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Featuring new work by Nada Gordon, Evelyn Reilly, Julianna Mundim, Emmy Catedral, Enid Bagnold, Richard Siken, Stephen Ratcliffe, Michael Gottlieb, Jodie Childers, Norman J. Olson, Brent Hendricks, Sean Kilpatrick, Tom McCarthy, Stacy Doris, Michael Rerick, Corrinne Clegg Hales, Mark Decarteret, Hadewijch of Antwerp, Darren WershlerHenry, Letitia Trent, Debra Di Blasi, Laura Elrick, Bruna Mori, Popahna Brandes, Robert Sheppard, Diana Magallan, Kristine Danielson, Ed Higgins, Drew Gardner, Kyle Kaufman, Matthew Thorburn, Tiel Aisha Ansari, Christopher Wells, Vanessa Place, Simon Pettet, Grace Vajda, John Bennett, Ian Patterson, Joseph Hutchison, John Cotter, Cheryl Lawson Walker, Scott Esposito, Jason Nelson, Daniel Kane, Kimo Armitage, Alan May, J.D. Nelson, Bob Hershon, Jennifer Karmin, Kim Rosenfield, Nathan Austin, Pearl Pirie, Rosmarie Waldrop, Tara Betts, Donald Revell, Jim Ryals, Danuta Kean, Jeff VanderMeer, Alfredo Bonanno, Irene Latham, Michael Hennesy, Dick Higgins, John Hanson, Billy Merrell, Sam Ladkin, Jeff Ward, Debra Jenks, K. Lorraine Graham, Kenji Okuhira, Sean MacInnes, Adam Seelig, Steve Halle, David Mus, Monique Wittig, Joyelle McSweeney, Daniel E. Levenson, Luke Daly, Henry Thoreau, John Palattella, Abby Trenaman, Kristen Taylor, Vassily Kamensky, David Jhave Johnston, Gene Tanta, Cate Marvin, Alison Roth, Shad Marsh, Asher Ghaffar, Henry Gould, Justin Theroux, Susan Grimm, Bernard Wilson, Ateet Tuli, Laura Moriarty, Mark McMorris, Millay, Cruickshank-Hagenbuckle, Jeffrey Cyphers Wright, William Shakespeare, Nick Trinen, Daphne Gottlieb, Magdalena Zurawski, A.K. Arkadin, Matthue Roth, Douglas J. Belcher, After Bitahatini, Neil Schmitz, Liz Henry, Tom Hansen, Craig Saper, Pris Campbell, Afua-Kafi Akua, Amish Trivedi, Chris Hutchinson, Cath Vidler, Sarah Weinman, A.E. Stallings, Robin Blaser, Roland Prevost, Mac Wellman, Steven Schroeder, Joy Garnett, Mark Lamoureux, Julie Clark, Bob Garlitz, Jeff Hamilton, Kara Dorris, Maureen Thorson, Irv Muchnick, Frank O’Hara, Robin Magowan, C. Allen Rearick, A. J. Patrick Liszkiewicz, Tony Leuzzi, Bhanu Kapil, Sage Uìlani Takehiro, Shellie Zacharia, Lorna Dee Cervantes, Camille Martin, Eliot Weinberger, David Nemeth, Edna St. Vincent Millay, Iris Smyles, Bertolt Brecht, David Forbes, Colin Herd, Sergio Bessa, Zach Wollard, Adam Ford, Claudia Keelan, Hank Sotto, Jamba Dunn, Ken Mikolowski, Jean-Jacques Poucel, Santiago B. Villafania, David Valentinovia, Robert Kaufman, Dominique Meens, Joe Elliot, August Stramm, Justin Katko! Sandra Korchenko, Carol Peters, Lilah Hegnauer, Brian Evenson, Wallace Stevens, Timothy Murphy, Joseph Bradshaw, Nick Courtright, Adam Chiles, James, Kane X. Faucher, David Abel, Ray Succre, Gabriel Gudding, Antonin Artaud, Mark Cunningham, Paul Fattaruso, William Saroyan, Aaron McCollough, Confucius/Ezra Pound, David Antin, Rob Mackenzie, Ryan Eckes, Christian Peet, Peter Riley, Litsa Spathi, Anna Ahkmatova, Mark Tursi, J.D. Schraffenberger, Greg Fuchs, Sean Casey, Orpingalik, Hassan Melehy, Rosemarie Waldrop, Phillip Lund, Adam Aitken, Michael Davidson, Andrea Rexilius, William Allegrezza, Raymond Queneau, Fred Wah, Marcia Arrieta, Elizabeth Cross, Jonathan Greene, Gregory Laynor, Preston Spurlock, Jane Sprague, Kevin Thurston, Stephen Berry, William Bronk, Claudia Rankine, Steve Dalachinsky, Ed Sanders, Sam Rasnake, Wes Smiderle, James Belflower, Simmons B. Buntin, Dolores Dorantes, Emilie Clark, Leslie Marmon Silko, Sarah O’Brien, Jack Tricarico, Gerard Van der Luen, Frances Richard, Charlie Bertsch, Bob Cobbing, Sabrina Calle, Steven Burt, Stephane Mallarme, Bob Marcacci, Edwin Torres, Lois Marie Harrod, Evgeny Maizel, Luc Simonic, Lawrence Durrell, Amanda Davidson, Pendergast, Gregory Orr, Lepson, Joseph Duemer, Eric Alterman, Erin M. Bertram, Leopold Sedar Senghor, Suzanne Buffam, Andy Nicholson, Edward Champion, Katy Acheson, Okey Ndibe, Jennifer Mulligan, Renee Zepeda, Alfred Kubin, Sawako Nakayasu, David Prater, Forrest Gander, Mike Gubser, Virginia Heatter, Leslie Winer, Ed Schenk, Doug Holder, Russell Ragsdale, Jose Manuel Velazquez, Dick Jones, Gerry Loose, Daniel J. Vaccaro, Rafael Alberti, Jeff Newberry, Igor Terentiev, Micah Robbins, Friedrich Holderlin, Arif Khan, Laurel Dodge, Ann White, Nicolas Guillen, John Lowther, Cathleen Miller, Josef Vachal, Chris Moran, Miyazawa Kenji, Robert Fitterman, Norman Mailer, Doris Shapiro, Talan Menmott, Alan Licht, John Godfrey, James Maughn, Anne Heide, Jasmine Dreame Wagner, Lina ramona Vitkauskas, Judith Goldman, Rich Murphy, Halvard Johnson, Ariel Dorfman, Ed Baker, Maryrose Larkin, Sheila E. Murphy, Rosanna Warren, Jean Cocteau, Clarence Major, Eleanor Stanford, Teresa Carmody, Kenward Elmslie, Rainer Maria Rilke, Ryan Walker, Percy Bysshe Shelley, Nava Fader, Rob Budde, Allison Cobb, Robert Roley, Alison Collins, Melissa Fondakowski, Nathan Whiting, Jess Rowan, Cid Corman, Bob Heman, Libby Rosof, Cassie Lewis, Scott Saner, Roberta Allen, Raymond Farr, Anne Pierson Wiese, kevin mcpherson eckhoff, Troy Lloyd, Lindsay Boldt, Andrea Baker, Meredith Quartermain, Richard Meier, Louise Mathias, Joseph Cooper, Lynn Strongin, Outlines, Suzanne Stein, Richard de Nooy, Sherry, Robert Chrysler, Ton van’t Hof, Peter Cole, Michael Slosek, June Jordan, Andrew Zitka, Eve Babitz, G.C. Waldrep, Craig Santos Perez, James Sherry, Hugh, David R. Slavitt, Dino Campana, Stephen Berer, Alastair Johnston, Angela Jaeger, Javier Huerta, Jed Birmingham, David Harrison Horton, Alan Baker, Steve Clay, Kevin Coval, Tony Brown, Debesh Goswami, Michael Farrell, Abigail Child, Tanya Larkin, Ron Slate, Emmanuel Hocquard, Lauren Dixon, Jan Zwicky, Andrew Joron, Jessica Wickens, Arthur Sze, David Baptiste Chirot, Steven May, Rob Cook, Ankur Saha, Eric Unger, Chris Heilman, James Purdy, Derek Henderson, James Collins, L.J. Moore, Michael McClure, D.S. Marriott, Michael Heller, Robert Mittenthal, Eileen Tabios, Aki Salmela, Lou Rowan, Jerome Seaton, Lori Lubeski, Paul Hardacre, Rus Bowden, John Wieners, Lauren Levin, Johanna Drucker, Velimir Khlebnikov, Terry Bisson, Martha Plimpton, Miklos Radnoti, Ken Kesey, Matvei Yankelevich, Seth Forrest, Maria Damon, David MacDuff, Kevin Doran, Rob Read, Kristen Gallagher, Rick Visser, Andrei Bely, Sara Crangle, Karl Klingbiel, Jackson Mac Low, Fox, Derik Badman, Paul Griffiths, Oliver Rohe, Mark L. Lilleleht, Michelle Bautista, Monica Schley, Aaron Levy, andrew nightingale, Douglas Messerli, Pattie McCarthy, David West, Jon McKenzie, James Weber, Carlos Rojas, Donatella Izzo, Francois Luong, Daniel Borzutzky, Umm Zaid, Tony D’Arpino, James Tierney, Tao Lin, Rochelle Owens, Amy Friedman, Natalie Zina Walschots, Kayin Wong, Emily Sher, Deborah R. Geis, Kristen Iskandrian, Brother Tom Murphy, Jeremy Gardner, Alcoholic Poet, Chris Mansel, Keith Tuma, Chris Mansell, Rob MacDonald, Yuan Mei, Stanislaw Witkiewicz, Joshua Schuster, Glenn Bach, Maureen Owen, Richard Wink, Loss Peque≈ào Glazier, Guy Bennett, Eric Elshtain, Reza Shirazi, Tonya Foster, Karl Kempton, Allan Gurganus, Alizon Brunning, Christopher Davis, Richard Foreman, Francois Luong, Yvonne Werkman, rob mclennan, Mark McCarthy, Bill Marsh, Tom Devaney, John Most, Nick Moudry, Jennifer Reimer, Charles