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\n Paolo's Bookshelf<\/a>\n <\/h2>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Sacrifice<\/a>\n <\/div>\n
\n by Rin Chupeco<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Crazy$ <\/a>\n <\/div>\n
\n $\"liked$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Crazy Food Truck, Vol. 1<\/a>\n <\/div>\n
\n by Rokurou Ogaki<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Embrace$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Embrace Your Size: My Own Body Positivity<\/a>\n <\/div>\n
\n by Hara<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"This$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n This is How You Lose the Time War<\/a>\n <\/div>\n
\n by Amal El-Mohtar<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Call$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Call of the Night, Vol. 2<\/a>\n <\/div>\n
\n by Kotoyama<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Call$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Call of the Night, Vol. 1<\/a>\n <\/div>\n
\n by Kotoyama<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Sneeze:$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Sneeze: Naoki Urasawa Story Collection<\/a>\n <\/div>\n
\n by Naoki Urasawa<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Legend of Korra: Patterns in Time<\/a>\n <\/div>\n
\n by Michael Dante DiMartino<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Whenever$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Whenever Our Eyes Meet...: A Women\'s Love Anthology<\/a>\n <\/div>\n
\n by ASCII Media Works<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Yellowface\"$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Yellowface<\/a>\n <\/div>\n
\n by R.F. Kuang<\/a>\n <\/div>\n <\/div>\n
\n \n $\"goodreads.com\"$ <\/a>\n <\/center>\n