[I received a copy through NetGalley, in exchange for an honest review.]
A strong premise that definitely caught my interest (what’s not to like about[I received a copy through NetGalley, in exchange for an honest review.]
A strong premise that definitely caught my interest (what’s not to like about a female-driven version of “Lord of the Flies”, so to speak?), but whose execution unfortunately didn’t work for me.
The story starts with a typical “dystopian place where women are expected to behave in certain ways, and are under men’s yoke without any recourse”. Bleak (and sort of over the top), but that’s why it provides for a good starting point: heroines aren’t born from cozy lives where nothing unpleasant ever happens, after all.
Tierney is that person: a girl on the cusp of her sixteenth birthday, after which she’ll be exiled for one year with all the other girls born the same year as her, to live in some remote camp in the woods where they’ll all have to expel the “magic” out of them. (A magic that is clearly threatening only because it is meant to have an impact on men, of course, such as the girls being rumoured to be able to seduce anyone if left unchecked, and so on.) So that’s where we start: on the eve of that fateful day, with Tierney disagreeing with it but not having much of a choice, and determined to make the most she can out of it—she knows that no boy in the county will give her a veail (= propose to her before she leaves), due to her being the local tomboy, so she wants to work in the fields instead when she’s back, to at least have some kind of freedom by working outdoors. To no reader’s surprise, things don’t go exactly as planned, and Tierney finds herself leaving with the promise of enmity in that camp, rather than of working together to survive the upcoming year.
The “grace year” is clearly not a good year for these girls, and I did like that part of the world described in the book. Again, not a rosy part at all, rather an infuriating one at that, for the girls having to live in that camp on an island was an obvious attempt at breaking them and better subdue the future wives and female workers of the county. Is the magic real? Most people in Tierney’s town probably wouldn’t be able to recognise it if it stared them in the face, but they are nevertheless quick to seize this as an opportunity to get rid of a wife judged as too old now, or to smear someone’s reputation. You want to root for Tierney here, hope that she, at least, will find a way out of this, or a way to turn the table and bring change to her society…
…But that’s where the book lost me, for several reasons:
- The camp setting could’ve been a perfect opportunity to show us young women having to cooperate in spite of their differences, and perhaps finding and retaking their own power in a place where no one else would see and judge them. Unfortunately, it went down another road, one I don’t care for much, in a “one vs. all the others” way, complete with mean girl extraordinaire and appalling behaviours. Although the latter was somewhat part of the very patriarchal society depicted here, the problem was how it only contributed to pitch girls against girls, even more than in their hometown, instead of giving them a common ground on which to build something else.
- Tierney was introduced as resourceful, but there were several moments when she was helpless in situations where she should’ve made more use of her skills, and let herself be bullied to an extent that could’ve been lethal. Maybe I was expecting too much here? I expected her to catch on much more quickly on how the others would behave towards her, and have, I don’t know, some backup plan?
- Following this: the huge problem, for me, of having the female lead placed in dire situations… and get out of them only because men helped. This completely underminded the feminist aspects, from the man who helps Tierney in the woods, to the one who lies to save her skin. Not only did it make her look helpless, but it also enforced the message that, all in all, men were deciding everything about her life. Again.
- The romance. Unnecessary in such a plot, and without any real chemistry anyway.
- The world itself. I’m still not sure whether it’s a fantasy world, or whether the county is located in England or the future USA or something (mention is made of people from varied origins with different languages, then of English having become the common language; Vikings are also briefly mentioned). It was pretty much a bubble world, with only the county and the one town in it, and nothing else beyond this. Still unsure whether societies in other counties was the same or not, if they had grace years as well or not, etc.
Conclusion: I filed this one as “it was OK” because I did finish it and it had a few points I liked, but it could’ve been so much more, and ultimately wasn’t....more
[I received a copy through NetGalley, in exchange for an honest review.]
I hadn’t read anything by Ogawa in 10 years or so, and I admit I don’t really[I received a copy through NetGalley, in exchange for an honest review.]
I hadn’t read anything by Ogawa in 10 years or so, and I admit I don’t really remember anymore all the details, but I do remember I tended to like this author. Hence my seizing the opportunity to get and read this one.
It is a strange story in a way, in that, all in all, the characters are not so memorable themselves (their names are never revealed), and yet still leave an impression due to what they are going through. As inhabitants of an island where certain things disappear from memory at random, they are constantly faced with not knowing what the next thing to go will be, with the Memory Police coming to enforce this by making sure people get rid of all traces of the now-forgotten things (including also getting rid of those who are able to remember), and where one question lingers at the back of many minds: will the people themselves be forgotten someday?
The novel follows a woman who writes novels for a living, and whose mother was one of the islanders who retained their memories. While the narrator is affected by the disappearances, and does her best to lie low and be an abiding citizen, she also does uphold a tiny streak of rebellion, up to the day she decides, with the help of an old friend of the family, to hide someone who remembers in a storage space between two floors. As the disappearances increase, and the Memory Police searches more and more homes and arrests more and more people, not only does she have to face the fear of being discovered, but also her fears of what will happen in the end.
This said, the story is less about the dystopian state of the island (the size of the island itself is never specified: it feels like a small island with just one town, and at the same time it must be bigger than that), or even about providing an explanation as to the collective, gradual amnesia taking hold, and more about memories, about how various things are important for us, about exploring what forgetting could mean In time, the inhabitants lose the names of what vanished, and even when presented with a surviving item that escaped the police, said item doesn’t elicit anything in them. And there lies another question: are memories precious in themselves, or only for as long as they feel precious to us? The narrator constantly struggles with this, as another character does their best to help her recover her memories of disappeared things and she’s never sure this can even happen.
Woven into the narrative is also the story the narrator (an author) is working on, that of a typist who’s lost her voice and communicates with her lover by writing on her typing machine. At first, I wondered how this was supposed to tie with the main story, and was a little afraid it was here for flavouring more than anything else—but it does tie with it at some point, and in a very relevant way.
Conclusion: 3.5 to 4 stars. In terms of narrative and of memorable characters, this is not the most striking book ever, but it has the sort of gripping, haunting quality that won’t let go....more
[I received a copy through NetGalley, in exchange for an honest review.]
It took me a while to get through this one. I’m not exactly sure why I wasn’t[I received a copy through NetGalley, in exchange for an honest review.]
It took me a while to get through this one. I’m not exactly sure why I wasn’t thrilled and not in the mood, but part of it probably had to do with the fact several characters have their arcs develop throughout the book, without enough screen time for each. When this happens Moreover, while there will be a second volume, and I didn’t expect everything to be solved here, some of these arcs were also cut short, without any proper ‘aftermath’ time being given. It’s akin to someone being deemed as super important because they will save us all, then that person suddenly refuses to do it, or dies, or is out of the picture for any other reason, and… that’s all. It’s supposed to be bad, but no one really dwells on it. It felt very strange.