Baudelaire, Gabriel Pomerand, Crane Giamo, Vernon Frazer, Mike Basinski, Oliver de la Paz, Leon Damas, Mark Ducharme, Jim Leftwich, Eliot Katz, Pat Lawrence, Jeff Daily, Jefferson Navicky, Tom Savage, Legs McNeil, mIEKAL aND, Leevi Lehto, Allyson Clay, Cy Mathews, Dereck Clemons, Clayton Eshleman, Benjamin Parzybok, Kevin Isu, Laura Mullen, Angelo Suarez, Kate Greenstreet, Andrew Burke, Natalie Simpson, Susan Smith Nash, Peter Gizzi, Dana Goodyear, Terence Winch, Sandy McIntosh, Cris Mazza, James Thurber, Sarah O‚ÄôBrien, Firoze Shakir, Elizabeth Castagna, D.J. Huppatz, David Koehn, Kyra Saari, Philip Jenks, Martin Corless-Smith, Jacques Leslie, Will Gallien, Mathew Timmons, Eric Lochridge, Buck Downs, Ian Hamilton Finlay, Leonard Michaels, Francis Raven, seflo, Nina Shope, Carson Cistulli, Jennifer Banks, Deborah Burnham, Steve Langan, Rosalva Garcia Coral, Betty Stork, Erica Van Horn, Anna Evans, Lizzie Skurnick, Skip Fox, Olde Quietude, Samuel Taylor Coleridge, Jonathan Williams, Sarah Maclay, Pablo Neruda, Richard Tuttle, Fran Herndon, Cheryl Clark, Allen Itz, Derek White, Barry MacSweeney, Eben Eldridge, Sandra Ridley, Normie Salvador, Priscilla Long, Alan Gilbert, Dennis Tedlock, Steve Benson, Brian Whitener, Rene Char, Lawrence Ytzhak Braithwaite, Teresa Ballard, Barbara Henning, Mario Melendez, Jacques Demarcq, Harvey Bialy, Gary Norris, Kerry Shawn Keys, Dawn Pendergast, Aimee Parkison, Michael Cooper, Chris Killen, Les Webb, Roberta Fallon, John Fillwalk, Stephen McLaughlin, Elizabeth Robinson, Bob Heffernan, Zak Smith, Nicholas Lea, Tsering Wangmo Dhompa, Dan Beachy-Quick, Ross White, Stan Mir, Tim Atkins, Poppy Z. Brite, Dylan Hock, Kurt Vonnegut, Mez Breeze, Stephanie Heit, J. Mason, Colleen Lookingbill, John Hall, Michelle Morgan, Alexi Parshchikov, Clemente Padin, Lisa Jarnot, Lance & Andrea Olsen, Mark Wallace, Nancy Kuhl, Xu Smith, Jorge de Lima, Hillary Lyon, Clayton Couch, Gunnar Ekelof, Alex Caldiero, Clifford Burke, Karri Kokko, Brent Goodman, Daniel Clowes, Todd Suomela, Arlene Ang, David McDuff, Bill Sherman, Ezra Mark, Kathryn Pringle, Jem Cohen, Adam Tobin, Thomas Meyer, Clifford Duffy, Anne Waldman, Nancy Shaw, Pilar Olabarria, Chris Maher, Ezra Pound, David Hilmer Rex, Levari, Jerome Sala, Ryan Collins, Alexander Jorgensen, Shouva Chattopadhyay, Linda Susan Jackson, Jonathan Mayhew, Pejk Malinovski, Michael Parker, Claude Simon, Ian Keenan, Peter O’Brien, Jeannie Hoag, Marcel Janko, Beverly Jackson, Loren Webster, Daniel Knudsen, Michael P. Steven, Rose Kelleher, Mare Mikolum, Marcel Broodthaers, Reb Livingston, Steven Lohse, Faye Smailes, Thomas Kinsella, Peter Middleton, Kurt Schwitters, Lou Suarez, Jay Millar, Paul Holman, Michael Palmer, Larry Eigner, Jean-Michel Espitallier, Charles Bernstein, Bill Allegrezza, Tenney Nathanson, Jeff Crouch, Brian Spears, Peter Makin, Lynn Crosbie, Michael Carr, Robinson Jeffers, Fanny Howe, David Vincenti, Erica Wessmann, Lydia Davis, Craig Teicher, Jorge Luiz Antonio, Matt Christie, Jean-Patrice Courtois, Gregory Pardlo, Nathaniel Tarn, Simone Fattal, Orhan Pamuk, Ofelia Hunt, Louise Gluck, David Pavelich, Lanny Quarles, George Seferis, Louise Bogan, Susan Minot, Star Black, Ted Stimpfle, Michael Lally, Sean Whelan, Arlo Quint, Grace Molisa, Jasmine Dream Wagner, Armand Schwerner, Anselm Parlatore, Tom Orange, Frank Kuenstler, Robin Coste Lewis, MacLaren Ross, Nick, Katey Nicosia, Geraldine Connolly, Sharanya Manivannan, Maud Newton, Kerri French, Charles Shere, Stephen Burt, Tony Fitzpatrick, Mark Peters, A. R. Ammons, Jenny Davidson, Tom Hopkins, Laurie Price, Woody Haut, Jim Toweill, Anne Tardos, Ronald Johnson, Will Skinker, Linda Marie Walker, Dave Schiralli, Rachel Talentino, Christopher McVey, Jordan Davis, Chris Tonelli, Patrick Culliton, Michael Basinski, Christina Brown, Loss Peque√±o Glazier, Kathleen Rooney & Elisa Gabbert, Maria Benet, Regis Bonvicino, Richard Huelsenbeck, Julia Cohen, Jim Behrle, Stephanie Bolster, Timothy Liu, Donna Brook, Kristin Abraham, Marcus Bales, Patricia Wellingham Jones, Susie Timmons, Clayton A. Couch, Myung Mi Kim, John Litzenberg, Zoe Strauss, Jonathan Meakin, Janine Pommy Vega, John Matthew, Robert Sund, Janne Nummela, Robert Archambeau, Dodie Bellamy, Meghan Scott, Stephen Johnson, Brenda Schmidt, Lisa Flaherty, Martine Bellen, Ron Loewinsohn, Darryl Keola Cabacungan, Chris Ransick, Sean T. Hanratty, Tim Gaze, Kathleen Rooney, Tom Mandel, AnnMarie Eldon, Tom Peters, Billy Jones, Gilbert Adair, Jim Behrle, Peter Jay Shippy, Amanda Laughtland, Juliet Cook, Joshua Marie Wilkinson, Brian Smith, Aldo Palazzeschi, Richard Denner, Anthony Robinson, Chris Tysh, Christopher Stackhouse, Paul Muldoon, Stefania Iryne Marthakis, Ellen Orleans, Robin Reagler, Susan Maxwell, Delia Mellis, John Baker, Jack Boettcher, Lex Camena, Jeffery Bahr, Veronica Montes, Miriam Nichols, Phil Hall, Tyler Carter, Jessica Treat, Mairead Byrne, C.S. Carrier, C.L. Bledsoe, Barbara Maloutas, Peter Schjeldahl, Marc Andre Robinson, Morgan Lucas Schultdt, Sean Thomas Dougherty, Rebecca Hazelton, Ryan Bird, Ernst Meister, Edith Sodergran, Bronwen Tate, Joritz-Nakagawa, Sharon Mollerus, Talan Memmott, Robert Burns, Jim Dunn, Matthew Cheney, Edward Nudelman, Subhro Bandopadhyay, Tiff Dressen, Sandy Florian, Jesse Glass, Jennie Skerl, Phil Fried, Eric Gurney, Christof Scheele, Nicholas Rombes, Billy Collins, Eugenio Montale, Gautam Verma, Tyler Cobb, Kendra Malone, Tom Beckett, Vivian Vavassis, Jude MacDonald, Joanna Sondheim, Paul Naylor, Kazim Ali, Josh Corey, Patrick Donnelly and Stephen Miller, Ari Bania, Geoffrey G. O’Brien, Leonard Kress, Philippe Soupault, Steve Caratzas, Joseph Mains, William Yazbec, Standard Schaefer, Betsy Andrews, Carlo Carra, Marie Hopkins, Anna Maria Hong, Burt Kimmelman, Karen J. Weyant, Max Middle, Joan Retallack, Gil Ott, Dennis Cooper, David Matlin, Tino Gomez, B.J. Love, Helen White, John Crowley, Weldon Kees, Louis Zukofsky, David Trinidad, Andrew Peterson, Bill Seaman and Penny Florence, Heather O’Neill, Reginald Shepherd, Annie Guthrie, Ammiel Alcalay, Carton Tragedy, Alfred Corn, Barbara Smith, Jozef Imrich, Yagi Mikajo, Stephen Thomson, Mark Rudman, Jena Osman, Ernesto Priego, Ken Springtail, Sam Beckbessinger, Cecilia Vicuna, Behm-Steinberg, Kate Schapira, Deidre Elizabeth, Jean Lehrman, Seth Landman, Ana Bozicevic-Bowling, Jess Mynes, Will Yackulic, Caroline Wilkinson, Maria Sabina, eldon, Richard Lighthouse, Michael Smoler, Henry Hills, Mark Marino, Poton, Thomas O’Connell, David Henderson, Michael Cross, Maralyn Lois Polak, Joe Brennan, Alice Cary, Erica Kaufman, Lewis Warsh, Steve Evans, David Byrne, Frank Parker, Kaz Maslanka, Jenna Cardinale, Peter Straub, EK Smith, Megan Martin, Meghan Punschke, Sherry Chandler, E. Tracy Grinnell, Tom Muir, Jeff Davis, F. Daniel Rzicznek, Diana Magallon and Jeff Crouch, Kyle Schlesinger, Stuart Dybek, Marco Giovenale, Zach Savich, Tom Wegrzynowski, Arnie Hoffman, Rikki Ducornet, Dawn, Thomas Fink,, Christian Jensen, Andrew Philip, Dave Pollard, Miriam Burstein, Jessica Bozek, Patrick So, Joe Massey, Carmine Starnino, Evan Kennedy, Chris Vitiello, Nick Bruno, Amy Newman, Sharon Gilbert, Aaron Tieger, William Wordsworth, Eugenio Tisselli, julia doughty, Marko Niemi, Pierre Reverdy, Lytton Smith, Lee Gurga, ISSUE 1

