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\n

\n Simo's bookshelf: read<\/a>\n <\/h2>\n
\n
\n $\"Tanskan$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Tanskan sisällissota 2018-24<\/a>\n <\/div>\n
\n by Kaspar Colling Nielsen<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Löydä$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Löydä oma ikigai - Japanilainen tie elämän voimaan<\/a>\n <\/div>\n
\n by Ken Mogi<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Lost Book of Adana Moreau<\/a>\n <\/div>\n
\n by Michael Zapata<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Second Chance Club: Hardship and Hope After Prison<\/a>\n <\/div>\n
\n by Jason Hardy<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Vedet$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Vedet silmissä<\/a>\n <\/div>\n
\n by Veera Vaahtera<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Dioraama\"$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Dioraama<\/a>\n <\/div>\n
\n by Anna-Kaari Hakkarainen<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Sitten$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Sitten alkoi sade<\/a>\n <\/div>\n
\n by Laura Lähteenmäki<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Torakka\"$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Torakka<\/a>\n <\/div>\n
\n by Ian McEwan<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"When$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n When We Were Vikings<\/a>\n <\/div>\n
\n by Andrew David MacDonald<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Ihme$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Ihme ilmat! miksi ilmasto muuttuu<\/a>\n <\/div>\n
\n by Laura Ertimo<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Cilkan$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Cilkan tarina<\/a>\n <\/div>\n
\n by Heather Morris<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Pääteasema$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Pääteasema Auschwitz - Selviytyjän muistiinpanot leiriltä<\/a>\n <\/div>\n
\n by Eddy de Wind<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Heräilevät$ <\/a>\n <\/div>\n
\n $\"liked$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Heräilevät jumalat<\/a>\n <\/div>\n
\n by Sylvain Neuvel<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Kolme$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Kolme | Labyrintti<\/a>\n <\/div>\n
\n by Raisa Jäntti<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Kolme$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Kolme | Pohjapiirros<\/a>\n <\/div>\n
\n by Raisa Jäntti<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Pieni$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Pieni numero<\/a>\n <\/div>\n
\n by Mimmu Tihinen<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Fight$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases<\/a>\n <\/div>\n
\n by Michael Chabon<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Mirjami\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Mirjami<\/a>\n <\/div>\n
\n by Heidi Köngäs<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Auschwitzin$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Auschwitzin viulu<\/a>\n <\/div>\n
\n by Maria Àngels Anglada<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"pohjoisen$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n pohjoisen virroilla<\/a>\n <\/div>\n
\n by Jorma Koski<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n \n $\"goodreads.com\"$ <\/a>\n <\/center>\n