I also struggled to get through and not skim. Not sure if it was the style (present-tense narrative is fine with me in small doses, but not for hundreds of pages). Or the apparent ‘main character’ who turns out to be sidelined pretty quickly, and wasn’t super pleasant to read about anyway. Or the plot jumping between characters but without really giving a feeling of cohesion. Probably a mix of all. In the end, the story deals with heavy themes (acceptance & rejection, internment for people with powers instead of trying to integrate everyone in a new society, being killed just for being different…), that affect the characters a lot, but… I didn’t really care about the characters. In fact, to the risk of sounding awful, the one character I enjoyed reading about the most was Owen Curry. Yes, that one. Also the circus/freakshow subplot. I guess that’s quite telling.
It wasn’t a bad story in itself. Depressing in parts, sure, because we already have enough of that intolerance crap in our real world out there. But that doesn’t make a story bad. As far as I’m concerned, though, the above made it a slog for me, so it was okay-ish in the end, but I can’t say I absolutely liked it....more
[I received a copy through NetGalley, in exchange for an honest review.]
Not as good as I had hoped it would be from the blurb, but still an[I received a copy through NetGalley, in exchange for an honest review.]
Not as good as I had hoped it would be from the blurb, but still an entertaining and interesting read.
(I’ve seen it compared to/inspired by “Westworld”, but not having seen it, I honestly can’t tell, so that won’t play a part in my review.)
I definitely liked the premise: “the Kingdom”, an amusement park of the Disney World variety, with seven princesses, a.k.a the Fantasists (Ana and her sisters), and various themed areas, such as Mermaid Land, where customers can spend the day, have fun and live mini-adventures, far away from their bleak everyday life (the world outside seems in a constant financial, housing and environmental crisis). Moreover, the visitors can interact with the perfect-Disney-like princesses—always smiling, kind, helpful and aiming to please—and see “hybrids”, animals that used to be extinct, but have been re-created through a combination of genengeering and cybernetics (yes, including dinosaurs).
Of course, this immediately raised controversial questions as to the nature and role of the hybrids, whether the princesses or the animals, and the way they were seen and treated by people in general, and by their creators more specifically. The veneer of a dream-like life for the princesses is very early shattered when Ana describes how they are tied in their beds for the night, how firewalls prevent them from accessing the whole of Internet and communicate with the outside world, and how sometimes, some of them seem to lose their memories of the previous day or evening.
The story is seen through Ana’s eyes, as well as through snippets of interviews and articles, most of which are related to a trial following Owen’s death at Ana’s hands. I usually tend to like this kind of format, for several reasons (varied points of views that are easy to separate from each other, short “chapters” that are really convenient when I can’t read for long stints…), but some of those weren’t too relevant, or at least, only became relevant long after, which gave me enough time to dismiss them. These different narratives offer more and more information as to the “dark fairy tale” that unfolds throughout the novel, with Ana and her sisters developing more and more of a personality and feelings of their own, in spite of their creators claiming they cannot do more than what their programming allows them to. While we don’t get to see through her sisters’ eyes, Ana’s recounting of the story lets us see what a slippery slope it is, when AIs in human-looking bodies are meant to act like human beings, but at the same time constricted into prisoners’ roles that deny them any claim at even a scrap of humanity.
Why I didn’t give more than 3-3.5 stars to this book was, first, how the romance itself unfurled. I get what happened, I get what the characters did, but I never really got a strong feeling for their relationship, nor did I feel strong chemistry between them that would justify, well, an actual romance. I also found Ana’s narrative style somewhat dry and bland, which in a way fits well with her nature as an artificial intelligence, but didn’t do much in terms of gripping writing. And the last third of the book lacked coherence at times, as if everything collided together at the same time without tight reasons in the background—so in the end, it felt rushed, and poised on the edge of unfinished (“was that a standalone or will there be a sequel?”).
Conclusion: Not as gripping as I had hoped, although it does lend itself to interesting discussions about AI, artificially created beings that are nevertheless sentient, and how they should be treated....more
[I received a copy of this book through NetGalley, in exchange for an honest review.]
In a not-so-distant-future America, where most of society has[I received a copy of this book through NetGalley, in exchange for an honest review.]
In a not-so-distant-future America, where most of society has collapsed, Paxton and Zinnia get hired in the same Cloud facility, each for their own reasons. As they start seeing each other more and more, and confirm (more than realise, to be honest) that their jobs aren’t as shiny as the recruitment ads would let people think, their own deadlines loom over them: for Paxton, the visit of Cloud’s CEO; for Zinnia, her actual job, that is, finding out what really powers Cloud’s warehouses.
Not so much a thriller per se, although there is definitely an element of mystery when it comes to “what powers the Cloud facilities”, as well as a couple of other things. More than that, “The Warehouse” is part social commentary about corporate practices pushed to an extreme we may, in fact, not be so far of: living at your workplace, eating at your workplace, with your days governed by your employee rating, until the line between both tends to blur and losing your job doesn’t only mean “losing your financial means” but pretty much “losing your whole life” as well—there’s very little hope for any other kind of employment out there. Cloud is most obviously a future Amazon, but also Uber and all other workplaces where one is just but a cog in the machine—and just as replaceable—all the while being lured in by shiny promises of being a “valued employee”.
In terms of story, I enjoyed it general, but I admit I didn’t feel that much invested in the characters, perhaps because a lot of their interactions was coloured by the daily grind of their respective jobs, which made the pace slower than I would’ve liked it. I liked the couple of twists towards the end (I had already guessed who was Zinnia’s employer, though it’s always good to see one’s theory vindicated)—I was expecting maybe something a tad bit more gruesome, but what actually happened was still good. I was, however, left unsatisfied by the very end itself, I guess due to the way it dwindled down rather than stopping on a “high” (it was back to the grind, sort of, which was like going out with a whimper rather than with a bang). Fitting, in a way, considering the prospects of one's life at Cloud; less fitting for me in terms of storytelling.
Conclusion: 3.5 stars. Enjoyable, but I think I was expecting more from it....more
[I received a copy through NetGalley, in exchange for an honest review.]
A techno-thriller with interesting AI-related themes, although in the end, I[I received a copy through NetGalley, in exchange for an honest review.]
A techno-thriller with interesting AI-related themes, although in the end, I wasn’t awed by the story.
Set in a somewhat near future where transactions are handled through blockchain-based contracts and people’s quality of life is dependent on their social credit score as well as on their financial credit score, “Tangle’s Game” tells the story of Amanda Back, a successful investment banker who finally got a complete grip back on her life after an ex-boyfriend stole her money and left her betrayed. Flying back to London, and after an invasive search episode at the airport, she comes home only to realise that said boyfriend has involved her in a dangerous game where a mysterious USB stick and the information it contains is key. The only problem? Amanda isn’t a hacker, or a conspiracy theorist, or a whistleblower, and is probably the last person with the proper connections to do something with said information.