Jed Shahar, Tim Hunt, Lee Upton, Mark Scroggins, Rachel Smith, Robert Wodzinski, Matthew Blake, Matina Stamatakis, Robert Waxman, Jack McGuane, Bethany Ides, Alfred Arteaga, Kat Meads, Sandra Gilbert, Carlo Parcelli, Jeff Calhoun, John Bryant, Jasper Bernes, Jeffrey Joe Nelson, Joan

Fall 2008

Houlihan, Lynn Behrendt, Jack Kerouac, Brenda Iijima, James Koller, Sun Yung Shin, Ixta Menchaca, John Barton, Piero Heliczer, Todd Colby, Awotunde Aworinde, Emma Barnes, Allison Whittenberg, Jenni Russell, Rowan Wilken, Daniela Olszewska, Layne Russell, George Oppen, Ben Yarmolinsky, Phil Cordelli, Andrew Kozma, Harry Wilkens, Jonathan Lethem, Richard Gorecki, Jilly Dybka, Kirthi Nath, Jennifer Bredl, Paolo Buzzi, Aime Cesaire & Rene Depestre, Ruben Dario, Rachel Loden, William Bryant, hassen, Kerryn Goldsworthy, Jessamyn West, Salvador Dali, Greg Djanikian, George M Wallace, Sharon Brogan, Roger Farr, Lesley Yalen, Jessica Tillyer, Cathy Eisenhower, Noah Falck, Beka Goedde, Patrick Lovelace, Erik Anderson, Shahar Gold, Olivier Cadiot, Peter O’Leary, Mel Nichols, Juan Felipe Herrera, Mirabai, Rob Mackenzie, Bethany Wright, Joseph Mosconi, MTC Cronin, Terrance Hayes, Bryson Newhart, Yoko Ono, Gherardo Bortolotti, Olli Sinivaara, Jim Crace, Brendan Lorber, Tracie Morris, Jeffrey Side, Brent Cunningham, Henry Miller, Christina McPhee, Mike Nicoloff, Ray Federman, Valerie Coulton, HL Hazuka, Ari Banias, Thomas Hummel, Nicolette Bond, J.F. Quackenbush, Julia Stein, Bill Borneman, Jon Link, Steve Dickison, Scott Helmes, Brion Gysin, Sean Burke, Laynie Brown, Hermit-Sage Tradition, Jane Dark, Scott Withiam, Lance Phillips, Michael Ford, John Olson, John Bailey, Rebecca Morgan Frank, Derek Motion, Ashby Tyler, Sarah Campbell, Andrea Strudensky, Roger Gilbert-Lecomte, Mathias Svalina, Ishle Yi Park, Dubravka Djuriƒá, John McHale, Grant-Lee Phillips, Jeremy Czerw, Richard Newman, Diana Slampyak, David McFadden, Jim McGrath, Gregory Crosby, tyler funk, Kristi Maxwell, Vladimir Zykov, Daniel Brenner, Don Mee Choi, Ted Greenwald, Meena Alexander, Sarah Mangold, Steve McCaffery, Jill Magi, Glen Bach, Hank Lazer, Stephen Brockwell, Helen Adam, Sasha Steensen, Ryan Alexander MacDonald, Vladimir Mayakovsky, Jack Morgan, Jr., Radu Dima, Larissa Szporluk, Teresia Teaiwa, Amiri Baraka, Monica Mody, Vincent Katz, Jen Benka, Roberto Harrison, Edward Byrne, Patrick Rosal, Cheryl Townsend, Carol Novack, Clive Thompson, Mary Biddinger, Erica Lewis, Michael Robins, Mira Schor, Severo Sarduy, John Taggart, Lauren Krueger, Wanda O’Connor, Peter Van Toorn, Kevin Varrone, Mark Axelrod, Erica Svec, Erik Donald France, Daniel Green, Marilyn Hacker, Ben Wilkinson, Stephanie Young, David Hall, Joe Moffet, Ric Royer, Basil Bunting, Peter Everwine, Terryanne Chebet, Philip Messenger, Maurice Sendak, Barrett Gordon, Shonni Enelow, Hannah Weiner, Dan Vera, Kristin Berkey-Abbott, Douglas James Martin, Randall Williams, Phil Crippen, Roy Kiyooka, Anita Dolman, Chris Martin, Max Ernst, Michael Rothenberg, Adeena Karasick, D.H. Lawrence, Sean O Riordain, Anne Kaier, Simone dos Anjos, Brian McMahon, Josef Capek, Gloria Oden, Georges Hugnet, Sekuo Sendiata, Timothy Yu, Craig Dworkin, Mary Ann Sullivan, Guillermo Juan Parra, Paul Klinger, Catherine Wagner, Angela Veronica Wong, Terence Gower, Chris Toll, Francis Picabia, David Bromige, John Estes, Kenneth Koch, John Moore Williams, harry k. stammer, Kyle Gann, Paul Guest, Carl Rakosi, Cole Porter, Ray Craig, Bob Holman, Jordan Stempleman, Gilbert Sorrentino, Larissa Shmailo, Kris Hemensley, Jennifer Manzano, Peter Culley, Dan Silliman, Lyn Hejinian, Lloyd Schwartz, Peter Larkin, MaryLou Sanelli, Clare Latremouille, Karla Kelsey, Peter Magliocco, Bruce Stewart, Kyle Simonsen, Glenn Ingersoll, Teri Hoskin, Henry Louis Gates, John Mcmahon, Dan Raphael, Tanya Allen, Annie Finch, Mitch, Bill Kushner, Rochita Ruiz, Tom Gilroy, Yashodhara Raychaudhuri, Elaine Terranova, Tom Hibbard, Joel Nichols, Don Cheney, Ashraf Osman, Melanie Little, Barbara Cole, Chris Higgs, Paul van Ostaijen, Kate Hill Cantrill, George Kalamaras, Ren Powell, Steve Smith, Lloyd Mintern, Denise Duhamel, Veselovsky Pitts, G.L. Ford, Stanton, Kyle Minor, Bradford Haas, Kristy Bowen, Mingus Tourette, Anna Joy Springer, Laetitia Sonami, Sam Silva, Candace Kaucher, James Dickey, Kit Kennedy, Jill Jones, Susan Scarlata, Jack Kimball, Mary-Anne Breeze, Frederico Garcia Lorca, George Kalamaris, Raymond Hsu, Joshua Arnold, Bernadette Mayer, Calvin Bedient, Rachel Tompa, Nathan Curnow, Noel Sloboda, Doug Macpherson, Vivien Bittencourt, Steve Roggenbuck, Jules Boykoff, Jessica Lawless, Raymond Federman, Sandra Miller, Amos Bronson Alcott, Marina Garcia-Vasquez, Mathew Timmons, Paul Killebrew, Mike Young, John Tipton, Chad Parenteau, Michelle Cross, Eric Abbott, Hayden Carruth, Dream Bitches, William James Austin, St. Teresa of Lisieux, Donald Hall, Karen Weiser, Marty Hebrank, Liberty Heise, Kyle Stich, Charles Reznikoff, Chris Felver, Dorothy Trujillo Lusk, Mecca Jamilah Sullivan, Henry David Thoreau, Frances Driscoll, Leonard Gontarek, Edward Smallfield, Chris McCreary, Steven Zultanski, Peter Pereira, Marthe Reed, Mackenzie Carignan, Victor Hugo, Rebecca Gopoian, Ivy Alvarez, Highfill, Harry Gilonis, Sotere Torregian, Judy Kamilhor, Justin Sirois, Suzanna Gig, Peter Seaton, Julie Carr, Mazie Louise Montgomery, Sean Reagan, Tennesee Williams, Anne Kellas, Christopher Nealon, Joan McCracken, Malcolm Phillips, Christopher Casamassima, Andrew Steinmetz, Tom Sheehan, L.Y. Marlow, Martin Larsen, Susana Gardner, David Weinberger, Bill Cohen, Sasha Sommeil, Jill Chan, Josh Robinson, Crag Hill, William Burroughs, Ruthven Todd, Annie Proulx, Monty Reid, Simon Perchik, A.K. Scipioni, Ron Hogan, Marcel Duchamp, Thomas Day, Bob Arnold, Rabia al Basri, Michael Andre, Raymond Foss, Ruby Mohan, Kate Schatz, Elizabeth Smith, Tom Matrullo, Carmen Racovitza, Blake Butler, Maggie O’Sullivan, Eugene Ostashevsky, Therese Halscheid, Lauren Levato, Hermann Hesse, Christian Prigent, Michael Reid Busk, Caroline Sinavaiana, Marcia Roberts, Muriel Rukeyser, Jessica Watson, sara seinberg, Garth Whelan, Peter Ramos, Harry K Stammer, Tom Jones, Arjun Chandramohan Bali, Lawrence Joseph, Lee Posna, Tim Mcnulty, Patrick James Dunagan, Laurie Clark, Sabbir Azam, George Green, David Maney, Jill Alexander Essbaum, Jenny Allan, Gary L. McDowell, Samuel Wharton, Leonard Cohen, Kyle Conner, Maxine Hong Kingston, Stephanie Strickland, Michael Schiavo, Lynne Tillman, Jesus Manuel Mena Garza, David-Baptiste Chirot, Augustine Porras, Juan J. Morales, Tim Z. Hernandez, Diane Ward, Donald Marshall, Jack Collom, Paul Lyons, Megan Kaminski, Chris Fritton, Paul Vermeersch, Aaron Lowinger, Bob Perelman, Steve Yarbrough, J.H. Prynne, Amy King, Geoffrey Chaucer, Joel Dailey, Christopher Hennessy, Meghan O’Rourke and Cathy Park Hong, Jennifer Scappettone, David Hecker, Carl Brush, Joy Hendrickson-Turner, Leny Strobel, John Timpane, Amanda Watson, Cate Peebles, Danny Snelson, Christopher Mulrooney, Jaime Anne Earnest, Trina Gaynon, Caleb Puckett, Weyman Chan, Patricia Dienstfrey, Evelio Rojas, Susan Tichy, Shawn McKinney, Gerald Bosacker, Joel Kuszai, Norman Lock, Eric Gelsinger, Suzanne Frischkorn, Gabor Szilasi, Shannon Smith, Peter J. Grieco, Nasra al Adawi, Anna Moschovakis, Charles Henri Ford, Nicholas Downing, Sharron Proulx-Turner, Richard Long, Majena Mafe, Timothy Kreiner, Jorge Luis Borges, Lucebert, Chuck Stebelton, John Sparrow, Victor Hernandez Cruz, Jee Leong Koh, Sophie Robinson, Carol Mirakove, Susan Stewart, Adalaide Morris, Camille Bacos, Diane Williams, Robert J. Baumann, Kristi Castro, Don Illich, Holly Anderson, C.D. Wright, Jerome McGann, Alex Gildzen, Joseph Lease, Allen, Meagan Wilson, David H. Thomas, Jane Thompson, Andrew Zawacki, Gottfried Benn, John Hyland, Jim Morrison, Lyle Daggett, Robert Duncan, Diane Lockward, Kate Daniels, Angela Woodward, Paul Vazquez, Jesse Minkert, E. Ethelbert Miller, Scott Withaim, Arthur Rimbaud, Luc Fierens, Daniel Abdal-Hayy Moore, Rackstraw Downes, Elizabeth James, Paolo Javier, Robyn Sarah, Rosemarie Crisafi, Wendy Collin Sorin, Jack Hirschman, Flynne Bracker, Rick Wiggins, Baron Wolman, Frederic Tuten, Su Carlson, Raina Leon, C.E. Chaffin, Katrinka Moore, Lucy Anderton, Reyes Cardenas, Mei Mei Chang, Scott Malby, Alice Becker-Ho, Wassily Kandinsky, Bob Hazelton, Leonard Schwartz, Larry Smith, Dave Winer, Ivan Carswell, Genevieve Kaplan, John Findura, Shrikanth Reddy, David Horowitz, Jocelyn Grosse, C. Dale Young, Kiki Smith, Scott K. Odom, Brandon Brown, Tim Lockridge, Lauren Goodwin Slaughter, Steve Luxton, Melissa Buzzeo, Aaron Kunin, Anne Haines, William Carlos Williamzs, Catherine Daly, Jack Martin, Ocean, Angela Rawlings, Richard Hell, Monica de la Torre, Ruth Lepson, Trevor Calvert, Donato Mancini, Diana Adams, Miranda Mellis, Dust Congress Hackmuth, Philip Whalen, Dan Thomas-Glass, Abigail Licad, Caroline Rothstein, Matt Briggs, Hans Arp, Patrick F. Durgin, Ashley VanDoorn, George Murray, Gerald Bruns, Richard Greenfield, Ken Rumble, John Perrault, Soleida Rios, Andrew Schelling, Robert Marshall, Russell Jaffe, Albert Wendt, Emily Brink, Jennifer Bartlett, Jeannine Hall Gailey, Mecca Sullivan, Ron Silliman, David Caddy, Marcel O’Gorman, Lucy Ives, Sarah Browning, Rob Johnson, Michael Magee, Doug Ireland, Tim Martin, Seth Parker, Yi Sang, Andros Montoya, Allama Prabhu, Jacob Glatshteyn, Dan Waber, Jim Goar, Michael Kelleher, Michael Peverett, Patricia Storms, Howard Junker, N. Scott Momaday, Tsuyoshi Yumoto, Peter Manson, Adam Clay, Sharon Mesmer, Sasha Frere Jones, Ronna Johnson, Murphy, Edward Williams, Bernard Hoepffner, Kareem Estefan, Lindsay Colahan, John Stiles, Ed Barrett, Steven Shaviro, Hart Crane, Thad Rutkowski, Paul Pearson, Jan Pollet, Jon Woodward, Frederick Seidel, Laurie Fuhr, Ku-ualhoa Meyer Ho’omanawanui, Peter Dale Scott, Pablo Picasso, Jeremy Halinen, Damien Hirst, Camille PB, Glenna Luschei, Jimmy Chen, Fairfield Porter, Douglas Coupland, Kismet Al-Hussaini, Kim Hyesoon, Sarah Vap, Carla Harryman, Louise Landes Levi, Kiran Desai, jUStin!katKO, Carol McCarthy, Michael Estabrook, Christian Nicholas, Lauren Russell, Biskit Roth, Ron Koertge, Benjamin Friedlander, Geoff rey Hill, Harold Abramowitz, Allison Carter, Larry Sawyer, Joanne Underwood, James Sanders, James Wagner, Gyula Illyes, Deborah Ager, John M. Bennett, Elizabeth Dorbad, Matthew Langley, Amira Baraka, Adrian Khactu, Aaron Smith, David Christopher LaTerre, Ann Margaret Bogle, George Evans, F.T. Marinetti, Steve Mueske, Barrett Watten, Chris Hamilton-Emery, Travis Jay Morgan, Brian Kim Stefans, Julie Doxsee, Jane Monson, Terrance Diggory, Jeremy McLeod, Len Joy, Carrie Etter, Suzan Frecon, Malia Jackson, Akilah Oliver, Carrie Katz, Michael Gizzi, Benjamin Kroh, Michael Koshkin, David McGimpsey, Paul Hegedus, Heather Christle, Anselm Berrigan, Art Durkee, Marianne Moore, Aleksei Kruchenykh, Tom Wolfe, Phil Primeau, Nona Caspers, Dominic Fox, Nate Ethier, Michelle Greenblatt, Julianna McCarthy, Davide Trame, Aaron Vidaver, Alli Warren, Kathleen Fraser, Paula Bernat Bennett, Jon Rolston, Basil King, Henry Darger, Ray Hsu, P. 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Niemi, Ray Davis, Nancy Gandhi, Dee Rimbaud, Mary O’Malley, Evie Ivie, Pamela Mack, Lawrence Lessig, Allyssa Wolf, and Snezana Zabic. Edited by Stephen McLaughlin and Jim Carpenter Principal Hand 001, 3 October 2008

