“It was a time of beginnings, and a time of endings.”
After the events of The Creeping Shadow, the group set off to prove the Skull’s story right: th“It was a time of beginnings, and a time of endings.”
After the events of The Creeping Shadow, the group set off to prove the Skull’s story right: that Marissa Fitts hasn’t actually been laid to rest and she’s been posing as her granddaughter Penelope for years. As the title implies, they do indeed find an empty grave. How Marissa could possibly remain alive and looking as young as she does remains a mystery. The mystery of the empty grave isn’t the only thing occupying their time though. They’re battling the Fitts agency to remain in business when Marissa announces that all small agencies will be absorbed into one and they must also deal with a fairground haunted by La Belle Dame Sans Merci (The Beautiful Lady Without Mercy) who psychically enchain her victims after alluring them with her beauty. Never a dull moment with Lockwood & Co.
“We’ve worked wonders to get here, and we won’t panic now. If we’re right, there won’t be anything to worry about. If we’re wrong, we deal with it, as we always do. […] But we won’t be wrong. We’re on the verge of something big here. It’s going to be good!”
Kipps adjusted his goggles dolefully. “Since when has anything good happened in a crypt? It’s going to be bad by definition.”
It seems rare that a series possesses such a fantastic story in addition to a brilliant cast of characters. It always makes me cringe when books are constantly being compared to Harry Potter, but the friendship dynamic in Lockwood & Co. is certainly comparable. Of course, it also has that Ghostbusters/X-Files angle that sets it apart. Lockwood himself is quite the complex character with a growing death wish that comes to a peak in this final story. His dark backstory gets dealt out in small servings involving a sister that was ghost-touched at a young age and parents that both died under mysterious circumstances. We see all this through the eyes of Lucy and while the two have been developing an almost reluctant romance since the start of the series, it deserves mention that it never overwhelms the story itself or any of the supporting characters. I originally picked this series up because of my love for a good ghost story and while I’m not often scared by them these days, Stroud still manages to include lines that’ll leave tingles down your spine.
“Her jagged mouth opened in welcome; she was like a deep-sea fish swallowing her prey. As she hugged him close, blue veins of ice ran swiftly down his skin. [Name omitted] limbs jerked and thrashed; he tried to speak, but could only make a gargling sound as he was drawn back into the dark.”
Being that this is the series finale, there’s always the issue with wrapping up all loose ends. What happened to Lockwood’s parents? What caused the rampant increase in hauntings in recent years? How has Marissa Fitts managed to retain her youth for so long? Who is the skull in the jar and what will become of him? And of course, what will become of Lockwood & Co.? I’m notoriously displeased with the majority of series endings but I’m so relieved that this wasn’t the case with The Empty Grave since I’ve been a diehard fan from the very beginning. It retained the perfect balance of creepy and humor (with help in that department from Skull) and resolved unanswered questions without giving it that “and they all lived happily ever after” type of ending that I so dislike. I started Ominous October back in 2014 and The Screaming Staircase was one of the first books I posted about. It’s always heartbreaking to see an amazing story come to an end but I was so pleased to see these fantastic characters get the story they deserve. Lockwood, Lucy, George, Holly, and even Kipps… but I’ll still miss Skull the most.
“These spirits are a bit showy,” the skull said. “All that hooting and cackling. You don’t see me doing that. I ask you, where’s the class?”...more