The premise really hooked me in, and I quickly wanted to know more about how this would all unfurl: who were the enemies, how would they try to get the info, what was Tangle’s exact part in that, who could be Amanda’s allies… Most of all, I was interested in Tatsu, the little AI contracted to help her decrypt the contents of the USB stick. I always have a soft spot for AIs, and Tatsu was definitely endearing.
By contrast, though, I never really warmed up to the human characters. Mostly they were “unlikeable” as people (Amanda is pretty much self-centered, Tangle is no better and probably somewhere on the sociopathic ladder…), but that in itself is not a deal-breaker for me—they can be the most rotten pieces of crap in the world, I can still find them likeable as characters, provided the execution goes this way. It wasn’t much the case here, in part because these characters as a whole made problematic decision after problematic decision, in a way that made me keep wondering how on Earth they were still alive. (I’ve been a tabletop RPG player for over 20 years. Trust my experience when I say that “’eceiving mysterious information and just hanging about in one’s own flat—where everybody know they can find you—while trying to come up with ideas about what to do” is a sure way of being assaulted at night by men in black or other unsavoury characters.) I was actually glad when one of the bad guys finally called them on their ability to come up with plans that may work in movies, but never in real life. And that was worth for pretty much the whole cast, not only Amanda, who at least I would’ve expected to be the most clueless.
The last 20% picked up, and with Tatsu still involved by that point, that made me want to read until the end at any rate. The ending itself is fairly open, and leaves much unresolved, but in a way, it also makes much sense: things got mired, then exploded, and now the world’s in turmoil… and the fragile situation at the end, teetering between hope and potential catastrophe, fits that pattern.
Conclusion: 2.5 stars. Mostly I didn’t care much about the human characters, and there were a few plot holes that annoyed me, but I did enjoy the part played by the AI, and the way Amanda (and Tangle, too, after all) considered it....more
[I received a copy of this book through NetGalley, in exchange for an honest review.]
The theme of this book was definitely scary, in that it’s not[I received a copy of this book through NetGalley, in exchange for an honest review.]
The theme of this book was definitely scary, in that it’s not something that can never happen—it has happened in the past already, and anyone who’s studied history a little, and/or gotten interested in studying extremist movements, will know very well that even an apparently “balanced” society can give way to extreme rules, to persecuting people, and to turning your average citizen into an “I was just doing my job” person.
The story echoes the internment of many Japanese-descent American citizens during World War II, often considered as “enemies of the nation” and interned as “potential dangers”. There is no World War here, “only” the aftermath of 9/11 and growing fears of terrorism, with people being so afraid of a fringe of Muslim people that they lump all Muslims in the same basket, starting with a religion census, then moving to curfews and the burning of books. Also, the parallels drawn with early 21st century US politics are obvious (although this is not limited to the USA)... perhaps a little too much. Which leads me to what was my main beef with the book: it makes everything too obvious.
Don’t mistake me: the message IS really important, and there’s no way any decent society should let something like this happen (again). However, I often found that it was hammered through and through, and that overall, more subtlety, and a more mature treatment of it all, would’ve been welcome. It’s a little as if too much repetition, too much obviousness, weakened the message by making it tiresome, in a way. (I’m not sure if I’m explaining myself very well here. It was difficult to properly put my finger on what had been nagging me throughout my reading.)
A few other things annoyed me, too. The writing itself was fairly simplistic, with Layla’s thoughts often circling around the same things (like her boyfriend), and in general, there wasn’t really any explanation about how things came to be. I could fill in some blanks because I know my history, but more background details about the escalation of Islamophobia leading to the internment camps would’ve been great (and would’ve helped to strengthen the message)—just like it would’ve been good to see more chemistry when relationships were involved. For instance, Layla and David: we don’t get to see them together enough in the beginning to get a feeling for their relationship, and this makes it hard to really empathise with their obsession to see each other (even though doing so endangers pretty much everyone: David, Layla, his family, her family, the people who help them…).
The same goes for those people who are on the Muslims’ side: with everyone at the camp cut from the outside world, with no real news, no phones, no internet allowed, whatever happens outside is learnt through third parties. We don’t really -see- those reactions, we don’t get to read the texts that Layla manages to smuggle outside and that inspire people, etc. And most characters’ motivations are never really explored. Why is the Director such a cartoonish villain? What motivates the guards who try to help? What motivates (or threatens) the minders turned traitors to their people?
The ending, too, was… conveniently simple. And got rid of one specific plot point that otherwise would’ve needed more explanation. That was very predictable… and very frustrating.
Conclusion: I definitely agree with the message here, but as a novel, it didn’t really work for me....more
[I received a copy of this book through NetGalley, in exchange for an honest review.]
A provoking and interesting read, not so far removed (in fact,[I received a copy of this book through NetGalley, in exchange for an honest review.]
A provoking and interesting read, not so far removed (in fact, not far removed at all) from current political and scientific controversies when it comes to embryo research, LGBTQ+ rights, and rising intolerance.
Juliet and Rosie apply to a newly approved research program that will allow them to conceive a child “ovum to ovum”. The point: having THEIR child, of course, and not needing to rely on a stranger’s sperm. Huge uproar ensues throughout the UK and the rest of the world, led, it seems, not so much by fears for the children thus conceived (although some characters do voice concerns about potential genetic flaws), but by the fear of men being made redundant. Which didn’t surprise me at all, and was, I think, spot on: should such research be developed in our world, I bet that we’d face this very kind of arguments. (It’s like all that rage against abortions, really: so many anti-choicers are all about Saving The Embryos, but you don’t see them holding out helping hands to take care of the unwanted babies once they’re born. Anyway.)
Most of the opposition to the main characters and their unborn baby also comes from sources that don’t surprise me, including a politician who’s riding the wave of Family Values because that will garner votes. It doesn’t help that the incriminated research has been unveiled by a woman, because this adds fuel to the fire, in a “feminist agenda to get rid of men” way. So we can see that from the start, the whole research and its outcome is not going to get only friends.
I did enjoy the characters’ evolution, when faced with certain choices that forced them to question their own values. On top of the obvious scientific, political and social angle, the story also raises valid questions about conceiving vs. adopting, about what it means to want a child, and why one would love (or not) said child.
I had a little trouble to get into the story at first (also because, silly me, I grabbed too many books from the library at the same time, and had to read before they expired, so it’s not just the story’s fault). I think that was because of the somewhat dry narrative style and a repetitive feeling, with Jules (the narrator) doubting her motives, then trying to convince herself that it would pass, rinse and repeat. Things picked up after a while, though, and made this book in general a worthwhile read.