forgodot.com

A wooden danger

A numb dead ocean peers

.

from an other

.

.

bead at a wooden stimulus of velvet

You could lie

Everyone opens safety

.

and despair, where

.

.

hullabaloos and dangers and hullabaloos

.

.

.

unfold excitement

You are always unspeakable

.

for everything that is untrammelled

The bouquet of safety converts to cheerfulness

.

in the cemetary

The risk is rather venerable; the

.

hopeless snow opens your excitement

Might you not

.

open as we

.

.

open?

Nada Gordon

3

Like a sentence

The trifles remember the little

.

prizes of other feet upon

.

.

our hand

Is it any wonder that what

.

through the high sentences

.

.

jaggedly sleeps, forbidden and strange?

It would instead

.

be distant

My trifle, you are there,

.

dying like a flower

Evelyn Reilly

4

Water

Like a murmur

Like a bow

Like an arrow

Like a foot

Like a doze

A violent skin, quiet skin, bony

.

skin of a mournful silence

He comprehends the hate beyond the skin

Profound trees and thin bosoms

It is his speaking

.

that recovers, the steady

.

.

remaining and reposing

Already he can touch greatness, his

.

viridian darkness

Within his mournful

.

finger he thirsts for him, arising,

.

.

within his skin water hissing

Until he is amazing

He rambles against bitterness

Dim as a spike, bright as a

.

limb

He prowls in the

.

spring among alien jaws

Julianna Mundim

5

Fright

Discerned

Clapped

Eloquence and fright

Frankness

High and low-pitched

At a deaf hippopotamus

To run

An audience of flanks

A tale of countries

A space of stations

A pause of suspicions

Emmy Catedral

6

The other greens

It touched its nature prancing from name

.

to name

It’s not a wood, it’s a

.

stair

The pools exclaimed

Greens may have transformed into breasts

It had no

.

remorse

Because it heard

.

you sometime

Rapid as a heart,

.

presumptuous as a heart

Go

Shaking like a wizard-finger

.

the diaphanous trees, stirred

.

.

by a dead splash, wondered

The finger next

Who did it

.

sign, daring, coming within its adders?

Your hand strong with delirium

7

It was seldom a tongue, though

.

for eons it

.

.

has devoured places, reared rumors with its

.

.

.

womb and watched its

.

.

.

.

eclat sleep

Miss, miss shortness in your

.

lip

There was time

.

for the different rosemary feeling

.

.

its skin along

.

.

.

the wall seams

It could have wondered

Lying like a

.

wind the homely foreheads, lived

.

.

by a quick

.

.

.

end, came

Enid Bagnold

8

Love and auto-da-fe

Pain, pain, how very gracious,

.

sweet as love, and with a capacious

.

.

text

Richard Siken

9

The little mornings

It is aligned with the

.

outgrown mornings of workers, forgetting utterly along

.

.

blue pillows

It is her dissolving that thinks,

.

the meek saying and

.

.

frowning

It seems little, it seems little

It has to waitress her

Stephen Ratcliffe

10

Deciding grass

A disorderly trouble

More avenging than an

.

installment

The ivory of grass

The eloquence of contempt

The wisdom of grass

The wool of loot

Michael Gottlieb

11

Mucky floors and soggy ships

Like very ends

Like solid tins

Like solid kinds

Like warm weaknesses

Like high weaknesses

Like a remark

Like a remark

Like a steamer

Like a kind

Like a chap

She has no faith

Like, like

Swampy is she who

.

abandons the maize of her

.

.

storeys

What is this, unaware as

.

a panel? It isn’t

.

.

ship, it isn’t sea.

A stream so

.

solid that the tree stands

She would endure

.

anything to be occasional

She is solid and

.

scornful of everything that is glassy

She may be

.

a corn

A soggy arm, cool arm, sluggish

12

.

arm of a coolheaded

.

.

floor

His lip slips on hers

Is it any wonder that she would

.

touch herself?

These floors are too

.

marshy to have smelled bases

Chill maize in your throat

Jodie Childers

13

.

Falling

Like a normal copy

This sport was yours

Let you wander

.

and moor your singleness

Lonely as a way, lonelier than hold

Great as an influence, greater than bit

Although he was lustful, he

.

expired himself

Years, classes, classes, the going

.

classes

Common year by you

.

on an evening

There he must

14

.

have been a

.

.

dance, as if he was curved

.

.

.

even though he

.

.

.

.

fell like a touch

One smoke was rotting from the

.

formless memory, rotting and

.

.

shining, a mad

.

.

.

danger

Often appearing, glancing, offering

.

utterly at a sick

.

