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\n Books Offered For Review<\/a>\n <\/h2>\n
\n
\n $\"Writers$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Writers Workshop of Horror<\/a>\n <\/div>\n
\n by Michael Knost<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Killing Moon<\/a>\n <\/div>\n
\n by Rod Glenn<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Swerve\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Swerve<\/a>\n <\/div>\n
\n by Bruce Cohen<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Neither$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Neither Here Nor There<\/a>\n <\/div>\n
\n by Marcel Jolley<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Where$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Where the Dog Star Never Glows<\/a>\n <\/div>\n
\n by Tara Lynn Masih<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Best$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Best of the Web 2010: Travels in the Footsteps of the Commodore Who Saved America<\/a>\n <\/div>\n
\n by Matt Bell<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Thinner$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Thinner Than a Hair<\/a>\n <\/div>\n
\n by Adnan Mahmutovic<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Losing$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Losing Camille<\/a>\n <\/div>\n
\n by Paul Kilgore<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Fun$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Fun with Rainbows<\/a>\n <\/div>\n
\n by Gareth Owens<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Last$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Last Gasp<\/a>\n <\/div>\n
\n by Erastes<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"They$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n They Had Goat Heads<\/a>\n <\/div>\n
\n by D. Harlan Wilson<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Pilgrims:$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Pilgrims: A Love Story<\/a>\n <\/div>\n
\n by T.J. Beitelman<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Green Hornet: A History Of Radio, Motion Pictures, Comics And Television<\/a>\n <\/div>\n
\n by Martin Grams Jr.<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Gardens$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Gardens of Night<\/a>\n <\/div>\n
\n by Greg F. Gifune<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Unpleasant$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Unpleasant Tales<\/a>\n <\/div>\n
\n by Brendan Connell<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Empathy Effect<\/a>\n <\/div>\n
\n by Bob Lock<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Triangulation:$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Triangulation: End of the Rainbow<\/a>\n <\/div>\n
\n by Bill Moran<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Darkened Corner<\/a>\n <\/div>\n
\n by Tom Hamilton<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Miraculous$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Miraculous Deception<\/a>\n <\/div>\n
\n by P.I. Barrington<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Shadows:$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Shadows: Supernatural Tales by Masters of Modern Literature<\/a>\n <\/div>\n
\n by Robert Dunbar<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Dead Beat<\/a>\n <\/div>\n
\n by Cody James<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Charcoal\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Charcoal<\/a>\n <\/div>\n
\n by Oli Johns<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"One$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n One Under the Sun<\/a>\n <\/div>\n
\n by Vincent M. Spada<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Consequence of Skating<\/a>\n <\/div>\n
\n by Steven Gillis<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Every$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Every Bitter Thing<\/a>\n <\/div>\n
\n by Hardy Jones<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Silent Burning<\/a>\n <\/div>\n
\n by Ryan Bartek<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Journey<\/a>\n <\/div>\n
\n by Dan O\'Brien<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Man with the Easel of Horn<\/a>\n <\/div>\n
\n by Norman Beaupre<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Ocean and the Hourglass<\/a>\n <\/div>\n
\n by Dan O\'Brien<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Bone Sword<\/a>\n <\/div>\n
\n by Walter Rhein<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Bitten\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Bitten<\/a>\n <\/div>\n
\n by Dan O\'Brien<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Speech$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Speech Acts<\/a>\n <\/div>\n
\n by Laura McCullough<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Love$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Love And Maladies<\/a>\n <\/div>\n
\n by Eamon Loingsigh<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Panverse$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Panverse One<\/a>\n <\/div>\n
\n by Dario Ciriello<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Ars$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Ars Memoriae<\/a>\n <\/div>\n
\n by Beth Bernobich<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Covenant\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Covenant<\/a>\n <\/div>\n
\n by Elissa Malcohn<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Empty$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Empty Rooms Lonely Countries<\/a>\n <\/div>\n
\n by Christian A. Dumais<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Absence<\/a>\n <\/div>\n
\n by Bill Hussey<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Moon in Deep Winter<\/a>\n <\/div>\n
\n by Lee Polevoi<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"boring$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n boring boring boring boring boring boring boring<\/a>\n <\/div>\n
\n by Zach Plague<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Dark$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Dark Shines My Love<\/a>\n <\/div>\n
\n by Alexis Hart<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Without$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Without Wax<\/a>\n <\/div>\n
\n by William Walsh<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Mechanics\' Institute Review: Issue 5<\/a>\n <\/div>\n
\n by Ali Smith<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Triangulation:$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Triangulation: Taking Flight<\/a>\n <\/div>\n
\n by Pete Butler<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Catacombs$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Catacombs and Photographs<\/a>\n <\/div>\n
\n by Brandy Schwan<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Invisible Visitor<\/a>\n <\/div>\n
\n by Lisa Burke<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Desideria\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Desideria<\/a>\n <\/div>\n
\n by Nicole Kornher-Stace<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Sheep$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Sheep and Wolves<\/a>\n <\/div>\n
\n by Jeremy C. Shipp<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Eleven$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Eleven Eleven #5<\/a>\n <\/div>\n
\n by Hugh Behm-Steinberg<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Bust$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Bust Down The Door and Eat All The Chickens<\/a>\n <\/div>\n
\n by Bradley Sands<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Best$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Best of the Web 2008<\/a>\n <\/div>\n
\n by Nathan Leslie<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Touching$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Touching the Monkey: The Best of www.tqrstories.com<\/a>\n <\/div>\n
\n by Theodore Q. Rorschalk<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Serpent\'s$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Serpent\'s Quest<\/a>\n <\/div>\n
\n by Janrae Frank<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Amber$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Amber and Blood<\/a>\n <\/div>\n
\n by Margaret Weis<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Apologies$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Apologies Forthcoming<\/a>\n <\/div>\n
\n by Xujun Eberlein<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Temporary$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Temporary People<\/a>\n <\/div>\n
\n by Steven Gillis<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Alliances\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Alliances<\/a>\n <\/div>\n
\n by B.T. Robertson<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Chronicles$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Chronicles of the Planeswalkers<\/a>\n <\/div>\n
\n by B.T. Robertson<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Santi:$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Santi: Lives of Modern Saints<\/a>\n <\/div>\n
\n by Luca Dipierro<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Man on the Ceiling<\/a>\n <\/div>\n
\n by Steve Rasnic Tem<\/a>\n <\/div>\n <\/div>\n
\n \n $\"goodreads.com\"$ <\/a>\n <\/center>\n