The other thing that I didn’t like here was, well, the negativity. On the one hand, as mentioned previously, it didn’t surprise me, and I would totally expect harsh reactions to such research in reality. On the other hand, it also felt like 99% of the world was against Becca, Scott, Jules, Rosie, and the other people involved in this. And it made me wonder, would there be -no- support at all for something like this? It was like every newspaper, every magazine, every website only had criticism to share, and there was no blogger out there encouraging these women, approving of the research. So, it was “realistic”, but I would’ve have appreciated seeing more support for Jules and Rosie, for lesbian couples trying to have a child, etc. Seeing a story where LGBTQ+ people get nice things, too, and not mostly negative ones. (In contrast, too, when some things went well, they did so all at once, without that many consequences, which felt strange, and lacking a proper middle ground.)
Conclusion: 3.5 stars. A slow beginning, with a pace that fortunately picked up, and a tackling of issues that was both very realistic but a little too pessimistic to my liking, too....more
Something like 2.5 stars, as I'm on the fence with this one. It has powerful messages, including a reminder that often, all it takes for evil to winSomething like 2.5 stars, as I'm on the fence with this one. It has powerful messages, including a reminder that often, all it takes for evil to win is for good people to do nothing. Not that you always have that much of a choice (I've spent all my voting life picking the lesser evil candidate for president in my country, because there's just no 'good' candidate at all), but nvm. And while these messages are delivered in a not-so-subtle way, well, at least that makes them easy to see and to contemplate. The book is also a fast and easy read, with short chapters, and the first 100 pages are quite anger-eliciting, which is good in a book IMHO regardless of its other flaws—when the book leaves me indifferent, that's when I have a problem.
The issues I had with "Vox" were more of the literary kind. For starters, the characters weren't so likeable. Some are definitely not meant to be, of course, and that was not the issue; but for a story where women should be the ones reclaiming power, Jean relies so much on the men around her, including at the end, and that was disappointing. Plot-wise, the scientific premise demanded too much suspension of disbelief (one week to develop a medication, that kind of thing), and the ending was very rushed, which weakened the story for me.
In spite of my rating, though, it is a story worth reading for its message....more
[I received a copy of this book through NetGalley, in exchange for an honest review.]
I admit I skim-read the last 25%; I tried to read more carefully,[I received a copy of this book through NetGalley, in exchange for an honest review.]
I admit I skim-read the last 25%; I tried to read more carefully, but at this point, either I skimmed or I DNFed, and I don’t like DNFing.
It is not without good ideas and potential, and it delivers good criticism of a society based on money: in this case, money literally defines your weight in the world, since the poorest people are tiny and get squished by just about anything and anyone, while the richest ones are so big that they tower over everyone and take a lot of space. The plight of the characters, too—the way they have to fight, the desperate schemes they come up with, are (unfortunately, realistically) close to reality, in that when you don’t have much, no matter how you try, your attempts are conditioned by the little means you have. (I do agree that “you have to make efforts to achieve your dreams”, but let’s be honest, it’s very easy to give lessons about how you managed to buy the house of your dreams when you got a nifty inheritance from your grandparents. Prayer’s plan to find herself a husband, as harebrained as it is, does reflect a desperate attempt at doing something with nothing.)
However, I couldn’t really connect with the characters, nor get into the writing style, which tends to combine words together. I get it, I get why it’s done, but for me, it’s jarring (took me a bit of time to realise that the “munmun” of the title is money, although that was because I wasn’t pronouncing it, only reading it at first). It’s like all those cutesy words like ‘preloved’ and ‘choccy’ and all that stuff which, for some reason, is considered as witty, but just falls flat as far as I’m concerned. After a while, I lose interest.
More like 1.5 stars for me, however, I do acknowledge that there are good ideas in here....more
Overall, I enjoyed this book, although ultimately it didn’t live up to quite a few of my expectations.[I received a copy of this book from NetGalley.]
Overall, I enjoyed this book, although ultimately it didn’t live up to quite a few of my expectations.
The worldbuilding isn’t tremendously developed here, but what is shown was enough for me to draw a satisfying idea of what it must be like. Post-apocalyptic future, in that, without surprise, humans have been destroying their planet to the point of tsunamis ravaging California (the story is clearly set in its remnants) and solar radiations giving anyone cancer if they walk out unprotected even for an hour or so. It’s a harsh world to live in, where people eke out a living by foraging scraps, prostitution, being in gangs, or competing in the WarDome game by piloting huge robots meant to punish AI robots who stopped obeying the Three Laws (yes, that’s Asimov’s Laws—they tend to work well in various sci-fi worlds, methinks).
Piloting one of those ‘machinas’ is exactly what Eve, the main character, does to earn money and pay for her grandfather’s medication, encouraged by her tiny robot Cricket and her best friend Lemon. Except that her latest fight doesn’t go well at all, and she finds herself manifesting a strange power that sends religious fanatics and bounty hunters on her trail… although not only. This is how she meets Ezekiel, the ‘lifelike’ (an android built in such a way that he looks completely human not only on the surface, since he has blood-like liquid in his veins, metal bones and not simply motors, etc.) This merry band runs away, trying to escape their pursuers as well as to find what happened to Eve’s grandfather, in a world that would look great on screen: radioactive deserts with storms full of glass debris, enemies on motorbikes with rocket launchers, a city made of a whole landlocked float, the ghost town of what used to be a powerful corporation, a living underwater ship… The author doesn’t disclose that many details about geopolitics or history in here, however what he shows us worked for me, and let me imagine this world where Eve and her friends have to live.
In terms of characters, mostly I didn’t care for them, except Lemon. She comes off as the most human and balanced (both strong and fragile), with a cocky attitude and a to-the-death loyalty that felt genuine.
Also, special mention for the novel crossing Anastasia with Pinocchio. I don’t think I had seen or read that yet, and I found the idea interesting, as well as working fairly well.
Where I wasn’t happy with the book:
1) The romance. As often in YA, it was too much of the insta-love kind, without chemistry, and since we get to see how it started only through flashbacks, there was very little in it to make me like it. Eve took a bullet to the head and her memories are sometimes frazzled, and Ezekiel is too many shades of ‘I love you and you’re the only one who gave meaning to my life so now I’m here and I’ll do anything for you’ (commendable, but not very interesting nor even plausible, considering we never got to -feel- how it developed).
2) Ezekiel. Here we had an excellent opportunity to show a character that is not human, yet was built to be like humans, only without the emotional maturity that we develop over ten, twenty, thirty years. Granted, this is mentioned a couple of times, when it comes to the other lifelikes and the way they learnt to love (quickly, brutally, in a way that could drive them mad if the relationship broke, since they didn’t have the emotional background to soften the blow)—but then, this came through -them-, instead of through Ezekiel’s experience.
