Loren's Reviews > Vampires, Burial, and Death: Folklore and Reality

Vampires, Burial, and Death by Paul Barber
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Aug 19, 2010

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From ISawLightningFall.com


No matter your opinion of Twilight, you have to give Stephenie Meyer her due. It's no small feat for a housewife without any prior writing experience to pen a title that sells millions upon millions of copies. Unfortunately for Ms. Meyer, I suspect that history will remember her not for spawning a pop culture phenomenon but for creating a horror monster that left fans and detractors alike scratching their heads -- the sparkling vampire. A decidedly odd alteration of the mythos, true. But Paul Barber reminds us in his cheerily titled Vampires, Burial, and Death that much of what we consider canon was never part of the original vampire legends.

When we think of vampires, we imagine thin, pale, elegant and often royal creatures (e.g. Count Dracula) that can change into bats and drink blood by piercing victims' necks with sharp incisors. Barber argues, though, that the "original" vampires were almost exactly the opposite from those popularized by Bram Stoker and Anne Rice. They were swollen and reddish or purplish in coloration. They were almost always peasants. They were just as likely to open your chest as any other part of your to get their sanguine sustenance, and they weren't choosy about how they did it. And they more often transmuted into wolves than bats. In fact, the true vampire shared a lot in common with the classical zombie, and Barber lumps all of them into a single category, that of the revenant, the one who returns from death.

The book does best when relaying specific historical accounts of vampirism and explaining how misunderstood natural processes gave rise to myths about the undead. Why would a Serbian villager still have almost entirely undecayed skin and liquid blood in his mouth after ten weeks in the grave? Barber explains that skin slippage and the reliquefaction of blood can account for such phenomena and backs up his claim with extensive sections on post-mortem forensics. (Note to the wise: Don't read the chapter entitled "The Body After Death" during dinner.) Unfortunately, at times Vampires, Burial, and Death feels about as dry as grave dust. A weakness for repetition and extraneous examples feels like an attempt at academic meticulousness, and no wonder since it was published by Yale University Press. Still, the end result is as often tedium as thoroughness. That's a shame, because Vampires contains plenty for both horror and folklore aficionados to sink their teeth into.

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