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\n Goodreads: read<\/a>\n <\/h2>\n
\n
\n $\"What$ <\/a>\n <\/div>\n
\n $\"liked$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n What a Way to Go<\/a>\n <\/div>\n
\n by Bella Mackie<\/a>\n <\/div>\n
\n Anthony Wistern suffers a gruesome death at his elaborate birthday party, leaving behind a not-exactly-grieving wife and children who are less than thrilled to discover their wealth and privilege is the result of his extensive fraud - wh...\n <\/div>\n <\/div>\n
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\n $\"Horn\"$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Horn<\/a>\n <\/div>\n
\n by Peter M. Ball<\/a>\n <\/div>\n
\n This is a great novella, a brilliant and dark noir thriller, which has unfortunately completely changed my view of unicorns thanks to one particularly disturbing scene. It\'s one of those books you recommend to other people with "this is ...\n <\/div>\n <\/div>\n
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\n $\"The$ <\/a>\n <\/div>\n
\n $\"liked$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Naturals<\/a>\n <\/div>\n
\n by Jennifer Lynn Barnes<\/a>\n <\/div>\n
\n This was perfectly competently written, but very much not for me in so many ways - serial killers and angsty teen love triangles, dear lord.\n <\/div>\n <\/div>\n
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\n $\"Doughnut\"$ <\/a>\n <\/div>\n
\n $\"liked$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Doughnut<\/a>\n <\/div>\n
\n by Tom Holt<\/a>\n <\/div>\n <\/div>\n
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\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Midnight Feast<\/a>\n <\/div>\n
\n by Lucy Foley<\/a>\n <\/div>\n
\n 3.5 stars really. A very entertaining multi-viewpoint mystery, moving between current day and the events leading up to it - but it suffers from "well that\'s bloody ridiculous"-itis. I had fun nonetheless!\n <\/div>\n <\/div>\n
\n \n $\"goodreads.com\"$ <\/a>\n <\/center>\n