Rock And Roll Quotes

Quotes tagged as "rock-and-roll" Showing 1-30 of 124
Haruki Murakami
“Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock 'n' roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights.”
Haruki Murakami, Dance Dance Dance

Vera Nazarian
“If Music is a Place -- then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple.”
Vera Nazarian

Morrissey
“I was happy in the haze of a drunken hour, but heaven knows I'm miserable now.”
Morrissey

Joan Jett
“Girls have got balls. They're just a little higher up, that's all.”
Joan Jett

Keith Richards
“Why would you want to be anything else if you're Mick Jagger?”
Keith Richards, Life

“Some don’t even watch art with their eyes nor with their mind, but with their ears, ever since they judge art by the sound of money. (
“Money rocking and rolling”)”
Erik Pevernagie

Dave Matthes
“That's the beautiful thing about innocence; even monsters have a pocketful of childhood memories with which to seek comfort with.”
Dave Matthes, Sleepeth Not, the Bastard

Keith Richards
“There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.”
Keith Richards, Life

Ayn Rand
“Congress shall make no law abridging the freedom of production and trade...”
Ayn Rand, Atlas Shrugged

Patti Smith
“We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity. We would call forth in our minds the image of Paul Revere, riding through the American night, petitioning the people to wake up, to take up arms. We too would take up arms, the arms of our generation, the electric guitar and the microphone.”
Patti Smith, Just Kids

Nora Roberts
“Shall I tell you what rock and roll is, Johnno, from someone who doesn't perform, but observes?
It's restless and rude. It's defiant and daring. It's a fist shaken at age. It's a voice that often screams out questions because the answers are always changing. The very young play it because they're searching for some way to express their anger or joy, their confusion and their dreams. Once in a while, and only once in a while, someone comes along who truly understands, who has the gift to transfer all those needs and emotions into music.”
Nora Roberts, Public Secrets

Craig Ferguson
“From this moment on I'd dedicate my life to rock and roll and take as many drugs as possible. What could possibly go wrong?”
Craig Ferguson, American on Purpose: The Improbable Adventures of an Unlikely Patriot

Dave Hickey
“Jazz presumes that it would be nice if the four of us--simpatico dudes that we are--while playing this complicated song together, might somehow be free and autonomous as well. Tragically, this never quite works out. At best, we can only be free one or two at a time--while the other dudes hold onto the wire. Which is not to say that no one has tried to dispense with wires. Many have, and sometimes it works--but it doesn't feel like jazz when it does. The music simply drifts away into the stratosphere of formal dialectic, beyond our social concerns.

Rock-and-roll, on the other hand, presumes that the four of us--as damaged and anti-social as we are--might possibly get it to-fucking-gether, man, and play this simple song. And play it right, okay? Just this once, in tune and on the beat. But we can't. The song's too simple, and we're too complicated and too excited. We try like hell, but the guitars distort, the intonation bends, and the beat just moves, imperceptibly, against our formal expectations, whetehr we want it to or not. Just because we're breathing, man. Thus, in the process of trying to play this very simple song together, we create this hurricane of noise, this infinitely complicated, fractal filigree of delicate distinctions.

And you can thank the wanking eighties, if you wish, and digital sequencers, too, for proving to everyone that technologically "perfect" rock--like "free" jazz--sucks rockets. Because order sucks. I mean, look at the Stones. Keith Richards is always on top of the beat, and Bill Wyman, until he quit, was always behind it, because Richards is leading the band and Charlie Watts is listening to him and Wyman is listening to Watts. So the beat is sliding on those tiny neural lapses, not so you can tell, of course, but so you can feel it in your stomach. And the intonation is wavering, too, with the pulse in the finger on the amplified string. This is the delicacy of rock-and-roll, the bodily rhetoric of tiny increments, necessary imperfections, and contingent community. And it has its virtues, because jazz only works if we're trying to be free and are, in fact, together. Rock-and-roll works because we're all a bunch of flakes. That's something you can depend on, and a good thing too, because in the twentieth century, that's all there is: jazz and rock-and-roll. The rest is term papers and advertising.”
Dave Hickey, Air Guitar: Essays on Art and Democracy

Patti Smith
“We imagined ourselves as the Sons of Liberty with a mission to preserve, protect, and project the revolutionary spirit of rock and roll. We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity.”
Patti Smith, Just Kids

George Carlin
“You can take and nail two sticks together like they've never been nailed together before and some fool will buy it.”
George Carlin, Watch My Language

