Note: some of our members have reported that not all read dates are showing on this page. While we work on making sure they correctly display on this page, you can still view your dates on your review or on the book page.
Who do you trust when the person closest to you might be a murderer? Tegan Kelly has been running from her traumatic childhood for as long as she canWho do you trust when the person closest to you might be a murderer? Tegan Kelly has been running from her traumatic childhood for as long as she can remember. When her mother is found murdered her life is thrown into chaos and the killer might be much closer than she thinks. As the body count rises will she be able to protect her family or will she fall prey to a mad man who knows too much.
So Heather Avello’s Broken Red is kind of a mish mash book for me. On the one hand, the blurb promises a murder mystery thriller with a heroine who can’t know who to trust because the killer is someone super close to her. On the other hand, the book gets bogged down in a romance side plot that really didn’t do anything for me and that I feel could have been cut dramatically without damaging the story. On the inexplicable third hand, I’d have probably been more into the romance side plot if the murder mystery main plot had connected it’s events better in the beginning of the book.
Where to begin, because there are a couple of big things that I think could have taken this from being okay to being pretty good. The big separation between the main and side plots is probably the easier thing to address. It actually feels in a lot of ways like this is two separate books featuring the same characters but with very different stories. In the main plot Tegan is a woman who’s had essentially every horrific back story element thrown at her, but she’s kept going despite that, and now there seems to be a murderer after her family. Her husband is a cheating jerk who isn’t there for their three kids or her and, when things start going weird for her, he immediately blames her for it. Contrasting her husband is Victor Ramerez, the knight in shining armor who’s had it bad for her since forever and who might be hiding something seriously dark. She calls him when she can’t reach her husband; he checks in on her and is there for her, often at her eldest son’s insistence. It’s pretty obvious they’re going to end the book a couple from the start. In the romance plot Tegan’s back story stuff results in a distrust of people that is mentioned, but essentially hand waved for Vic, and Vic despite thinking he’s bad for wanting Tegan is great with her kids and lavishes her with attention and stuff. There’s a distinct disconnect there for me.
The romance side plot is kind of expected since it’s telegraphed from the beginning, but rather than being entwined with the main plot it takes over a significant chunk of the book. The writing changes to match this and the mystery plot mostly disappears for this whole section, it gets brought up a couple of times, but it doesn’t do anything. That feels wrong for me on a couple of levels, the previously mentioned thing about this reading like two different books, and that while a big deal is made about her husband’s cheating being terrible and evidence of him being an aweful human being it get’s brought up when she and Vic are about to jump in bed but isn’t really treated as a big thing. It’s sort of like she gets a pass because he is terrible to her and the plot doesn’t really care about him, and that’s what doesn’t work for me.
Which kind of brings me back to the inexplicable third hand. See, my big thing here is that the mystery parts, especially the bits later in the book, are legit good for a first time author. They aren’t tied together as well as they deserve though, in part because the romance plot intrudes, but it’s pretty easy to see where the connections could have been made. There are bits that could have been included earlier to bolster the overall story and to tighten up the writing, things that are introduced at the last second could have been hinted at or hinted at more strongly. The biggest problem created by this is that it makes the murderer seem right out of left field and badly supported by the story itself. The lack of things being tied together does lead to a couple of hanging plot threads, but I’m thinking those were deliberate to set up a sequel.
Where does this leave me? The romance is bad and our protagonists’ characterization can be a little all over the place, but when the writing focuses on the mystery it’s pretty good. I would definitely want to see more build up to the climax in the next book and less focus on the protagonists’ love lives, definitely more foreshadowing the antagonist’s identity. It’s a good freshman effort and I think that Ms. Avello will improve greatly as she continues writing so, from me, Broken Red gets a three out of five.
I was given this book by the author in exchange for an honest review. Broken Red is published by BAM Publishing and, currently, available exclusively through Books-A-Million and it's website....more
Harry Potter and the Cursed Child by J. K. Rowling, Jack Thorne, and John Tiffany is a sequel of sorts to Rowling’s tremendously famous Harry Potter nHarry Potter and the Cursed Child by J. K. Rowling, Jack Thorne, and John Tiffany is a sequel of sorts to Rowling’s tremendously famous Harry Potter novels. This is probably one of the only things people who’ve read it so far will agree on. Now, the book was released because the play is only being shown in England and fans elsewhere would have thrown a fit if they weren’t able to experience it in some way. It’s important to remember going in that this is a play script rather than a novel. That actually affects a lot in this review as well as my general feelings towards the book.
The story follows Albus Severus, his friend Scorpius, and Harry Potter the father who could do better as Albus and Scorpius attempt to set right what once went wrong. Albus and Harry have nothing in common, something that we are led to think gets thrown in Albus’ face quite a bit at school. He can’t measure up to his famous dad and Harry doesn’t have the time to spend with him for them to work through that. So he grows bitter over the first few years he’s at Hogwarts, until an overheard conversation leads him to stealing a time-turner to go save Cedric Diggory. This is all fine, I’m good with this plot line. What I feel like the script needed was a little more attention to each different version of the timeline, consequences essentially. I would have also liked to have seen more of the villain prior to the very end.
All that said, is it a good Harry Potter novel? Well, no, if you walk into reading this expecting a Harry Potter novel you will be very disappointed. The language used for a novel and a script are very different, with plays being as visual as they are the book lacks a lot of the description that a novel would have and you don’t get much about how characters feel beyond the occasional note for clarification. The story also feels disjointed in places because of scene shifts and not being able to see the actors’ reactions directly. That said, it’s a script, so I can’t really hold it to novel standards. As far as scripts go, I could have gone with more stage direction in the book itself to help follow what was going on, but it wasn’t bad. My big problem with Cursed Child is that it lacks the scope the series proper felt like it had, the weight of consequence when characters made choices. Partly because of how directly involved they were in things compared to how successful they were, the villain also felt very small, again, I’d have liked to see more build up there.
As to the good parts, I really liked Scorpius and the way that wanting to take care of him humanized Malfoy. The friendship between Scorpius and Albus was also pretty fun, I would have actually like to have seen that used to give us more insight into some of the other young characters. I appreciate that the golden trio mess up massively, even as adults, especially things like Harry not keeping up with his paperwork. More effort needed to have been given to showing that Harry is under a tremendous amount of stress though, there is a scene that feels very out of character because of this lack.
So, what’s the long and short of this? How does Harry Potter and the Cursed Child rank? For me, it gets a solid three out of five. There was a lot wrong that could have and should have been worked out better, especially given that plays tend to go through multiple runs. The language was off, again that difference between novels and scripts, and didn’t feel like J. K. Rowling’s Harry Potter. The characters could have all been more developed. But, the story is pretty good if a little too much like early aughts fan fiction, and it makes me want to see the show. That I think is the big thing here, there isn’t a sequel to worry over, but reading the script does make me want to see the play. I think that’s a pretty fair measure of it doing its job. ...more
Last Summer my Mom and I were book shopping at a newspaper sponsored yard sale. We found this book at one of the booths and decided to buy it. The whoLast Summer my Mom and I were book shopping at a newspaper sponsored yard sale. We found this book at one of the booths and decided to buy it. The whole idea seems really odd at first, people dying because of a table top role playing game? No way! But then Spindler reels her readers in, makes them care about her characters from the lead to the suspects. Main character, Stacy Killian, is an ex-homicide detective and now a college student who gets pulled into the murders when she finds a friend dead in her apartment. From there the reader is taken on an insane twisting ride through a series of seemingly random murders and a mind as warped as it is brilliant. Even being from the middle of the series, the book was easy to read and digest with all pertinent history provided without seeming forced....more