This adult psychological mind-f**k is both clever and creepy. The Engagement is about a woman, Liese, who moves to the city to work for her uncle's reThis adult psychological mind-f**k is both clever and creepy. The Engagement is about a woman, Liese, who moves to the city to work for her uncle's real estate agency and ends up using listed properties to have an affair with a man. Sounds sordid and ordinary, doesn't it - well add this: he's from the country, an old farming estate, and she may have said or done something to make him think she was a prostitute (second job, perhaps). She thought it was a joke, that he always knew she wasn't actually a prostitute - that they were role-playing. But the money did help, and she went along with it and never broke the charade with ordinary conversation. Now, having almost saved up enough money to go overseas, he - Alexander - has requested her for a whole weekend, at his home in the country, and offered her a lot of money for her trouble.
In his world, though, things are noticeably different from the outset. This man whom she barely knows is strange and even intimidating, and the old family home is unpleasantly gothic and unrenovated, with closed-off wings and relics from the past. Alexander has taken over the farm and seems out-of-touch, to say the least, while his sister appears to be sane to Liese. Alexander's understanding of Liese as a prostitute has gone so deep that he tries to save her, to rescue her from that life: he asks her to marry him, and has her whole future planned for her. Liese feels increasingly trapped in this tacky, rambling house, in the child's bedroom - all pink and white and frills - that he's put her in (and locked her in?). The whole weekend begins to turn into a nightmare, and no matter what Liese now says, her words get twisted.
I have a weird relationship with this novel - I don't know what else to call it other than 'weird'. I love psychological thrillers, and this is one of the creepiest. Liese's sense of entrapment and isolation, that feeling of being gagged because whatever you say isn't really heard, it all adds to a very tense, uncomfortable reading experience that I normally love. But there was something off here, for me. Something about Liese, I think, that made her an unlikeable narrator who created the mess she was in - which I resented thinking, because it smacked of the whole 'blaming the victim' mentality that still pervades so strongly in Australia and other countries across the world. I can't even decide if I like this book or not - which I think is a successful outcome for the author! (Incidentally, I have read Chloe Hooper's expository non-fiction book, The Tall Man: Death and Life on Palm Island - another book I haven't reviewed yet!) She's certainly a good writer, I'll say that much.
In terms of landscape and setting and character development, it's all there, all so real and vivid and, even, a bit too real. From Alexander and that loping farmer's stride to the dry paddocks and beaten dogs, the ageing furniture and cheap extensions, it wasn't such a leap from rural Victoria to the more familiar rural Tasmania, for me. Even the attitudes and values of rural and farming people spoke true to me, not to mention Alexander's own attitudes towards women, which is perhaps at the crux and core of this novel. I think I would need to read it again, yet knowing how it ends might spoil the whole thing, I'm not sure. Hooper is certainly a talented writer, and it's not often that a book is too uncomfortable a read for me - maybe that's also the stage of life that I'm in, and what I bring to my reading of it. The more stressed and anxious you are in your own life, the more you want to read fluffy, fun things. But I hope I've intrigued you enough to make you want to check this out for yourself. ...more
The Tribe trilogy has to be one of the best Young Adult fantasy series I've read in a long time - beginning with The Interrogation of Ashala Wolf anThe Tribe trilogy has to be one of the best Young Adult fantasy series I've read in a long time - beginning with The Interrogation of Ashala Wolf and then The Disappearance of Ember Crow, the trilogy is fresh and original, very well-written and peopled with characters I quickly came to love and care for. Not only that, but it interweaves Aboriginal culture and philosophy to present a less westernised view of the world, and as flawed and tragic as this post-apocalyptic world is, I actually want to live there, in this place where the trees and the spiders are just as valued as human life.
In The Foretelling of Georgie Spider the story comes to a satisfying conclusion. Georgie is Ashala's friend from her old life; the two fled rather than be captured and held forever in a detention centre. Yes, this series goes straight to the heart of a cruel and inhumane government policy of Australia's: holding refugees and asylum seekers in awful detention centres both on-shore and off-shore, where they are subjected to abuse and fall into severe depression. Here, the "mutated" children of this world are treated in this way, because they are different and declared "unlawful", again speaking so clearly to the ease with which white people decide who is worthy and who is not (I say "white people" deliberately, because this is an Australian series and speaks so empathetically to this cultural practice, and because the Aboriginal author, Ambelin Kwaymullina, is also directly addressing past government policy in which Aboriginal peoples were classed among the flora and fauna, not as human beings).
As political and philosophical as the story truly is, it is also the compelling story of human determinism, love and courage, trust and an appreciation for life in all its forms. Having finished the trilogy, I feel both bereft and impatient to re-read it (Which, sadly, will have to wait). If I could endlessly recommend any book or series to you, it would be this one. It has all the things I love in fiction, and the only negative is that Kwaymullina took it down from an original four-book series to a trilogy. But it was a good call; no drawn-out, padded and over-bloated story here! I'm eager for what she writes next, though, that's for sure!...more
A Most Peculiar Malaysian Murder is the first volume in Shamini Flint's Inspector Singh series. This detective novel, more in the 'classic' or 'goldenA Most Peculiar Malaysian Murder is the first volume in Shamini Flint's Inspector Singh series. This detective novel, more in the 'classic' or 'golden age' British style than the American hard-boiled one, delivered the good stuff: while the majority of my teenaged students reported that they found the book slow and boring, and the many characters hard to keep track of, it has proved to be very effective for the particular English course that I teach, where we study the representations of cultural values in texts and how these 'versions of reality' position (the new term is: "invites") readers to endorse or challenge particular ideas, values and attitudes, and what prevailing ideologies are ultimately privileged.
