Travel Writing Quotes

Quotes tagged as "travel-writing" Showing 1-30 of 314
Roman Payne
“A person does not grow from the ground like a vine or a tree, one is not part of a plot of land. Mankind has legs so it can wander.”
Roman Payne, The Wanderess

Bill Bryson
“Hunters will tell you that a moose is a wily and ferocious forest creature. Nonsense. A moose is a cow drawn by a three-year-old.”
Bill Bryson, A Walk in the Woods: Rediscovering America on the Appalachian Trail

Richard Halliburton
“Let those who wish have their respectability- I wanted freedom, freedom to indulge in whatever caprice struck my fancy, freedom to search in the farthermost corners of the earth for the beautiful, the joyous, and the romantic.”
Richard Halliburton

Pico Iyer
“It doesn't matter where or how far you go - the farther commonly the worse - the important thing is how alive you are. Writing of every kind is a way to wake oneself up and keep as alive as when one has just fallen in love.”
Pico Iyer

Paul Theroux
“He regarded himself as an accomplished writer — a clear sign of madness in anyone.”
Paul Theroux

Ernesto Che Guevara
“All night, after the exhausting games of canasta, we would look over the immense sea, full of white-flecked and green reflections, the two of us leaning side by side on the railing, each of us far away, flying in his own aircraft to the stratospheric regions of his own dreams. There we understood that our vocation, our true vocation, was to move for eternity along the roads and seas of the world. Always curious, looking into everything that came before our eyes, sniffing out each corner but only ever faintly--not setting down roots in any land or staying long enough to see the substratum of things the outer limits would suffice.”
Ernesto Guevara, The Motorcycle Diaries: Notes on a Latin American Journey

Anthony Bourdain
“In this way, writers are indeed, as Henry Miller suggested, traitors to the human race. We may turn a light on inequity, injustice, and oppression from time to time, but we regularly kill what we love in insidious fashion.”
Anthony Bourdain, The Best American Travel Writing 2008

Percy Bysshe Shelley
“Venice, it's temples and palaces did seem like fabrics of enchantment piled to heaven.”
Percy Bysshe Shelley

Tahir Shah
“The backstreet cafe in Casablanca was for me a place of mystery, a place with a soul, a place with danger. There was a sense that the safety nets had been cut away, that each citizen walked upon the high wire of this, the real world. I longed not merely to travel through it, but to live in such a city.”
Tahir Shah, The Caliph's House: A Year in Casablanca

Evelyn Waugh
“Every Englishman abroad, until it is proved to the contrary, likes to consider himself a traveller and not a tourist.”
Evelyn Waugh, Labels

Ted Conover
“...what I'm getting at is like the distinction between tourist and a traveler. The tourist experience is superficial and glancing. The traveler develops a deeper connection with her surroundings. She is more invested in them -- the traveler stays longer, makes her own plans, chooses her own destination, and usually travels alone: solo travel and solo participation, although the most difficult emotionally, seem the most likely to produce a good story.”
Ted Conover

Michael Ondaatje
“ many of us have a moved heart that shies away to a different angle, a millimetre or even less from the place where it first existed, some repositioning unknown to us.”
Michael Ondaatje, The Cat's Table

Eamonn Gearon
“If asked which words one associated with the Sahara, only the most dedicated surrealist might be expected to offer "whale".”
Eamonn Gearon, The Sahara: A Cultural History

William Zinsser
“As a writer you must keep a tight rein on your subjective self—the traveler touched by new sights and sounds and smells—and keep an objective eye on the reader.”
William Knowlton Zinsser, On Writing Well: The Classic Guide to Writing Nonfiction

J.E. Leigh
“We—all of us—want to feel special. We want to feel the glory that shines on us when we reach beyond our boundaries to grab at something greater, to live a heroic life, if only for a day or a week or a moment.

This simple yearning is in us all, hardly recognizable, often only the merest hint that there is something more to us.

