This method of loose association probably won't do much for those who are unfamiliar with the Brothers Quay cinematic art. But for those of us who already love their work, this book allows for a subconscious association with the film art while away from the film. The inclusion of fragments of Karlheinz Stockhausen's score for Helikopter Streichkwartet, Werk nr. 69 is another example of this dynamic. One cannot actually hear the music and one is not actually watching a Quay film in real-time, but one familiar with both will find their brain stretching to reach back into the darkness and pull forward "sounds" and "images" from memory.

And this is one of the qualities of Quay films that I love: The sense, while watching, that there is something hidden, some memory that holds the key to understanding, just outside of our conscious perception. I strive to find that (collective unconscious?) memory, but never quite find it. Yet, in that striving, I find something, some meaning, partially, at least, but never fully-formed, which keeps me striving even harder, which keeps me engaged, immersed.

I gladly submit to being thus lost, again and again. How can I resist the pull of the simultaneously eerie, yet numinous shadows that the Brothers Quay lead me into? I am driven by wanderlust into the dark, seeking enlightenment, doubtful that I will ever find it, though it is possible that, in seeking, I already have.
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Reading Progress

December 31, 2016 – Shelved
December 31, 2016 – Shelved as: to-read
July 10, 2017 – Started Reading
July 10, 2017 –
page 5
3.47% "A darkly beautiful book, on first blush. Just the way I like them! I am very eager to read this, as I'm a huge fan of The Brothers Quay, as well as some of the influences noted in this book: Kafka and Schulz, particularly."
July 10, 2017 –
page 28
19.44% "Suzanne Buchan's essay "Short Circuits and Footnote Traces" is sheer brilliance, and by "brilliance," I mean a murky shadow of darkness. Buchan has articulated what I love about the Brothers Quay works in a way that I cannot. And I will not go into depth on her essay here. It deserves to be explored by you directly, without my interference. If you love Quay or are merely curious, let her essay be your Baedeker."
July 11, 2017 –
page 77
53.47% "The entire book is a Wunderkamerr. It's a memory of a relationship I've never had with the Quay's, incomplete snippets of our shared experience, though we've never met. I remember as I read, but there are memories hidden in the gaps between pictures and words, interstitial recollections that may or may not be fully material. This has steeped my brain in ether. I don't know if I will wake up. What is waking, dreams?!?"
July 12, 2017 –
page 92
63.89% "Now I most DEFINITELY need to read some Robert Walser. How have I missed him all these years? His work is right up my alley and hiding behind a trashcan with hungry eyes all dressed in grey."
July 13, 2017 –
page 100
69.44% "Note to self: Read more Bruno Schulz. LOTS more!"
July 13, 2017 – Finished Reading

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