Inspector Singh is a fat, sweaty, 'fleshy' Sikh man from Singapore who is sent to Kuala Lumpur to ensure that 'justice is seen to be done' in the case of a high-profile Singaporean ex-model, Chelsea, who married a wealthy Malaysian businessman, Alan Lee, now murdered outside the family home. The couple had divorced and were in the midst of a bitter custody battle over their three young sons, when Alan suddenly converts to Islam. According to the law - which in Malaysia is both secular and Islamic (they have a two-court system), this conversion automatically made the children Islamic as well, and case would move to the Shariyah court which would rule in favour of the Muslim parent. Chelsea reacted violently to this news in court, attacking Alan and threatening to kill him. Not long after, he was shot and Chelsea immediately arrested as the prime suspect. However, Singh - using the hunches or instinct that separate the protagonist-sleuth from other police officers - just knows she is innocent. Here, in this novel and this world, the Malaysian justice system is the antagonist, a system that cannot truly protect the innocent or the disadvantaged. It is a story of wealth against poverty, the powerful against the lower classes, capitalism against conservationism. This aspect is captured in the other, parallel (and related) storyline which concerns Alan's two brothers, Jasper and Kian Min, his timber company and what the company is doing - illegally - in the Borneo rainforest.
I don't want to give too much away, and I can't, unfortunately, discuss the denouement, but for once the sleuth character seems not to be the real protagonist - there are two other characters who are equally important, but it is telling that the sleuth, Inspector Singh, is only directly involved in one of the two parallel denouements - in order to maintain the integrity of the sleuth, he remains with the Chelsea storyline, doing something noble but not all that illegal. It's a very interesting resolution, one that speaks of the grey areas in morality, of the idea that some bad deeds are worse than others, some murders more evil than others. Really interesting book to discuss....more
Maria Lewis's debut novel is a smoothly-paced, exciting and refreshing urban fantasy with more emphasis on a coming-of-age journey than the usual crimMaria Lewis's debut novel is a smoothly-paced, exciting and refreshing urban fantasy with more emphasis on a coming-of-age journey than the usual crime-mystery sleuthing prevalent in the genre. The story introduces blue-haired, fun-loving, smart-mouthed Tommi Grayson, born in Scotland after her pregnant mother left her native New Zealand in a hurry. Eight months after her mother's accidental death, Tommi is finally ready to head off to her mother's homeland to try and find her father - not to meet him, just to see. After all, her mother had once confessed that her pregnancy was the product of a rape, so she hardly wanted to sit down to a cup of tea with the man.
Armed with a possible name, Tommi's search leads her to a large house on a quiet street at the end of town, where she learns a lot more about her father and his family than she ever wished for - and about herself.
The strength of this story is without a doubt Tommi herself, who narrates with humour, intelligence, compassion and strength. Due to her werewolf heritage, she has a temper and so was directed into martial arts, and her post-New Zealand training builds on that. But the other key character whom you can't help but love is Lorcan, the ex-Praetorian Guard turned Custodian for the Trieze, the 'rulers', if you will, of this new paranormal world Tommi finds herself well and truly caught up in. Lorcan reminded me of Joscelin from the Phèdre series by Jacqueline Carey - a bit of a romantic dream, to be honest, but such a good one! If you're not familiar with the series, think beautiful, noble (and rather sweet) man who is also a fierce and highly skilled warrior and, to top it off, devoted and protective but not domineering (that's it, right there, the romantic dream!). Lorcan is in that vein, and Tommi's relationship with him builds slowly and believably, adding that extra layer of tension that keeps you invested.
That isn't to say, though, that this is a romance, only that it is romantic with guts - the ideal kind for an Urban Fantasy. Speaking of, I was so relieved that Who's Afraid? didn't follow the usual pattern of Urban Fantasy novels: that of the mystery, detective kind. While dead bodies do turn up, it's always clear who is behind it, and Tommi is on no quest beyond mastering her werewolf self and training before the next full moon. Tension and suspense is maintained because you know something's going to happen, and it's also maintained by showing Tommi's normal days - normalcy always raises the stakes.
While the plot has its formulaic moments, especially in regards to the showdown climax with her insane young relative, Steven, it also surprises. Lewis takes the time to develop Tommi's character, to let you experience what 'normal' looked like for her, to meet her friends and come to love them too, so that your emotional investment is well and truly secured. And with Tommi narrating, I flew through my reading of this, easily glued to the page, and made a nice pile of soggy tissues at the end (really, Lewis holds no punches). Things have been set up for a clean sequel with a fresh new story, and Tommi is the kind of character you want to accompany for the long haul.
My thanks to the publisher for a copy of this book....more