Tentatively, Convenience's Reviews > Bad Boy of Music
Bad Boy of Music
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George Antheil is one of my favorite composers - even though I think most of his work is lousy. Why is he a favorite? Because he composed "Ballet Méchanique". Because he composed "Airplane Sonata". Because he composed "Woman with 100 Heads" - inspired by the Max Ernst collage bk. Because he composed the "Jazz Symphonietta". Antheil is at times called an "American Futurist" - along w/ the likes of Leo Ornstein. Both were concert pianists who composed a few piano pieces inspired by technological advances - thusly having a little in common w/ the Italian Futurists. The resemblance more or less stops there. Strictly speaking, I'm not sure there was an American Futurist movement - esp in music. Anyway, after a precocious & energetic period of innovative composing when Antheil was in his twenties, he went on to become a fairly conventional composer - IMO, an almost spectacularly bad one. He also composed soundtracks for Hollywood movies - presumably making a very comfortable living. His autobiography is interesting. He certainly didn't lead a dull life - trying his hand at a diversity of things - including writing a detetctive story called "Death in the Dark" under the name of "Stacey Bishop". I'd recommend this bk to anyone interested in his music. Otherwise? I wdn't recommend it to much of anyone.. Somewhat sad to say.
In fairness to Antheil, I quote from page 138: "If the public still thinks of me at all, it probably thinks of me as the composer of this damned "Ballet Méchanique." It is now strange for me to remember that I actually finished it as long ago as early 1925, twenty years ago - yet I am still listed among the "young American composers"! Therefore, this "Ballet Méchanique" has become to me what the "G Sharp Minor Prelude" must have become to Rachmaninoff: it is frankly my nightmare, this in spite of the fact that since 1925 I have never again touched the idea of "mechanism" in music, either aesthetically or practically, not even in the generically related "Woman with 100 Heads," written in 1933.
In fairness to Antheil, I quote from page 138: "If the public still thinks of me at all, it probably thinks of me as the composer of this damned "Ballet Méchanique." It is now strange for me to remember that I actually finished it as long ago as early 1925, twenty years ago - yet I am still listed among the "young American composers"! Therefore, this "Ballet Méchanique" has become to me what the "G Sharp Minor Prelude" must have become to Rachmaninoff: it is frankly my nightmare, this in spite of the fact that since 1925 I have never again touched the idea of "mechanism" in music, either aesthetically or practically, not even in the generically related "Woman with 100 Heads," written in 1933.
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