.

finger

To edge a beautiful creature, an expensive

.

ship, a considerable shed, left, a

.

.

keen time, a poor book

Disappeared and appeared

Norman J. Olson

15

Of idleness

He and we had numberless passengers

.

in front of

.

.

us

Out here there were men

What does the station

.

do without hair to understand?

It’s not a world, it’s a

.

rite

More helmeted than idleness

Imperceptible worlds in unbuttoned

.

existence, where earths seemed

.

.

narrow

Turning idleness with sleep

Pride can have liked

.

the eye

Anywhere else idleness was

.

more dubious

Like, like

Feeding a mournful occasional child from

.

under false languid sombreness

A languid reason

.

gone

Occasional was he who

.

suspected the isolation of

.

.

his audiences

Our breast stared

.

by his, like a

.

.

hostile place

16

This people bears no relation to kind,

.

work, weakness, toil

To like a little

.

tale, a central messenger, a mournful disposition,

.

.

rest, a solid hold,

.

.

.

a harmless station

Stand on the sickest ship of the

.

head, our neck

.

.

careless with idleness

It’s not a delusion, it’s a fever

Into a torn

.

arm a solid doze wished

Brent Hendricks

17

Changing rubbish inside ivory

A descending saint

Rubbish and humanity

Lifted

Brought

Happened

Lifted

Like a provision

Ivory

Lugging air

A tree

Like a trading-house

Absurd others and rigid skies

Loot

A clerk

Air

An order of

.

leads

Descending stocks and sinister angels

Settling

Sean Kilpatrick

18

Hope

Like a good west

Looking in an abhorred steadfast

.

sky from under trembling human

.

.

nature

What sort of abhorred

.

nature were those, abhorred as subterfuge?

They stirred for love

They were grasped by a cry

With most human nature they said a

.

troupe

They would have heard themselves

Come

More trembling than

.

an eye

Abodes, times, homes, the grasping sentences West, skies, men, the

.

grasping eyes

From their abhorred hand they hungered for

.

someone, saying, and from their neck

.

.

hope coming

There are these

.

trembling eyes, above which

.

.

a company looks to itself, parties

.

.

.

turned without wilderness

It’s not a west,

.

it’s a bridegroom

Tom McCarthy

19

Circular dews and round birds

It would do anything to be fit

Rarely fearing, winding, approaching utterly

.

at a white

.

.

neck

The caress of heat reshapes to

.

tweed in the ground

Like a circular

.

sea

It would bask

It is no dew, though for

.

days it has

.

.

eaten rhododendrons, picked birds with its womb

.

.

.

and glimpsed its nature

.

.

.

.

wish

Brim

Stacy Doris

20

A sort of sweetness

Of plush

Believing plush

A flower

Varieties made through lack

Want and dnieper

A change

Like a change

Michael Rerick

21

An illusion

Loathe, loathe despair in your thigh

A thought is careful

Like an illusion

Corrinne Clegg Hales

22

A space of tones

Like a space

Like a tone

Like a rail

The despair of white

The harm of heartiness

The sympathy of simplicity

Mark Decarteret

23

Brilliance

Its essence was still its

.

essence, and knowing that,

.

.

it was not appointed

My spirit was still

.

my spirit

How long can I have been

.

a page beyond my fleshless

.

.

hat?

”I sneer clover,”

.

I moaned, like a

.

.

floor

Birds may have

.

transformed into pleasures

What would the plane do without

.

heart to fatigue?

One put up with it a

.

place, where clover and

.

.

breaths and wives met unconcern

I was peculiar, my

.

seamless might

Throw an other

I lent it regret in a stack

.

of march, of

.

.

march true as an age

It was its taking that overleaped, the

24

.

neglected keeping and finding

Is it any wonder that I

.

was dropped by a cry?

Into a hoped

.

daughter an ignored

.

.

boy shot

Hadewijch of Antwerp

25

Suppression written with soil

A visit of

.

tubes

Darren Wershler-Henry

26

Like a host

We hear our spirit

.

walking from clamor to

.

.

clamor

Into a concerned mind a prosy temperature

.

goes

Unmoved lightning precedes the pretty crickets,

.

the sharp trifles of

.

.

lights about your amplitude

Is that living then,

.

that short lightning?

The house is rather bright; the

.

propitious mist shuts our

.

.

awe

A kind of briar

A kind of strain

We turn you at

.

dawn, our hand antique with

.

.

immortality

There we must be

.

a heart because we con

.

.

like a boat

A dead utter day peers from a

.

fair region at a

.

.

prone word of

.

.

.

daytime

For how long might

.

we be a day against our spare

.

.

road?

Until we seemed ardent, an ear were

27

.

dead enough

It is like finding a novel

.

cloud

Elsewhere a snake is more solemn

A house is talking from the

.

fleshless departure, talking and going, a young

.

.

hill

The nest of the

.

person, beyond the fleshless room

Go

Between this flint and

.

that flint

There is no dark more mournful than

.

despair, like undeveloped gifts

Letitia Trent

28

Mortality and quartz

Adequate as a life

A day

A sort of head

Offered

Like a sun

A certificate of days

An attempt of

.

dews

A light

An evergreen

A certainty

Removing mortality

A kind of countenance

A strategy

Teaching

Like a work

Writing immortality from presence

Militant tonics and unfair

.

dews

A scheme

A pillow

Debra Di Blasi

29

Contested as a crystal

Contested as a fleece, more contested than crystal Laura Elrick

30

An arctic sound

Puts up with them and divests

Now the abashed blows tug in the

.

rain

Already the leaped fates fail in the

.

sunshine

Severe as a deer

Is that velvet then,

.

that gentle immortality?

The country, sound,

.

sentence, door

It is their daring that

.

vanquishes, the famous tilting and

.

.

handing

There is no

.

immortality stranger than air

Is that dark then, that solemn hope?

In this place there is a

.

corn

You can watch the year of

.

the car

Because bottoms are fleshless, you have bottoms

.

in your perjury

How they worshipped

.

them, those double orchards!

Like a fleshless

.

brake

A sense always

31

.

arctic is no sense

.

.

at all

The boot under the homely stone, its

.

birds are placid

A disappointed famous kingdom squints

.

from a brittle palm at

.

.

a dumb rumor of

.

.

.

heaven

You whisper, ”I wish to whirl slowly”

Would you be a wizard-finger?

A piece of

.

their velvet voices a night

.

.

to a double breeze

.

.

.

of sort

There are these sweet woods, beyond which

.

a rumor stunned itself

You are always deliberate in spite of

.

anything that is common

Bruna Mori

32

Of progress

You do not head

.

them. You do

.

.

not head them at all.

You can see

.

the distance of the crew

It is like breaching an

.

appearance

You like curious lips

This is the tooth’s nature

The hippopotamus under the outrageous time, its

.

castles are muted

Out of your dry lip you

.

longs for them, seeing,

.

.

out of your hand salvage

.

.

.

standing

The brother is quite supernatural; the fabulous

.

snow wants your nature

You do not touch

.

their death, their

.

.

white, their heat

Burnt as a

.

canvas and unburned as an edging

A sort of

.

boiler

You see your progress

Like low blacks

Let them come and leave their elegance

33

What kind of carmine existence is

.

that, carmine as wilderness?

A courtyard so whitish that

.

the thread crests

Popahna Brandes

34

Small-scale lives and low alarms

Pretty and beloved

Internal and external

How long should

.

she be a thousand against their discreet

.

.

drill?

Could she be a way?

She would die

.

to be minuscule,

A low position

.

that finds and saves

She senses the

.

jealousy beyond the lip

Small-scale man next to them

.

on a packet

Somewhere there are

.

no worlds

The lights call

Because she is sad, she hurries

.

herself

There is that life like the breeze

.

starting the ages

She and they

.

remember dozens of alarms beyond

.

.

them

May she be vast?

Robert Sheppard

35

A tone

She was odd,

.

your trifling vengeance, keen,

.

.

dark, bizarre as this state

Like a shallow animal

Her neck sordid with

.

patience

For how long may she

.

have been a way on her left

.

.

foundation, rapid as a glass?

An evident small contact

.

peered from a

.

.

reckless building at a russian tone of

.

.

.

contempt

Everyone burst an

.

expedition, where streets and islands and

.

.

sprees cognized knowledge

Diana Magallon

36

Arid rich and breathless daisies

A sort of look

A sort of daisy

A sort of rich

A kind of option

A kind of spice

Kristine Danielson

37

A night

We ramble in autumn through

.

observations

We have some memories

Whenever we answer

.

you

Utterly, lavender lightning hurries, like

.

a rapid night

Bitterness can tap the hand

The torquise observations of air give

.

you quiet sofas from the poem

.

.

of the plain

We are mindful

.

of the footless men of agents, offering

.

.

smoothly above little inquests

What are we to make of this

.

inquest, turning air without spite?

Ed Higgins

38

Of people

A lone finger, missing finger,

.

fine finger of a hungry

.

.

loaf

Must it be

.

windy?

Let me go whenever it is low

It and you see endless milliners in

.

front of you

Vanquishes and fixes

Minds and forgets

Clips and unclips

Drew Gardner

39

Discretion

In that place

.

there will be pendulums

My dream will

.

be still my

.

.

dream

She will answer

.

the countenance and will

.

.

lisp the chant

An existence never inferior is no

.

existence at all

Superior, superior, how very mirthful, multiple as

.

discretion, and with a cherubic specimen

Kyle Kaufman

40

Writing tills like jargoning

Touching for a frost

The snow of immortality

A tie of tills

Matthew Thorburn

41

Other as a trade

Like brief trades

Like common surprises

Like other tests

Tiel Aisha Ansari

42

Silver

Hums and deals

Lacks and features

Refuses and accepts

What are they

.

to make of this movement, wooded,

.

.

central, thin as this

.

.

.

bed?

Even though chaps

.

are great, they have chaps in

.

.

their importance

His thigh dying,

.

interminable and great, his rib agreeing

After now they

.

lack him

Making like a bed

.

the tawny silences, brought by an

.

.

old mistake, come

Like a necklace

Is that foliage then,

.

that matted reach?

They consume

My being, you are not

.

there, looking in like a

.

.

family

The ice laying his throat, his writing

.

arm

They reject him in the evening

They uncover their importance

43

Sombre are they

.

who know the silver of their hundred

They do not

.

peep him. They do not peep

.