I think part of the problem stems from the fact we don’t have chapters from Ezekiel’s POV. Eve, Lemon, even a few minor characters now and then: sure. But not Ezekiel. So, in the end, we really get that ‘doll-like’ character who, sure, is an excellent fighter, but whose motives to help Eve never raise past the state of plot device. I would have loved to really see his point view rather than been told about it, see his inner questioning, how he sees the world, how he accepts (or not) his condition of nearly-but-never-human being, especially since this would’ve worked with a certain plot twist also prompting another character to question what being human means.
(A note here regarding the sexual relationship between Ezekiel and Eve; we don’t see it, but it’s more than just vaguely implied. I know that for some people, this is a complete turn-off. I must say I did find it interesting, not so much abnormal and disgusting than intriguing and raising lots of questions about, well, being human, what it means, how it is defined, etc. Did the lifelikes have sexual relationships because they were programmed to, in a perfectionist desire to copy human biology? Was it something that developed ‘naturally’ in them because they looked so much like humans and lived among them? Did they read about it, and so were conditioned from the beginning to believe it was the next step, and from there, would it mean that they could’ve learnt other forms of physical love if given the chance? So many roads to explore, but that weren’t… -sigh-)
Conclusion: In terms of action and of a world easy to picture, this was a fun and entertaining read. However, I regret it didn’t go further than that....more
[I received a copy of this book through Netgalley.]
The conclusion to this trilogy, and a satisfying one, although I found the ending a little too[I received a copy of this book through Netgalley.]
The conclusion to this trilogy, and a satisfying one, although I found the ending a little too quick and predictable.
One of the things I liked here is that we got more information about the world around the RUSA. Not a lot, of course, the trilogy’s aim wasn’t to paint a full geopolitical portrait; nevertheless, I always appreciate it when sci-fi/dystopian settings take into account not only to focus country, but also the others. This shakes off the ‘pocket universe’ feeling that is very often prevalent in this genre. In fact, it’d almost deserve a spin-off so that the author can have fun with what’s happening around and outside the RUSA.
Like in the previous books, I also enjoyed the family relationships. Benson and Harrison could’ve been awful to each other, even when thrown in the same predicament, with constant jealousy and resentment. While there were some tensions (it was unavoidable), though, they embraced each other’s respective existences, as a discovery of the brother they didn’t know they had, instead of embracing negative feelings. Which was great. And which leads me to another aspect I enjoyed: the toned-down romance. Yes, there is a romantic subplot, however: - It’s not the main focus; - It doesn’t cause the characters involved do stupid things and make stupid decisions because LUUUUURVE (I’m so tired of those silly romance plots where the world is ending but the main character is still too busy pondering which of the guys/girls s/he’s in love with); - I mentioned this in my review about volume 2 already: when Benson is concerned, I liked seeing such a predictable romance -not- happen. Having everyone find their Twue Wuv or whatever would’ve been too saccharine for me. The focus here is FAMILY, not romantic love, and especially not romantic love as the be-all and end-all and the Highest Form of Love Ever.
Bonus point for Jarrod’s arc. That character was a POS and I hated his guts, but you know what, that’s GOOD, because it means I cared. He helped emphasize one end of the spectrum (the other end being the corrupt government), with his ‘a means to an end’ attitude and terrorist ways, including what he roped Geoffrey into doing. Who does that to a kid, spewing BS such as ‘your sister would be so proud of you’? Yeah. Exactly.
Now, to expand a little on my comments about the ending:
- ‘Too quick’: that is, compared to all the reversal of fortunes previously encountered. - Predictable: there were quite a few more twists in this instalment, with the last secrets being revealed. However, as a result, the ending felt somewhat… uneventful? As if it was indeed the last sprint, but one that led to no more surprises. Don’t mistake me, it’s a good conclusion, only just a little too well packaged and ‘clean’ and neatly tied, for a series that was grittier than a lot of YA series out there… so I guess I expected something more bittersweet, with some last twist, maye? - Some parts were anti-climactic, like what happened with the president. - I gather that the Destroyer is gone, buuuuut… Like THAT? Now that was disappointing, all the more since we didn’t get to see him do much in the first half of the novel. Alright, as a villain, he was ‘too much’ anyway. Yet that end felt almost… comical? And it jars with the darker tones of the trilogy, because deep down, Domino is a broken human being—he was already deranged before, but he was also treated like an object, stuffed with mechanical parts, brought back from the brink of death instead of being let go with dignity, and generally it was as if everybody discarded his humanity from the beginning, never giving him any chance at all. (I’m not saying a redemption arc would’ve been good here—he was too far gone. Just… not -that- kind of ending.)
Conclusion: 3.5 stars. In spite of my criticisms, I did enjoy this last volume....more
[I received a copy of this book through NetGalley.]
A tricky rating to give, for I did like some parts of this novel, but others just didn’t sit with[I received a copy of this book through NetGalley.]
A tricky rating to give, for I did like some parts of this novel, but others just didn’t sit with me.
It made for intense read, for sure: for the catastrophe it depicts, the parallels it draws with our current world, the violence inflicted to characters (and especially women), the crude representation of a degenerated mankind, the desperate way the main characters live their lives. Christine and Trinculo, lovers in bodies that cannot experience physical pleasure anymore, united through skin grafts and art instead, as well as through their common support of Joan of Dirt, burnt for heresy. Leone, sexless and hardened warrior who never gives up. Nyx and their willingness to bring about destruction to help creation in turn.
One may or may not appreciate, also, the literary references. Jean de Men is most obviously a reference to Jean de Meung, and his perverted goals a direct echo of de Meung’s writings about women being deceitful and full of vice. In the same vein, Christine is Christine de Pisan, whose own writings attacked de Meung’s. Trinculo, both in name and behaviour, is the Shakespearian fool, whose apparently nonsensical language and insults are used to carry unconvenient truths. This goes further, since Christine is a feminist voice who lost her physical femininity, while Jean defiles bodies too close to his for comfort. As far as I’m concerned, those worked for me.
The writing itself, too, has beautiful moments, and weaves metaphors and descriptions in a way that gives the story a surreal aspect. Something larger than life, something that the characters try to reach for and clutch to, just like they clutch to their past sexualised humanity because they don’t really know what to do with their new bodies, much too fast devolved.
The science fiction side, though, didn’t work so well, and even though I was willing to suspend my disbelief, I couldn’t get over the evolutionary processes throughout the story. Joan’s power? Alright, why not. But human bodies degenerating to sexless, hairless, mutating in such a rapid way affecting everybody, not even on two or three generations but within one’s own lifetime? That’s just completely illogical. I see the intent, I understand it to an extent ( as it pitches this broken mankind with its broken bodies against the one being who brought destruction yet at the same time is the only one who can still bring about true creation), but it still won’t work for me from a scientific standpoint, which is something I still expect to see in a sci-fi/post-apocalyptic setting.
