var widget_code = '

\n

\n Sera's bookshelf: read<\/a>\n <\/h2>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Red Tree<\/a>\n <\/div>\n
\n by Shaun Tan<\/a>\n <\/div>\n
\n \n <\/div>\n
\n tagged:\n favorites\n <\/div>\n <\/div>\n
\n
\n $\"Transit\"$ <\/a>\n <\/div>\n
\n $\"liked$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Transit<\/a>\n <\/div>\n
\n by Anna Seghers<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Robber<\/a>\n <\/div>\n
\n by Robert Walser<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Autumn\"$ <\/a>\n <\/div>\n
\n $\"liked$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Autumn<\/a>\n <\/div>\n
\n by Karl Ove Knausgård<\/a>\n <\/div>\n
\n \n <\/div>\n <\/div>\n
\n
\n $\"Mouthful$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Mouthful of Birds<\/a>\n <\/div>\n
\n by Samanta Schweblin<\/a>\n <\/div>\n
\n Tekinsiz ve bazıları kara mizah içeren öykülerin karakterleri arafta kalmış izlenimi uyandırıyorlar. \nÖzellikle Mesut Medeniyete Doğru, Çaresiz Kadınlar ve Toprağın Altında öykülerinde bu his daha baskın. Asfalta Çarpan Kafalar, Benavide...\n <\/div>\n
\n tagged:\n favorites\n <\/div>\n <\/div>\n
\n \n $\"goodreads.com\"$ <\/a>\n <\/center>\n