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\n Good Reads<\/a>\n <\/h2>\n
\n
\n $\"Body$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Body of Secrets: Anatomy of the Ultra-Secret National Security Agency from the Cold War Through the Dawn of a New Century<\/a>\n <\/div>\n
\n by James Bamford<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Killing$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Killing Hope: U.S. Military and C.I.A. Interventions Since World War II<\/a>\n <\/div>\n
\n by William Blum<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"A$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n A Morning for Flamingos<\/a>\n <\/div>\n
\n by James Lee Burke<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Active Side of Infinity<\/a>\n <\/div>\n
\n by Carlos Castaneda<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Lincoln Lawyer<\/a>\n <\/div>\n
\n by Michael Connelly<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Drop<\/a>\n <\/div>\n
\n by Michael Connelly<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Inside$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Inside Out<\/a>\n <\/div>\n
\n by Barry Eisler<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Schrödinger\'s$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Schrödinger\'s Ball<\/a>\n <\/div>\n
\n by Adam Felber<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Faithful$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Faithful Place<\/a>\n <\/div>\n
\n by Tana French<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Full$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Full Spectrum Disorder: The Military in the New American Century<\/a>\n <\/div>\n
\n by Stan Goff<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"No$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n No Way Out<\/a>\n <\/div>\n
\n by Joel Goldman<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Snowden Files: The Inside Story of the World\'s Most Wanted Man<\/a>\n <\/div>\n
\n by Luke Harding<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Skinny$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Skinny Dip<\/a>\n <\/div>\n
\n by Carl Hiaasen<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Final$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Final Verdict<\/a>\n <\/div>\n
\n by Adela Rogers St. Johns<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Tempest$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Tempest Over Mexico; A Personal Chronicle<\/a>\n <\/div>\n
\n by Rosa E. King<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Lacuna<\/a>\n <\/div>\n
\n by Barbara Kingsolver<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Mystic$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Mystic River<\/a>\n <\/div>\n
\n by Dennis Lehane<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Close$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Close to the Bone<\/a>\n <\/div>\n
\n by Stuart MacBride<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Shatter$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Shatter The Bones<\/a>\n <\/div>\n
\n by Stuart MacBride<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The 45% Hangover<\/a>\n <\/div>\n
\n by Stuart MacBride<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Garnethill\"$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Garnethill<\/a>\n <\/div>\n
\n by Denise Mina<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Dead Hour<\/a>\n <\/div>\n
\n by Denise Mina<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The End of the Wasp Season<\/a>\n <\/div>\n
\n by Denise Mina<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Devil\'s Star<\/a>\n <\/div>\n
\n by Jo Nesbø<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Confessions$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Confessions of an Economic Hit Man<\/a>\n <\/div>\n
\n by John Perkins<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Galveston\"$ <\/a>\n <\/div>\n
\n $\"really$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Galveston<\/a>\n <\/div>\n
\n by Nic Pizzolatto<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Cannery$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Cannery Row<\/a>\n <\/div>\n
\n by John Steinbeck<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"The$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n The Innocents Abroad<\/a>\n <\/div>\n
\n by Mark Twain<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"Timequake\"$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n Timequake<\/a>\n <\/div>\n
\n by Kurt Vonnegut Jr.<\/a>\n <\/div>\n <\/div>\n
\n
\n $\"A$ <\/a>\n <\/div>\n
\n $\"it$ $\"\"$ $\"\"$ $\"\"$ $\"\"$ <\/span>\n <\/div>\n
\n A People\'s History of the United States<\/a>\n <\/div>\n
\n by Howard Zinn<\/a>\n <\/div>\n <\/div>\n
\n \n $\"goodreads.com\"$ <\/a>\n <\/center>\n