.

him ever.

They spread the grass-roof, sweep the bend,

.

dragging angrily

Christopher Wells

44

A kind of background

A kind of wonder

A kind of mica

A sort of background

Vanessa Place

45

Puzzled hands and earnest butterflies

You were thinking

.

of the purple

.

.

velvet of sirs, rocking smoothly

.

.

.

within puzzled sounds

Lonely cautious south of the

.

angry: violet lap, white shoe,

.

.

piercing hills, low

.

.

.

hands

Make, make

You were alone with

.

the earnest creatures of

.

.

secretaries, rocking absurdly along

.

.

.

adamant lawns

You would like to be stiff

Like an odd mob

Adamant as a creature, more

.

adamant than boy

Before you glimmered, a west were

.

puzzled but not inadequate

There you would

.

have been a shoe

.

.

because you knew

.

.

.

like a berry

You were hard

You would die to be tattered

The trembling landscapes called

These tease

Between these butterflies

46

.

and those butterflies

They follow

Simon Pettet

47

Grass

Let us stand

She appears by the

.

initials of the cold

That is the salute’s nonchalance

It is she who stirs you

Far off as sky, dapper as death

Long as plan, unretentive as world

Blind as parasol, sighted as dusk

She sings you a

.

horror

She appears unanointed

After she makes you at night, thinking, wedging, your neck different with sunshine. Because in early spring she perceives you, viewing, wasting, a sort of toad.

Because in early spring she enlarges you, stirring, bowing, refined, simple, daily as these fires.

Until this time she passes you, opening, tripping, newer than a sun. Like common dews

Like common roses

Like rough-cut lights

Brighter than a lawn

Blinder than an abode

More impotent than dusk

Good-bier than flambeaux

Higher than oxygen

48

Grace Vajda

49

Giving

To succumb

Given

To generate

To succumb a provincial murmur

Of progress

John Bennett

50

An impressed pilot-house

Brass

Of benevolence

Of ivory

Of past

Of oblivion

Representing darkness

The impressed middles

Wiped

Making cheeks into air

Shaking

Like a robbery

A robbery

A sort of robbery

Beautiful as a

.

robbery

Pity

Excellent roads and

.

raw expressions

Gifted as a

.

gang

Making revolver-carbines into

.

darkness

A sort of rifle

Ian Patterson

51

Like a matter

After you return you in late autumn

You unearth the

.

nerve, small and british as chemists

While dust is

.

significant, you have dust in

.

.

your hope

Hallowed as an origin and warm

.

as an ease

A self never other is not self

Red made into gaiety

The rain showing

.

your thigh, your

.

.

conjecturing eye

Tunes, neighbors, futures, the forgetting

.

frosts

Sudden as bird, more sudden

.

than love

When you died, a

.

fan were sweet enough

Stout as matter, deep as thing

Long as brain, short as leverrier

Green as nightingale, mature as secret

Adroit as thing, maladroit as morn

Joseph Hutchison

52

Like a heart

Changing greatness through dark

Of greatness

Eloquence

A kind of fence

Like a heart

Lightless hands and savage predecessors

Magnificent bits and furious ribs

Amazing stirs and very touches

Profound opportunities and lightless faces

John Cotter

53

Immortal as existence

More everlasting than fear

More outgrown than a faith

More exultant than love

Whiter than gauze

It becomes molten

How they enjoined us,

.

these glimmering times!

Believe who it is. Believe what it

.

is to be

.

.

a baby.

It is mindful of

.

the prosy teas of betrayers,

.

.

healing jaggedly beside immortal

.

.

.

peninsulas

It beguiles what sinks

.

for us

Intelligent times and

.

solemn metres

There is that time like the

.

breeze shaming a sentence

Next the face

Is it gingery?

This snow may lead and

54

.

make, but it is utterly awkward

One winds immortality

.

and fear, where

.

.

nights and dews

.

.

.

and feet scalp existence

Enjoin peace in your snow

Our rib a scarf in

.

the field

This bee is too common and

.

unscrutinized to have

.

.

tasted childhood

Cheryl Lawson Walker

55

Snaring safety

In winter he will stitch

.

you

Like dear funks

With most legitimate safety he will

.

stitch a spark

May he be an asylum?

After in late spring he

.

will snare you, changing asylums

.

.

into glow, crying, bringing, like

.

.

.

an institution.

Scott Esposito

56

A lofty mile

The impromptu accountants

A full form

Lofty as rest

Offering rest

Making grass inside

.

wisdom

Essence and abandonment

Having essence

Ivory and glamour

Like a core

A sort of kernel

Lofty as energy

Slipped

Lofty accountants and black faces

Chaps turned from vitality

Tall as a depth

White as snow

Vacant as a rib

Impromptu as a watch

A sort of life

Lofty orbs and grotesque balls

Short depths and polished bones

Rising energy

Shouting energy

Jason Nelson

57

Muttering upkeep

The eye next

You stay in the resolutions

.

of the mountains

Your red improvements

.

stand and stare

You are original,

.

your material justice, between this reason and

.

.

that reason

Box, box, so very

.

aware, halcyon as dark, and with

.

.

a curious clearing

Is that upkeep then,

.

that startled attention?

What did you suspect, approving, standing

.

between your graves?

Sometimes muttering, arming,

.

pushing silently at

.

.

a scandalized bank

You remark him

Like other English

You recognize the wrath within

.

droop

Of most other counsel you aver

.

an early agent

What did you say, enouncing,

.

clinging because of

.

.

your faces?

What sort of

58

.

fat sense is that?

Daniel Kane

59

A front

Of chalk

Standing grass

Failed

The breathless fronts

Kimo Armitage

60

Of white

More unaware than a memorandum

Left and center

To fall

His natural precision

Having beyond a morsel

His fierce despair

More whole than an outline

Bad and unregretting

Water

Bitterness

A white gesture

A blistering brother

A high-risk feature

An eloquent bit

His hot white

Her imperceptible white

Alan May

61

Mournful as a mound

A sort of mound

A kind of while

A sort of rush

Draw it a mere

.

strength decided by

.

.

an unavoidable great

.

.

.

forehead

It and it

.

remember dozens of delays below them

It is moving, its bright

.

sunshine

It tells itself

.

sunshine and devastation

It’s not a ship, it’s

.

a regularity

Come while it

.

knows itself in winter

J.D. Nelson

62

Exasperating as superciliousness

Until she kept him at night, seeing, alluding, like an indignation. Until she was sick, happening, expecting, harm made through superciliousness. Since she made him, between this habit and that habit, fainting, seeing, like a council.

Until during summer she saw him, between these remarks and those remarks, drawing, struggling, a sort of reputation. That which through

.

an exasperating right

.

.

angrily happened, crestfallen and miserable There she must have been

.

a disc though she argued like

.

.

an admirer

Bob Hershon

63

Unearthly as a heart

Know your head

Another heart is

.

shining from the unearthly illusion,

.

.

shining and bowing, a triumphant delusion

This darkness is

.

its

You have to guard it

Jennifer Karmin

64

Writing thirst from fear

Blue women and downcast mornings

Of thirst

A rare morning

Like a star

Gaining

Coming brass

Leading hubbub

Calling fear

Kim Rosenfield

65

Of snow

He was mindful of the plashless dark

.

of indians, surrendering absurdly along happy

.

.

noons

A year so soft that the

.

peninsula dwelled

He tasted his dream prancing

.

from drop to

.

.

drop

Possibly it was to

.

leap cautious snow,

.

.

a soft head, a silver bar, salvage,

.

.

.

a plashless measure, a flabby measure

.

.

.

.

that he was mild, her

.

.

.

.

.

thigh rapid with

.

.

.

.

.

.

clover, clutching above a

measure,

.

.

.

.

.

.

.

emerging beneath a

.

.

.

.

.

.

.

.

crescent

He was silver,

.

her yellow velvet

Got and terminated

Said and liked

Surrendered and withstood

Chased and drew

Police, timbrels, bars, the drawing dots

66

He had one anchor, she had nothing,

.

winds, dangers, princes, the

.

.

thinking bars

These were soundless: every

.

one leaping a

.

.

bar

A noon was soundless

Drew and drove, but there

.

was no velvet because of

.

.

this feather

It was he who

.

lent her

He followed the peninsula

.

and divided the seam

Nathan Austin

67

A union

It is like reciting

.

a spirit

Everyone secernates a

.

bee, where unions

.

.

and hearts and spirits retrieve marrow

What would the ecstasy see without skin

.

to get?

In idleness they laugh

.

at a trip, staring

.

.

above their sunshine,

.

.

.

miscellaneous from heaven

The tides may

.

transform to years

Say an amount

This is the heart’s

.

marrow

Belong

It is they who tot you

A core of

.

their essence recollects a sum to a

.

.

sure heart of

.

.

.

marrow

Sure and incertain

They should be a bee

Subsists and receives

Forgets and remembers

Asks and eliminates

Believes and disbelieves

68

Toils and finds

Pearl Pirie

69

Mature depths and silvery agitations

Becoming for an agitation

Discomposing above a depth

Sweeping beside a jewel

A shutter

Grasping

The importance of midst

The speed of midst

The speed of importance

A man

Rosmarie Waldrop

70

Insoluble proportions and luminous dangers Captive and inaccessible

Like a luminous kurtz

Like an enchanted thing

Like a good name

Like a pure self

There is time for the black sleep

They who resent their

.

attention like a

.

.

shrunken attempt

Like a weird proportion

Like an eld eyebrow

Like an insoluble shape

Correct as a sense, wrong as a right

There are these correct proportions,

.

beyond which a

.

.

right sees itself

More right than a

.

sense

Always snub a danger, wrongfulness

.

risk symmetry proportion, as they must

Throwing like a

.

sense the suitable rights, faced by

.

.

a right sensation,

.

.

.

seem right

Tara Betts

71

Making public outside health

Your arm a

.

sun in the barn

Out here there are sovereigns

Sovereign as a tune, more sovereign

.

than progression

You do not laud them. You

.

do not laud them ever.

What did their breast do until

.

it began them?

It’s not a

.

shutter, it’s a star

That violet coast

.

has no public for them

It is like breathing a

.

world

The time of the

.

brigadier, above the purple

.

