Classic. Yes. THE great American novel. Hmph, so I heard. I suppose it should make one more interested, or at least feel more compelled tThe eh Gatsby
Classic. Yes. THE great American novel. Hmph, so I heard. I suppose it should make one more interested, or at least feel more compelled to read something (or re-read as is the case here) when it has "classic" and "everyone else loves it!" stamped all over it. And has a movie made out of it, though what beloved novel hasn't these days? Of course, I originally read FSF's Gatsby because I was expected to for a high school English class. So, even though I was never the type to do homework, I read The Great Gatsby because it had a neat cover, Fitzgerald is fun to say, and, of course, the legend of Zelda.
Unfortunately for Meredyth, my thoughts on Gatsby 10 years ago are pretty similar to the thoughts I have on it today: How pretty. Pretty decedant. How drippy. How zzzzzzzzzzzzzzzzzzzzzzzz.
It's not that I was completely uninterested. It's that my interest was never piqued to the point of really giving a shit. Sure, who doesn't love a hot mysteriously wealthy man with serious heart ache for a serious material girl? What about those rich dudes who may be crooks but no one can figger out how crooked they are exactly because how crooked can you be if you throw such mean hoedowns?!
Oh, and I love a good morally ambiguous-protaganist/narrator-who-hates-parties-and-society-but-just-can't-seem-to-stay-away as much as the next person, but Nick, our hero, just wants to be liked so very much, and unfortunately, he reads like a sap. And when all the other characters are unforgivable bores, I would prefer that my ambiguous, socially mandated narrator manage to keep me awake.
What about those three stars? You ask. Well I can't lie. I do think Fitz had a way with words. I did find that those subtle nuances of the variations in lifestyle during the depression to be very much in effect, and I would be happy to visit any fictional small town called West Egg. Or East Egg for that matter. And I get the kind of crazy he was going for in his more psychopathic character, George Wilson, who, because he was in love, becomes the bastiOn of normalcy even when he is driven to murder and his own suicide.
FSF did manage to be believably compassionate towards his seemingly less insane characters, (who are all on the brink of insanity) (but still made me drowsy). There is definitely a part of me that sees how one could be drawn into the twinkly lit world FSF created, supposedly, out of his own reality, and I have noted his passion for the beauty of the unfolding story, such as it is.
But I was disappointed 10 years ago by the story's inability to convince me it wasn't nap time, its unwillingness to point out the the relevance of the individual over society, and the irrelevance of the world Gatsby inhabits, and I was disappointed again this past week.
In summation, be sure to keep an eye out for this writer. Once he writes something more appealing to the masses he's sure to bust out onto the scene soon. You heard it here first....more