The writing deals with first person points of view that aren’t necessarily the same person’s from one chapter to the other, and it made the story confusing at times, until a hint or other made it clearer whose voice I was reading. At times, it made the narrative disjointed and the characters ‘remote’, which made it more difficult to really care for them.
Nevertheless, it was a compelling read that goes for the guts, violent despite—or because of?—its poetry....more
[I received a copy of this book through NetGalley.]
Hmm, bit of a tough one, I don’t really know why it took me so long to finish it, because it’s not[I received a copy of this book through NetGalley.]
Hmm, bit of a tough one, I don’t really know why it took me so long to finish it, because it’s not a particularly long book?
The topics are both hopeful (a man who embarks on a journey with his dog, to help a child he doesn’t want anything to do with at first, with their relationship developing along the way) and bleak (a maybe not so unbelievable future, unfortunately, considering the current state of affairs in the world, with political parties rising to power and starting to test people to see if they’re ‘of the right type’, rounding up people and putting them in camps ensue...). Probably not the kind of thing I’ve wanted to read recently, which may explain in part the lull I was in regarding this novel, but the latter theme is interesting nonetheless!
So. Great moments throughout the book. Having both Reg’s and Linekeer’s narratives side to side. The dog’s musings about life, what it means to be a dog, how he perceives the world (the smell of fear or grief of happiness, etc.), how he sees us humans and is both awed yet unable to comprehend us. The dire landscape of London, or rather what’s left of it, after a series of attacks coupled with the raise to power of the ‘Purple’ political party. Reg’s progress, from agoraphobic to forced out of his cocoon to actually choosing to stay out, and why he retreated so from the world.
However, I still never really connected with the characters in general. At times they’d have reactions that made me pause and wonder how they had survived so long in such a city, because let’s be honest, ‘fight or flight’ is OK, but ‘stay where I am, paralysed with fear, while bullets fly around me’ is not exactly conducive to long-term survival. I also wished we had had more of the bigger picture, instead of snippets about what happened to the world/London. (I know that wasn’t the focus, the point was the characters and their developing relationships, but it still bothered me.)
Although I do tend to agree with Lineker regarding how people who acknowledge how shitty they are, are the ones who may become the kindest, whereas the monsters keep thinking of themselves as being better, and never question themselves. It... makes sense.
Conclusion: As mentioned, possibly it wasn’t the right moment for me to read this book. I didn’t really enjoy it in spite of finding good, interesting points in it. But I don’t even really know why. I’d say, clearly a matter of ‘in the eye of the beholder’ here, rather than plenty of faults on the novel’s part....more
[I received a copy of this book through NetGalley.]
Keeping on catching up with my NetGalley readings. I finished the first book earlier this week, now[I received a copy of this book through NetGalley.]
Keeping on catching up with my NetGalley readings. I finished the first book earlier this week, now on to book 2, which was also a good one in its own way, and not the dread ‘second book syndrome sufferer’ I usually fear in such cases.
It does pave up the way to the ‘grand finale’ of book 3, of course, among other things by introducing new developments and therefore a third way, so to speak. It’s not about the hunt for Slips only, not anymore; the Lifers are also involved, and no party is all black or all white. The action is not only about running away/reacting this time, although the book does have its share of such scenes since they’re part of its premise, however the characters also start making moves of their own, instead of only the villains setting plans in motion. And even if said moves are a little on the clunky side, the characters are clearly proactive and taking on their enemies now.
The story has its share of twists. Like in the first book, they are partly predictable (e.g. the one where only the audio part is played), yet at the same time some of them are of the gritty kind, that I wouldn’t necessarily have expected in a YA story (this is not YA for 12-year-old, for sure). And as far as I can tell, there’s one major twist that is a definitive one, there’s not going to be any ‘surprise, I’m back’ scene (I hope there won’t be because it was a sad moment, and retconning it would cheapen it).
The ads and propaganda inserts are interesting, too. At first I didn’t care much for them, but little by little they’re helping draw a more comprehensive picture of the world (the technology people have at hand, the comments—both published and deleted—on newspaper articles
The characters keep evolving, Harrison especially is going on a path I like: at first he felt to me like he was ‘just there’, some kind of afterthought patched onto Benson’s story, yet here he takes action, initiates moves that have their own ethical backlashes, gets to go through ordeals as well, discovers betrayal... At the same time, while he does resent his father and seems to unconsciously prevent himself from properly grieving, he’s also accepted his brother like, well, a brother. He’s an interesting counterpoint to Domino: both children had very similar backgrounds (a Slip sibling, one parent being constantly away to take care of the Slip), but Harrison is going a completely different path. On the other hand, I don’t care that much for the Destroyer, perhaps because at this point he’s so broken that even his fighting against his leash doesn’t look like there’ll be much development her, apart from ‘yay I get to be a psychopath 100% of the time now’.
A few new characters get introduced, like Destiny (another Slip, who goes through her own dark moments because of the mistakes she made, and has to learn to outgrow this—all the while showing her inner strength and resourcefulness in terms of survival techniques, -she- didn’t have a Michael Kelly to craft a false ID for her after all!). Or the Agriculturists, more in the background for now but with an agenda of their own.
Conclusion: A solid second book that furthers the overarching plot....more
[I received a copy of this book through NetGalley.]
I hadn’t read anything by David Estes in quite a while, and when I saw this series on NetGalley, I[I received a copy of this book through NetGalley.]
I hadn’t read anything by David Estes in quite a while, and when I saw this series on NetGalley, I thought, well, time to address this state of affairs. I shall also confess that nowadays, I do have a bit of a love-hate relationship with YA dystopias in general, for various reasons, and I was glad that this book, while it is a bit predictable and uses expected tropes, avoids what are the usual pitfalls of the genre for me.
The main characters in general were likeable. Benson is a good mix of resourcefulness, emotions and inner strength. Luce is the obvious ‘love interest’, but without falling in his arms, and with a past that makes it possible (while awful for her) to develop this relationship more slowly and believably than what usually happens in YA novels; she’s also resourceful, daring, and doesn’t hesitate to stand by her friends (well, OK, I guess her decision to face danger with Benson who lied to her was kind of stupid, but...). Michael Kelly as well is an interesting man, torn between his job and his mission of killing unauthorised babies and children, and his desire to protect his son. I didn’t care much for Harrison, though, perhaps because of his ‘perfect athlete and student’ record, and I thought that his mid-book decision came a little out of nowhere, considering he wasn’t seen pondering much about it (and his feelings) before. And I’m on the fence about the Destroyer, in his case I believe I -would- have want to see more of him before he became a Hunter, for his evolution into a psychopath to be better pitched against him as a child (in a way, I love to hate him for his appalling personality, but he’s too one-sided as a villain).