Neil Young
“As soon as you start talking about mystique, you have none.”
Neil Young

“If you don't like it, Eat me.”
Rae Murphy, Reconsider Me: My Life And Times With Warren Zevon

Katie Henry
“It's theology. Were you expecting sex, drugs, and rock and roll?"
"One out of the three would be nice.”
Katie Henry, Heretics Anonymous

Emma Thompson
“Jane reminds us that God is in his heaven, the monarch on his throne and the pelvis firmly beneath the ribcage. Apparently rock and roll liberated the pelvis and it hasn't been the same since.”
Emma Thompson, The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film

Emme Rollins
“He recovered quickly, reaching out to touch a few outstretched hands, melting the front row of girls like one long stick of butter as he moved closer toward me.”
Emme Rollins, Dear Rockstar

Rusty Fischer
“If I've got a Dad, and his name is Wormwood Rot, and he's in some heavy metal rock band called Grave Dirt . . . then I'm definitely meeting him!
She stares at me awkwardly, and I'm about to ask again—maybe even insist—when she says, "Honey, why do you think he's on the news? Wormwood, I mean . . . your father? Becca, he's . . . dead.”
Rusty Fischer, Becca Bloom and the Drumsticks of Doom: A Heavy Metal Love Story

Donald Gallinger
“Time collapsed into a delicate dark pencil brushed against our
eyebrows, the emergent rumble of crowds gathering above our heads. We
slid into our costumes. Pirate, outlaw, futuristic rebels. Red,
purple, gold. Chains hanging from our belts, tight black trousers. We
were moved upstairs, closer to the stage. Finally, we heard the
cannon's roar: Ladies and gentlemen, please welcome... Tanzar
recording artists... THE MASTER PLANETS!" The world shot forward. We
stepped into the spotlight.”
Donald Gallinger

M.C. Humphreys
“The nose can’t help catchin’ what the ears get sick with. Yessir, rock bands just sweat evil. Evil’s been around for a long time, ever since rocks started getting real hot and making a lot of noise as they exploded out o’ the ground and evil spirits wisped out of hell. If a band ever uses a fog machine, hold your breath so you don’t become possessed by one.”
M.C. Humphreys

Nicole Pierman
“We need a little more anti-authority and a little less blind obedience.”
Nicole Pierman

Gerrick Kennedy
“Rock and roll is not a guitar, it’s not long hair—that’s not rock and roll. It ain’t about an instrument, or this or that. The blues is the start of it all,” Ice Cube said. “You add some rhythm to that blues and you have all kind of people that’s doing rock and roll. And that develops into hip-hop. All of it is a spirit—the spirit of coming outside of the box. If you don’t see how N.W.A is rock and roll, then you really don’t get what it’s all about.”
Gerrick Kennedy, Parental Discretion Is Advised: The Rise of N.W.A and the Dawn of Gangsta Rap

Lou Reed
“My week beats your year.”
Lou Reed, I'll Be Your Mirror: The Collected Lyrics

“Pop is not music. Pop is celebrity. Fabricated personas that are all style, no substance. Pop is a celebration of fakeness. Artifice is the only cultural currency left, now that the internet has erased all contextual borders.”
David Yoon, Super Fake Love Song

“The hippies saw themselves as enlightened. They were in fact about as endarkened as it was possible to get, the absolute enemies of Apollo. We need a new 1960s style revolution, but one which is much better thought out with regard to it consequences. Above all, it has to be explicitly allied to Apollonian forces, and explicitly resistant to anarchism, libertarianism and individualistic narcissism. Cataclysmically, 60s individualism mated with Ayn Rand’s anarcho-capitalist libertarianism, which detests government, authority and the State. We thus have the worst of Dionysian individualism and irrationalism, and no Apollonian collectivism and rationalism.”
Joe Dixon, The Liberty Wars: The Trump Time Bomb

“Get the Led Out . . . to . . . get outta Bed”
Kevin kolenda

Salman Rushdie
“The story of ten-year engagement and of Ormus’ consequent oath of celibacy spreads quickly; and this, too, makes Ormus and Vina irresistible. The new band takes off almost at once, and the force of its ascending shakes the land. Starting at oddities, ther grow quickly into giants. At once conqueror and celebrant, Ormus storms the citadels of rock, and Vina’s voice, as Yul Singh oversaw, is his weapon. Her voice is the servant of his melodies, his singing the servant of her voice.”
Salman Rushdie, The Ground Beneath Her Feet

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