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\n Bookmarks In:<\/a>\n <\/h2>\n
\n
\n $\"A$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n A Shadow in Summer<\/a>\n <\/div>\n
\n by Daniel Abraham<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Windswept\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Windswept<\/a>\n <\/div>\n
\n by Adam Rakunas<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Fifty$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Fifty Great Poets<\/a>\n <\/div>\n
\n by Milton Crane<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Dragon\'s$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Dragon\'s Breath<\/a>\n <\/div>\n
\n by E.D. Baker<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Road To Mars<\/a>\n <\/div>\n
\n by Eric Idle<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The writer\'s stance: Reading and writing in the disciplines<\/a>\n <\/div>\n
\n by Dorothy U. Seyler<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games<\/a>\n <\/div>\n
\n by Ebony Elizabeth Thomas<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Resurgence\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Resurgence<\/a>\n <\/div>\n
\n by C.J. Cherryh<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Heart Principle<\/a>\n <\/div>\n
\n by Helen Hoang<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Relentless Moon<\/a>\n <\/div>\n
\n by Mary Robinette Kowal<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Black$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Black Leopard, Red Wolf<\/a>\n <\/div>\n
\n by Marlon James<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Legendborn\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Legendborn<\/a>\n <\/div>\n
\n by Tracy Deonn<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Luminaries<\/a>\n <\/div>\n
\n by Eleanor Catton<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Bourne Supremacy<\/a>\n <\/div>\n
\n by Robert Ludlum<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Deal$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Deal with the Devil<\/a>\n <\/div>\n
\n by Kit Rocha<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Wine-Dark Sea<\/a>\n <\/div>\n
\n by Patrick O\'Brian<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Seven Sisters<\/a>\n <\/div>\n
\n by Lucinda Riley<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"A$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n A Desolation Called Peace<\/a>\n <\/div>\n
\n by Arkady Martine<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Sharks$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Sharks in the Time of Saviors<\/a>\n <\/div>\n
\n by Kawai Strong Washburn<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Year$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Year of Wonder: Classical Music for Every Day<\/a>\n <\/div>\n
\n by Clemency Burton-Hill<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Last$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Last Night at the Telegraph Club<\/a>\n <\/div>\n
\n by Malinda Lo<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"She$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n She Who Became the Sun<\/a>\n <\/div>\n
\n by Shelley Parker-Chan<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Mountains Sing<\/a>\n <\/div>\n
\n by Nguyễn Phan Quế Mai<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Warcross\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Warcross<\/a>\n <\/div>\n
\n by Marie Lu<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Coyote$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Coyote Dreams<\/a>\n <\/div>\n
\n by C.E. Murphy<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Pandora\'s$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Pandora\'s Star<\/a>\n <\/div>\n
\n by Peter F. Hamilton<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Chernobyl:$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Chernobyl: The History of a Nuclear Catastrophe<\/a>\n <\/div>\n
\n by Serhii Plokhy<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Cobra\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Cobra<\/a>\n <\/div>\n
\n by Timothy Zahn<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Into$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Into the Broken Lands<\/a>\n <\/div>\n
\n by Tanya Huff<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Priory of the Orange Tree<\/a>\n <\/div>\n
\n by Samantha Shannon<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Fourth$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Fourth Wing<\/a>\n <\/div>\n
\n by Rebecca Yarros<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"40-Love\"$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n 40-Love<\/a>\n <\/div>\n
\n by Olivia Dade<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Borderland:$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Borderland: A Journey Through the History of Ukraine<\/a>\n <\/div>\n
\n by Anna Reid<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Memory Thieves<\/a>\n <\/div>\n
\n by Dhonielle Clayton<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Eugene$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Eugene Returns!<\/a>\n <\/div>\n
\n by AIO Team<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Mirror$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Mirror of Wolves<\/a>\n <\/div>\n
\n by N.P. Thompson<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Resound Fields<\/a>\n <\/div>\n
\n by Donald Scribe Ross<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Amazing Flight of Aaron William Hawk Vol. 1: Into the Vast Nothing<\/a>\n <\/div>\n
\n by J. Bruno<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Great Cold Queen<\/a>\n <\/div>\n
\n by Carrie Turley<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Notorious Scarlett and Browne<\/a>\n <\/div>\n
\n by Jonathan Stroud<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Kings$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Kings of the Wyld<\/a>\n <\/div>\n
\n by Nicholas Eames<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"West$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n West of the Sea<\/a>\n <\/div>\n
\n by Stephanie Willing<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Kingdom Over the Sea<\/a>\n <\/div>\n
\n by Zohra Nabi<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Girl from Earth\'s End<\/a>\n <\/div>\n
\n by Tara Dairman<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Dreamatics<\/a>\n <\/div>\n
\n by Michelle Cuevas<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Alex$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Alex Wise vs. the End of the World<\/a>\n <\/div>\n
\n by Terry J. Benton-Walker<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Fire, the Water, and Maudie McGinn<\/a>\n <\/div>\n
\n by Sally J. Pla<\/a>\n <\/div>\n <\/div>\n
\n \n $\"goodreads.com\"$ <\/a>\n <\/center>\n