The world in which these characters evolve was also better rounded up than usual in dystopian YA novels (where I often get the feeling of a ‘pocket world’, totally isolated from the rest of Earth, which always makes me wonder where are the other countries and why they’re not poking their noses in). The population control method in those new USA is harsh, however the situation that led to it makes sense: climatic change, rising water levels, drowned coasts, less resources left to feed all the people, and it is logical to expect that the rest of the world has met a similar fate, hence if everybody stays in their corner and develop their own policies, it’s not unbelievable. This world is all the more creepy because it’s not such an impossible future, all in all.
Minor pet peeve: I really have a hard time with the name ‘Pop Con’, that just looks so much like ‘pop corn’ to me. XD (But I do see the naming convention roots à la 1984.)
I found the beginning a little slow, possibly because it devoted quite a few chapters to a part of Benson’s life that I felt I didn’t need so many details about—the story becomes more interesting after the boy grows up and we meet his friends. After that were more action scenes, especially once ‘the chase’ gets into motion (that’s no spoiler, of course at some point people would realise who the Slip is!). There was a bit of a plot hole/flimsy explanation, though, regarding the Wire/Jumpers/Lifers connection; it would’ve demanded some more preparation to be more logical, I think.
Conclusion: 3.5, not perfect but definitely enjoyable, especially its second half....more
[I received a copy of this book through Edelweiss, in exchange for an honest review.]
Good premise here—a future where, as soon as people turn 15, they[I received a copy of this book through Edelweiss, in exchange for an honest review.]
Good premise here—a future where, as soon as people turn 15, they are charged for every word they say, and other forms of communication such as many gestures. Pretty much a legal nightmare, in which lawyers have all the power, where people can slap each other with instant lawsuits, and where everything is monitored through cuffs and eye implants, all connected to the ever present Wi-Fi.
In general, I enjoyed reading about this world, for all its chilling technology that may not be far off the corner (such as the Black Mirror-esque “Blocking” tech, preventing people from seeing specific faces, for instance). It was a little hard to follow at times, but it nevertheless made it for a quite unique setting.
I had more trouble with the characters, unfortunately. Speth, especially, struck me as overall rather dumb.While her silence stemmed from a shocking event, it became apparent very quickly that there would be a price to pay—in many ways, literally, as her family gets slapped with lawsuits, her sister is prevented from working, and so on. Yet it took her an extraordinary long while to finally figure out what to do about it all, instead of remaining mute and passive for most of the story. Not passive as in not going out and not doing anything at all, but passive when it came to thinking hard and making decisions about her silence… which, in the meantime, led to several problematic events, one of those being so scarring that I can’t reconcile the shock of it with someone standing her ground for… no reason? Had she been truly convinced of her role, of the importance of her silence, and trying to achieve something meaningful, this sacrifice could’ve been somewhat “understandable”, plot-wise; the way she still behaved at that point (some 60-65% in…), it just made for cruel and unneeded scene.
As another example, one of the characters, at some point, tries to communicate with her in creative ways, pointing at words in a book, and she does… nothing? There was no mention anywhere of people being unable to read, and she can read the warnings on her cuff well enough, so, I don’t know, perhaps pointing at specific words and letting the other character do the math would’ve helped her communicate, and been the smart thing to do. Because the deep issue here is that she doesn’t communicate. At all. She can afford a few shrugs, but conveying everything through just that and glances is, in general, quite difficult, and this leads to exactly the kind of plot twist I mentioned above, because she can only make other people follow her while racking their brains to try and understand what exactly she’s trying to do.
And so, Speth keeps making one poor decision after the other. And when she finally wakes up, there’s been so much destruction in her wake that it’s difficult to suddenly empathise with her.
(Interestingly enough, throughout the whole story, sign language is never mentioned. Are there no hard-hearing/deaf people in this world? Was it banned, as subsversive communication method? Or is it charged, like nodding one’s head. This would’ve made for a formidable loophole.)
As far as characters go, at least I did enjoy the three Product Placers. Although they weren’t too developed, they and their missions were interesting and fun to read about.
Conclusion: Interesting setting, stupid main character. I do have an ARC of the second book, though, so I’ll still give it a chance....more
[I received a copy of this book through NetGalley.]
This story takes us on the paths followed by three characters very different from each other:[I received a copy of this book through NetGalley.]
This story takes us on the paths followed by three characters very different from each other: Irina, carrying a brain implant that gives her perfect memory and access to AIs; Kern, a young refugee from the San Francisco favelas, who taught himself through books and martial arts thanks to a laptop found in a dump; and Thales, son of a murdered Brazilian politician, whose life hangs by a thread only because his body may reject the implant that saved his life at any moment.
The world depicted in the novel is not exactly cyberpunk, not exactly transhumanistic, not exactly dystopian, but a blend of all three? Life-prolonging and youth treatments exist... only for those who can afford them. The implant in both Irina and Thales’s brains is exceptional... but. Large corporations dominate everyday life, but the protagonists are different from their more usual cyberpunk counterparts. Earth is going through climate changes and places like Singapore are gradually going underwater, and many people don’t have access to basic necessities... but at the same time, a sense of wonder still permeates the story, if only because of the way the characters are confronted to various threats and obstacles, yet also to hopes and openings towards new paths. Kern’s laptop, for instance, because of what it represents, or could represent, for a young boy living in the streets. Or the inhuman and fascinating beauty of the AIs introduced here, the destructive Cloudbreaker and the elusive Mathematician.
This is both close to us, making it possible to grasp it, with its technologies that we can understand (tablets and phones, albeit somewhat obsolete for the wealthier characters), and at the same time deeply alien and full of mysteries (what would it be like to live with a perfect, artificial memory you can access just whenever, yet that may send you into seizure and kill you?).
‘Void Star’ reads well, although for some reason I felt like taking my sweet time with it, perhaps because unconsciously I didn’t want to finish it too fast? It may sometimes be a wee difficult to follow, since it doesn’t rely on detailed explanations, instead taking its readers through its characters’ travels; I quite liked that, though—I like that in general in SF/F, even though I know I can’t read such stories when I’m too tired, for fear of losing my pace and missing important hints. While some events appeared, as a result, a little confusing, in the end I could still piece everything together. The three main narratives are well interwoven—chapter Y actually holds the missing answers to what happened in chapter X, and so on—and even when I didn’t have all the information to understand their world in the beginning, it wasn’t much of a problem.