This is why we seek out new places...we want to remember a somewhere that gave us the space to expand ourselves, to become a little more of who we truly are.”
J.E. Leigh, See Before You Die: Costa Rica

“Great travel writing consists of equal parts curiosity, vulnerability and vocabulary. It is not a terrain for know-it-alls or the indecisive. The best of the genre can simply be an elegant natural history essay, a nicely writ sports piece, or a well-turned profile of a bar band and its music. A well-grounded sense of place is the challenge for the writer. We observe, we calculate, we inquire, we look for a link between what we already know and what we're about to learn. The finest travel writing describes what's going on when nobody's looking.”
Tom Miller

“Un secret est d’autant plus lourd à porter qu’il engage votre amour.”
Olivier Weber, Le Barbaresque

Marilyn Barnicke Belleghem
“I know I am planning to visit a "land" that is not entirely foreign, only foreign to me. As an adventurer, I am on a journey that I believe will last me my whole life. A new relationship, discovery, or awareness excites me.”
Marilyn Barnicke Belleghem, Questing Marilyn

“Il n’est pire exil que celui du coeur”
Olivier Weber, Le Barbaresque

Will Ferguson
“Deferring judgement to a later date resolves nothing and all you are left with is a box of jumbled slides and a collection of knick-knacks and odds and ends. Here a face. There a sunset.”
Will Ferguson, Hokkaido Highway Blues: Hitchhiking Japan

“No camera, no recording device, no laptop, none of this palm pilot nonsense or a cell phone. Paper and pencil, a book, maybe a bilingual dictionary. Anything beyond that (a) can be stolen, and (b) intimidates people you encounter. The more double-A batteries you carry, the more you distance yourself from the people you're writing about.”
Tom Miller

Shivya Nath
“How could I explain in words my craving for freedom, that longing for anonymity, the need to distance myself from everything I knew in my universe?”
Shivya Nath, The Shooting Star

“Nous sommes tous des naufragés de l'âme vois-tu, la peinture n'est que le reflet de ce chagrin, antichambre de la grande joie à venir."
Nous sommes tous des naufragés de l'âme vois-tu, la peinture n'est que le reflet de ce chagrin, antichambre de la grande joie à venir.
On ne se tue pas pour une femme (Plon)”
Olivier Weber

Anne Morrow Lindbergh
“There comes a moment when the things one has written, even a traveler's memories, stand up and demand a justification. They require an explanation. They query, 'Who am I? What is my name? Why am I here?”
Anne Morrow Lindbergh, North to the Orient

“La gloire, c'est comme la gouache, ça prend très vite puis ça part à la première goutte de pluie.”
Olivier Weber

Christopher Isherwood
“Finally, after a glance at Notre Dame and a brisk trot through the Louvre, we sat down at a cafe on the Place de l'Opera and watched the people. They were amazing -- never had we seen such costumes, such make-up, such wigs; and, strangest of all, the wearers didn't seem in the least conscious of how funny they looked. Many of them even stared at us and smiled, as though we had been the oddities, and not they. Mr. Holmes no doubt found it amusing to see the pageant of prostitution, poverty and fashion reflected in our callow faces and wide-open eyes.”
Christopher Isherwood, Lions and Shadows: An Education in the Twenties

Federico Castigliano
“The greatest pleasure does not consist in experiencing new things, but in savoring the infinite variation of what we already know”
Federico Castigliano, Flâneur: The Art of Wandering the Streets of Paris

Michelle Vaid
“only boring people get bored.”
Michelle Vaid, Mr Peter's Adventures In Siracusa, Sicily. - Le Avventure di Peter a Siracusa, Sicilia.

Siobhan Fallon
“Those who have lived abroad know exactly what I mean. Our status as Americans creates an instantaneous, rarified friendship. You are in a fast food restaurant where they have odd things on the menu, makluba, zaatar, soojouk, and you are scrambling for something you recognize, pizza, or even pita, and then you hear that perfect Hello or How you doing? You gravitate toward that table of strangers, desperate, dear God, speak to me, fellow outsiders in in appropriate revealing clothing, seak to me American sweet nothings of sports and reality T.V. It’s the same anywhere. You reach for the known in an unknown place. You become friends with someone you wouldn’t be able to stand if you actually had options. Our history of Super Bowl commercials and expectations of flushable toilet paper seal us together.”
Siobhan Fallon, The Confusion of Languages

Siobhan Fallon
“We depend on this give-and-take when living abroad. You can’t exile yourself from your homeland and not always feel that tidal pull of return. Those minor details, the commercial jingles and pop songs, the chain restaurants and decade-defining shades of our blue jeans, are details you don’t even think about until you are face-to-face with a society that has very little to do with your own. Suddenly those one-hit wonders become a secret language, the very vestige of American culture.”
Siobhan Fallon, The Confusion of Languages

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