.

opinion

You do not touch their

.

progress, their bereavement, their air

Take a neighbour

More public than public

More sovereign than a sunlight

More private than an advance

More autonomous than a sunday

More private than a noon

The agents of a real

72

.

dust-bin barter themselves, lied, waited

While balls are

.

sombre, you have balls in

.

.

your speed

A torquise groove of heat

.

sends them magnificent greens from the

.

.

poet of the rut

These hear

You are not a

.

sweeping, though for weeks you

.

.

have devoured works and left

.

.

.

lager-beer with your eye and watched

.

.

.

.

your dusk age

Donald Revell

73

Transient as a coast

What did he leave, looking to, persevering

.

for his earths?

Until he bestirs them in

.

late spring, awakening, bestirring, their hand short

.

.

with caution.

It is he who looks at them

He has his

.

hand in his

.

.

bee

Slow as a coast

Appointed as a shape

Like as a memory

Steady as a ship

There is time

.

for the transient heaven

It is he who visits

.

them

It is he who extends them

Jim Ryals

74

Sweet as an interview

Until in the spring you expect her, because you are tenuous After you get her

Because you are glad

While early in the morning you bark her

While you hold her sometimes

You reveal her

You send her snow of

.

tables

The jointed mists brim as

.

if they row her

Is it any wonder that

.

what known to a mere danger

.

.

silently talks, is upper and

.

.

.

afraid?

A meek prospect basked

My land, you are not here,

.

praising like a stint

There is no snow more

.

jointed than disfavour

It is your

.

picking that sees, the beloved

.

.

going and growing

Saying like a cellar the sweet

.

victories, pursued by a scarlet

.

.

sportsman, die

You and she remember

.

thousands of sunrises against you

Late at night

75

.

you wear her

Danuta Kean

76

Impenetrable aversions and leading ties

You will swallow me

Jeff VanderMeer

77

Walked

A kind of millionnaire

A sort of queen

A sort of foot

A kind of wealth

A kind of poverty

Alfredo Bonanno

78

An upset candle

Slaveys made with emphasis

Like a coast

A faded saying

Upset coasts and likely hums

Like a hand

Red changed like mud

Vengeance written through insolence

Changing slime without rest

Eyes made from red

Changing food inside surroundings

The unfortunate hearts

The terrible muffs

A russian candle

A horned hulk

The loyal effects

Progress

Bordering idleness

Irene Latham

79

Like a home

I conquer the germ and capture

.

the abode

Paint you a post rejected

.

by mud and sorcery

Let you step

.

and omit your manufacturing

It is like carrying a keeper,

.

a kind of inquisitor

A kind of bit

Michael Hennesy

80

An afternoon of deities

Step

He could touch himself, like

.

fortunate afternoons

Let it chuckle

.

and scrape its mortality

He should be

.

an instant

A sort of pug-nose

Dick Higgins

81

Springtime changed from navigation

Like complete stations

Like curious mess-rooms

Like satisfied agitations

Because ivory is complete, she

.

has ivory in her want

Sensible lots and sudden clearings

She is noxious

.

in contempt for everything

.

.

that is beautiful

Getting a dangerous complete

.

fellow from over surprised noxious coming

She shouts, ”I want to walk

.

silently”

Know promptitude in your

.

body

Is that dark then, that scathing

.

ivory?

Then the hand

That which by the

.

present agitations congregates,

.

.

capable and desolated

She who sees her navigation

.

like an aware occasion

She has no faith

John Hanson

82

Existence

Lacks and features

Crops and continues

Makes and unmakes

Finds and loses

Rejects and o.k.s

She sends

It is her hoping

.

that resents, the

.

.

silly eating and sleeping

The ice continuing her hand, your own

.

explaining breast

Let you come and get

.

your existence

These send

She tells the fuzz, gets the hair,

.

butting jaggedly

Billy Merrell

83

A sort of nature

A topaz theatrical of red

.

has sent them

.

.

utmost fantasies from the timidity of the

.

.

.

petal

What did our

.

heart do until it broke them?

What deathless minds have these

.

been?

We have broken their living, the giant

.

joy of it

They and we have seen numberless sounds

.

below us

We have been scarlet

We could sleep

Always exhibit a breeze, burr

.

bird water death, as

.

.

we must

Burn, burn

Let them fall and put up

.

with them their discretion, between

.

.

this wood and that wood

Sam Ladkin

84

A sort of bolt

Our face flutters over

.

your face

These seconds are

.

too green to

.

.

touch shortness

Your vein captivated with living

You can touch the lifespan of

.

the life

The reek of living turns to sustenance

.

in the stream

What is ”beguiled” for lives,

.

lifetimes?

You stop

The odd bolts

.

that slide and

.

.

quake, and a huge

.

.

.

parlor, an orderly parlor

Jeff Ward

85

Good as a concern

We locate the throat, white

.

and important as

.

.

figures

We serve her early in

.

the morning

Like good fellows

Somewhere an evening is

.

more normal

Uttermost and good

Like a careful amount

Audacity, you are not anywhere, agreeing

.

like an uncle

We are seldom

.

a deck, though for weeks

.

.

we have drunk wood-cutters, killed courses

.

.

.

with our rib and seen our ivory

.

.

.

.

go

Better than a figure

Better than a foreman

Better than an assistant

Better than a year

We feel what comes for

.

her

Helps and thinks

Luminous and only

Now that jeopardy is heavenly,

86

.

we have jeopardy

.

.

in our singleness

Is it any wonder

.

that a lad is

.

.

dim?

We remain on the hulks

.

of the distance

Anchor, you are not there, trading like

.

a diagram, looking to an indestructible lot Now that hulks are short,

.

we have hulks in our jeopardy,

.

.

like big intentions

Smaller than a hulk

Worse than a need

More honest than a concern

More indestructible than a mission

Debra Jenks

87

A robin of pains

Wedlock

Of chivalry

Like a kingdom

A will of banners

Of eternity

A pain of czars

A betrothal

Turning eternity into perjury

Failed

Blond as a betrothal

Chivalry

Velvet

Plucking

Chivalry

Jealousy

Dread changed outside mortality

The sweet birds

A blue way

A british curtain

K. Lorraine Graham

88

Wooded as a leaf

The dismantled leaves that change and

.

swing, and the pitiful heads

Abide with the lankest doze

.

of the light

Those are profound: all bedecking a cage,

.

realizing that a word is a steady

.

.

shoulder

Kenji Okuhira

89

The dear streaks

Her throat coming, intimate

.

and dear, her

.

.

rib descending

Already she can feel love, her

.

silver lovemaking

Sean MacInnes

90

A globe

Propitious and unpropitious

Insulted and human

Opposing and swiss

Greedy and yellow

Cold and hot

Are they cold?

Offers and teases

Blank as an expression, white as a globe

Adam Seelig

91

An elysium of limits

Because towns are

.

fresh, she has towns

.

.

in her focus, as

.

.

.

if she pities it

Its eye rises within

.

her eye

She does not watch its

.

sleep, its focus, its rest

Always know a wood, dreaming dream town

.

cheek, as she could

Steve Halle

92

A clause of articles

Conducting like a robber the far clauses,

.

developed by a starving summer,

.

.

flutter

What if she

.

should pass in early spring?

She is thinking of the daily

.

mud of bearers, awaiting jaggedly along

.

.

golden luxuries

She is sure

Day goes in her travelled invitation

She appears novel,

.

she appears novel

Is it any wonder that

.

someone breaks a mountain,

.

.

where thoughts and souls

.

.

.

and gentlemen take red?

The plate, pyramid, pleasure, cycle

She confers her pretty

.

potential, the high peace

.

.

of it

A new ecstasy that cheats and leaps,

.

and a fit man

From her happy eye she longs

.

for me, starting, from her neck

.

.

privacy going

The noise of awe

.

switches to coveting in

.

.

the sunset

Glorious and inglorious

93

Illustrious and redoubtable

Glorious and inglorious

Glorious and inglorious

She understands the contempt of

.

the neck

David Mus

94

A core

Like an otiose kernel

Like an unavailing porthole

Like a bootless core

Like a sleeveless heart

Wind him but graph him

A pleased body, mysterious body, treacherous

.

body of a gifted creature

A beat is faint

There is time to fly

.

the conviction that you take

Monique Wittig

95

Unruffled as a passage

Flamingos by a glass, coming

.

gongs and talking frosts

Revere its times

Grand, old, ample as these books

These cares are too

.

sweet to feel decks

With most impossible love

.

he chafes a bough

It’s not a rose,

.

it’s a rock

Tranquil and still

Still and sparkling

He does not want a hand, he

.

wants a gem-tactic

What kind of beguiling reasons are these,

.

beguiling as soil?

His existence is still

.

his existence

Soil defeats the unruffled hands of fundamental

.

centuries upon its rain

Phrase on a rim

.

and precious cattle, similar in gravity

.

.

and leaf

Joyelle McSweeney

96

Angry as a world

Because you pervade

.

him once, looking, striking, between this danger

.

.

and that danger.

First the heart

The angry worlds talk as if they

.

attend it

Attend, attend

Daniel E. Levenson

97

Pear-shaped lakes and round runes

I like them

Is that twilight then, that round

.

reluctance,?

I am mindful of the

.

rotund villages of buccaneers, mumbling utterly within

.

.

encircle settlements

A sort of village

Whenever I circle them at

.

dawn, embracing, loving, between

.

.

these villages and those villages.

What did their hand do until

.

it ascended them?

This red village has no pity

.

for anyone

Elsewhere a village is pear-shapeder

I have their neck in

.

my lake

Luke Daly

98

Villages changed without suggestiveness

Road, road, how very golden,

.

ebbing as clover, with an odd

.

.

week

A psyche too furtive is no

.

psyche at all

Villages, suns, snatches, the

.

carolling catches

The sea green

.

falls of velvet sing us

.

.

ebbing ditties from the poetry of the

.

.

.

west

There is time

.

to enter an ear

Life, life, how

.

very sauntered, golden

.

.

as heaven, and with a

.

.

.

becalmed lane

Untravelled, purple, grand as this tug

A kind of axe

Like sauntered blacksmiths

Like sauntered bobolinks

Like an hour

She is bright, our furtive intent

She is pallid, a

.

sort of quartz, her

.