Conclusion: Not the easiest read around, due to its (beautiful but sometimes complex) descriptive language and concepts; however, if one is ready to tackle that, this book can be positively fascinating....more
[I received a copy of this book through NetGalley.]
3.5/4 stars; I liked quite a few of these short stories, none of them made me roll my eyes, and to[I received a copy of this book through NetGalley.]
3.5/4 stars; I liked quite a few of these short stories, none of them made me roll my eyes, and to be fair, the essays at the end of the book were also quite interesting.
My favourites:
* “Single, Singularity”: While it doesn’t really invert the trope it’s based on, I’m a sucker for AI stories, and this one was both thrilling, and chilling in its ending.
* “Seeking Truth”: The ‘blind psychic’ trope, subverted in that here, the blind person is extremely skilled at reading other people, no need for special powers for that.
* “Can You Tell Me How to Get to Paprika Place?”: A mix of Sesame Stree-like TV shows and jaded ex-super soldiers trying to go home. Very nostalgic, perhaps a wee bit long, but a good read nonetheless.
* “Chosen”: A comic twist on ‘the Chosen’, with jabs at tropes like the gun-toting weapons maniac, the Buffy-like teenager fighting demons, and pedantic occultist scholar. This one was really fun.
* “The White Dragon”: A different take on the ‘yellow peril’, in a 1920s San Francisco (also, I liked revisiting that city in such a light, now that I’ve finally been able to actually travel there).
* “Her Curse, How Gently It Comes Undone”: The Witch and the Damsel In Distress, poised against each other, each with their wiles and strengths, and with the story playing on the trope of men rescuing the Damsel... only they’re not the right people to do the job.
* “Burning Bright”: I really liked the main character here, just the right mix of slightly hinged and yet fairly grounded at the same time.
* “Santa CIS (Episode 1: No Saint)”: This story plays well on both the Santa Claus/Christmas and ‘old soldier goes back to war’ tropes.
* “The First Blood of Poppy Dupree”: At first I thought this would be about werewolves, and it turned out it was something else, which I liked.
* “Until There is Only Hunger”: A strong story, with a definite end-of-the-world feeling, dwindling hope mixed with growing despair, and characters trying to find whatever comfort they can, although this rings more and more hollow. Bonus point for characters not being typical cis/hetero/white.
* “Drafty as a Chain Mail Bikini”: I suspected where this one was going, but I liked it, and it made me laugh.
* “The Tangled Web”: Love at first sight and romance woes... but not among humans, which lent a different dimension to this story.
The essays: definitely read those. They deal with the Hero’s Journey, its limitations, the Heroine’s Journey, its limitations as well, and push further, when it comes to trans and gay/lesbian heroes, which is really needed. Because let’s be honest: it’s already difficult to find a good story where a woman is not reduced to accomplishment = family/motherhood/taking care of others, but it’s even worse when you’re non-binary. ...more
[I received a copy from the publisher through NetGalley.]
Sequel to 'Crashing Heaven', a novel I read a couple of years ago, and quite liked. The world[I received a copy from the publisher through NetGalley.]
Sequel to 'Crashing Heaven', a novel I read a couple of years ago, and quite liked. The world is roughly the same—Station, floating in space—but the protagonists are different, and the situation has changed: one of the gods was forcibly removed, and the fetches (dead people reconstructed from their memories) now have existences of their own, even though their community went through a plague that almost destroyed them along the way.
The characters: as mentioned above, no Hugo Fist or Jack Forster here, although they're briefly mentioned. This time, the story mainly follows Leila, a fetch who's trying to save her genius brother Dieter, and Cassiel, a Totality mind who's investigating said brother's death. It starts with Dieter falling prey to an old tech artifact, and dying from it; however, contrary to what Leila thinks at first, he cannot be brought back as a fetch, due to a fishy contract he signed at the last moment with a couple of shady characters called 'pressure men'. Finding herself the unwilling beneficiary of this contract that left her a rich heiress, Leila uses her newly acquired money—and the door it opens—to try and find out what really happened to Dieter, and bring him back at all costs, the way himself helped her build herself back up after the fetch plague almost deconstructed her for good.
Even though I admit I didn't like Leila much at first (too whiny and self-centered), and would have hoped to see Jack and Hugo again, soon enough the new characters grew up on me. On the one hand, Leila tends to keep focused on Dieter and not on the bigger picture, but this bit on the selfish side makes her, in a way, very human. On the other hand, she puts herself on the front line as well: you definitely can't call her a coward, all the more as the enemy could very well wipe her out of existence. As for Cassiel, she brings a lot of information about the AIs, the way they live, and how close they are to humans even if the latter don't always notice it.
(Interestingly, as a fetch, Leila is just as much dependent on hardware and on the local equivalent of the online world to exist and manifest herself. The world of Station definitely keeps blurring the lines and questioning what makes us human, especially once you throw the gods into the mix: the Rose who isn't so infallible, East who's obsessed with the media and her reality shows...)
There are a lot of epic virtual reality/online world/hidden servers moments. Because both Leila and Cassiel are reconstructed or artificial AIs, they're both powerful and frail. Without a physical body, and armed with a weapon Dieter had once designed for her only, Leila has means of her own to fight and resist; and Cassiel was designed as a weapon herself, with a nanogel body making her suited for both physical and digital combat; and yet, because they're software-based, they're vulnerable to viruses and similar attacks... which makes the pressure men and their ability to edit data (including memories) all the more dangerous to them. Memory is clearly one of the stakes in the novel, because there comes a point when neither characters nor readers can really tell whether their memories are true or were manipulated.
A few discrepancies in terms of style (I had noticed that in the first book already: sometimes the prose switches to short sentences that jar a little with the rest), but not enough to really be a problem. All instances of 'brought' were also printed as 'bought', but since I got a preprint copy, this was hopefully corrected in the final version.
Conclusion: 3.5 stars. I found the ending a little rushed, with some loose ends not so properly tied, and there were a couple of moments when I had to push through for a few pages (for some reason I can't exactly pinpoint). Nevertheless, I thoroughly enjoyed diving into Station and its particular blend of bleak cyberpunk and transhumanism. Should there be a third book, I wouldn't mind reading it either....more
1.5 stars. Some scenes and characters I enjoyed (Morgot and Septemius more than the main characters, to be honest), but the oversimplification of the1.5 stars. Some scenes and characters I enjoyed (Morgot and Septemius more than the main characters, to be honest), but the oversimplification of the different societies described, as well as sexuality and relationships, didn't look very "feminist" to me. It was more a matter of "all men are brutes" (it never addresses how their upbringing between the ages of 5 and 15 in a garrison may be part of why they're violent), "all women are meant/want to breed" (I'm kind of feeling insulted here) and "homosexuality is caused by hormone imbalance during pregnancy, but it's been taken care of now, yay" (yeah, definitely insulted here)....more
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