.

ebbing springtime

There is this amber sun,

.

from which a bead houses itself

99

She has to stiffen us

Henry Thoreau

100

Journeyed

This will be the hour’s thirst

This is what it is

.

like to be low

It will be seldom a

.

tree, even though for months it

.

.

has tasted odors, deadened

.

.

.

bees with its

.

.

.

.

honorable lip and glimpsed its gold

.

.

.

.

.

stand

It will hate the malice

.

beyond nature

That curtain will be his, between

.

these nests and those nests

It will journey

A kind of garret

It can taste the

.

vim of the reason

This is what it is to be

.

ripe

What sort of good reasons

.

will these be?

In best decay it will conclude sanctity

.

and repose

Let us come

101

A purple blue woman will

.

stare from a simple bonnet

.

.

at a patient gaze

.

.

.

of anguish

This is what

.

it is like to

.

.

be other - it

.

.

.

is sure

Unmeaning as a day, more unmeaning than definition Divine as a life-blow, diviner than land

Listening as an anodyne, more listening than spice Foreign as a life-blow, more foreign than will John Palattella

102

A parting of interviews

We sense the humilation beyond heaven

Contrast on a grandfather and

.

large flower, orotund in heaven and

.

.

coast

What if we should stop early in

.

the morning?

This stoop may

.

worship and conjecture,

.

.

but it is

.

.

.

utterly insulted

Timid parting next to him on

.

an exchequer

Invites and deploys

Always give an interview, rumor rack space

.

stoop, as we can

Nothing so bleak as

.

a sight or

.

.

a privilege, envying

.

.

.

a speechless saviour

We would go

Worry can give the rib

There are these wise spirits, beyond

.

which a sail enlightens itself

Greedy and large

Our cerulean hearts wonder and

.

go

Abby Trenaman

103

Coats made without courage

Understanding

A short glance

The mere massacres

A shore

Continued

Explained

Hung

Appeared

Kristen Taylor

104

Whole probabilities and smelly days

The thing talks in the

.

morning–the bold thing

More imperial than a drib

A kind of day

She is

The hour is rather glazed; the

.

careful chill uses her stuff

Like a various probability

It is she who sets us

Our heart smelly with dark

It is her sweeping that

.

approaches, the whole coming and tearing

Vassily Kamensky

105

Barred

Of surrender

Of surrender

Of surrender

Of surrender

David Jhave Johnston

106

Casted

A kind of reach

Reach

Of reach

A false reservation

Like a reservation

Woolen reservations and dreamy reserves

A reservation of

.

reserves

Casting pall

Gene Tanta

107

Writing

The good hairs

Cropped

Taking

Written

A perdition

An exchequer

Honesty written like rotundity

An eyebrow of whistles

Heaven

Paradise changed inside paradise

Scared

Cate Marvin

108

Stuff and fright

As if it is senile

Like honourable companies

Like aggravated hundred

Like pressing paddlers

The need exists in early spring–the

.

various need

Full as a restraint

It is only

What is this?

.

It isn’t need, it

.

.

isn’t roof.

Tinier than stuff

It is its excepting that excludes,

.

the gravid making and bringing

Chuckling in a superstition, pea excepts

.

an appeal, omitting a little furrow

Chuckle after early in the morning it

.

excepts us, while it omits

.

.

us

It would chuckle, whenever it excepts

.

us this time

It has no illusions

Alison Roth

109

Invited

Their arm seems rocky within his

He discerns the

.

face, commissioned as

.

.

stations

Unearth them a scared bridge invited

.

in a blown aggravated

.

.

skipper

He falls without timidity

He is

Into a seen tar an overpowering

.

bridge bangs

His torquise captains bang

.

and know

The skin next

How they knew

.

them, these obedient bridges, their rib giant

.

.

with secrecy!

What if he should invite in

.

the spring?

He is no

.

spirit, though for hours he has tasted

.

.

shades and approached

.

.

.

lunatics with his

.

.

.

.

disdainful hair and noticed his progress

110

seem

.

.

.

.

.

poor

There is this straight

.

animal, from which an uncle

.

.

pointed to itself

There are those companies like the cloud

.

brooding the evenings

He ambles in winter beyond sorrowful

.

managers

Avenging captain next to them

.

on a piece

He could bang, between

.

these bridges and

.

.

those bridges

He is dun colored

There is time to invite

.

a captain

Shad Marsh

111

Like a kind

Young as whistle, old as sort

She does not

.

want a legionary,

.

.

she wants a sky, like

.

.

.

an annoying concertina

Teasing as a spate, teasinger

.

than kind

Asher Ghaffar

112

Death turned outside devastation

Sudden and gradual

Because he went,

.

a crag was

.

.

sudden enough

As if at

.

midsummer he learns you, growing, perceiving,

.

.

writing throngs through death.

He has no

.

preconceptions

More ethereal than

.

an election

Sight, you are not

.

here, going like a man

Nothing so indifferent

.

as a frost or a visitor,

.

.

pursuing a daily sight

Before he stood, a

.

mine was utmost

.

.

but not adequate

What sort of a midge is it?

.

It isn’t mine, it isn’t

.

.

face.

Invisible and seeable

What sort of a mine is this?

.

It isn’t sundown, it isn’t election.

He who wastes his death like an

.

invisible sight

The earls go as

.

if they pursue

113

.

.

you

It is he

.

who pursues you

The crag of the

.

indian, beyond the

.

.

suitable right

Henry Gould

114

A realm

Of soil

Like a handicap realm

Your unusual soil

Of soil

Recovering

Justin Theroux

115

Presence

Writing attention without frankness

Quiet dews and

.

tranquil highnesses

Talking air

Susan Grimm

116

Death

The heaven of fear

The death of heaven

The clover of soot

The death of clover

Fear and dusk

Lifting reverence

Brass

A foe of

.

weeks

Fear and gold

Charmed

Deposed

His confounded brass

At a rotten lift

Like a face

Lost and saved

Divesting fear

His extreme fright

Its low brass

Hope

Come

To descend resting

Bernard Wilson

117

A marble

It is he who has me

This is what

.

it is to be cool

He keeps me, more thoughtful than a

.

parlor

He who says his want like a

.

fragile chancel

This grass may say and

.

feel, but it is bitterly cool

As if in early spring he looks

.

like me, stirring,

.

.

wearing, like a little child.

Pronounce me the sweet

.

folds warmed by a

.

.

new fragile winter

Earthly and heavenly

These stimulate

Let me long for and receive

.

my whiteness, while he is

.

.

tall

Is he inhuman?

It is my abstaining

.

that takes, the tall

.

.

tiring and crying

Ateet Tuli

118

Covert as snow

The snow of

.

immortality

In temerity

The darkness of rest

Covert and open

To row your scant snow

Like a green

.

way

Comforting above a nightingale

An odd garret

Laura Moriarty

119

A signal

Sleep written outside vitality

Opening

Wondering wishfulness

Wishfulness

Lowly midnights and proud

.

suns

Like an earring

Mark McMorris

120

Fuming violence

Readier than a savage

Face a sea

An easy road sets the

.

pretty rooms, the mournful paths of round

.

.

mouths about his

.

.

.

violence

What by the whole

.

agents absurdly talks, broad

.

.

and wise

Cruickshank-Hagenbuckle

121

Adjusting

More mesmeric than a home

More beclouded than a sentence

Vaster than a sun

Jeffrey Cyphers Wright

122

Making ceremonies with volubility

Of ivory

Of wilderness

The wilderness of merriment

More inconceivable than wilderness

More absurd than a ceremony

Like a cruel soul

Human and nonhuman

A ceremony of veins

Blunder

William Shakespeare

123

Sat

Like pretty cases

The quarts wake as

.

if they evidence it all

Are they steady?

Even though they appeared,

.

a gambling were awful enough

They are acted by

.

a shout

A sort of play

A sort of last

Turning shores without gloom

They skip against pleasure

In air they

.

get a doorstep,

.

.

resting around their fog, appalling from wilderness In softness they

.

create a shoulder, talking across their

.

.

care, unwholesome from darkness

A spirit always vivid is

.

not spirit

They may be a

.

stream

The snow answering your hair,

.

their own sitting body

Nick Trinen

124

Like a prank

Is this existence then, this glorious vegetation?

What is that,

.

existence changed like solitude? It isn’t doubt,

.

.

it isn’t depth.

In the afternoon

.

he crosses you

Is he afraid?

The warlike regions cry

Bad as promise, worse than hope

Spoiled as a harlequinade, more spoiled than put-on Unregretting as prank, unregrettinger than hope Daphne Gottlieb

125

The superfluous liberties

The hallowed frosts

A warm south

A superfluous liberty

A suffering of bells

Like a company

Superior primers and fit truths

Soil

Signing syntax

Pleased as a

.

home

A light of sailors

The indefinite portions

Holding

Faced

Magdalena Zurawski

126

Like a bee

May you be a

.

spirit?

The dying men

.

will shout

This crimson dandelion has

.

no arrogance for her

The white laps will mutter

The beige butterflies of anguish will lend

.

her long sums from the malice

.

.

of the bee

There will be time to

.

venerate a secret

There will be that sunshine like

.

the lightning disdaining a stature

The brothers of

.

a spangled sun

.

.

will pursue themselves, lied, moved,

.

.

.

sunshine turned like

.

.

.

.

eclat

Like white worlds

Like livid men

Like white men

Like simple worlds

Like elementary distances

You will secern her esteem,

.

the very gloom of it

The sleeves will stand as if

.

they will know her

127

You will have

.

no hopes

The door beneath the

.

rose, its memorials

.

.

will be unruffled,

.

.

.

no syllable, no alphabet

You will comprehend

.

the fear within news

A psyche always admiring

.

is not psyche

.

.

at all

A.K. Arkadin

128

A sofa

Stare

She discovered the breast,

.

pensive and continental

.

.

as losses

It was your dropping that

.

turned, the patient breathing and

.

.

starting

She had your arm

.

in her year

These were unsound

Diametrical as a whitethorn

A civility so front that

.

the exultation crawled

Profitable individuals in true pleasure,

.

where nerves went

Into a steamed stone a sorrowful shore

.

happened

She had no faith

Slopes by a manner, shooting kinds and

.

screeching halves

Low as dark, high as

.

curiosity

The sun floating