Airport Quotes

Quotes tagged as "airport" (showing 1-30 of 31)
Jennifer E. Smith
“People who meet in airports are seventy-two percent more likely to fall for each other than people who meet anywhere else.”
Jennifer E. Smith, The Statistical Probability of Love at First Sight

Lucy Christopher
“Everyone wanted answers I wasn't ready to give.”
Lucy Christopher, Stolen: A Letter to My Captor

E.A. Bucchianeri
“It was exciting to be off on a journey she had looked forward to for months. Oddly, the billowing diesel fumes of the airport did not smell like suffocating effluence, it assumed a peculiar pungent scent that morning, like the beginning of a new adventure, if an adventure could exude a fragrance.”
E.A. Bucchianeri, Brushstrokes of a Gadfly,

Anthony Horowitz
“By any rights, he should be dead. He was involved in an explosion with a bomb, which he happened to be carrying at the time. Conrad is something of a scientific miracle. There are more than thirty metal pins in his body. He has a metal plate in his skull. There are metal wires in his jaw and in most of his major joints."
"He must set off a lot of airport alarms," Alex muttered.”
Anthony Horowitz, Skeleton Key

Leon Uris
“Anything to declare? the customs inspector said."Two pound of uncut heroin and a manual of pornographic art," Mark answered, looking about for Kity. All Americans are comedians, the inspector thought, as he passed Parker through. A government tourist hostess approached him."Are you Mr. Mark Parker?""Guilty.”
Leon Uris, Exodus

Douglas Adams
“After a moment or two a man in brown crimplene looked in at us, did not at all like the look of us and asked us if we were transit passengers. We said we were. He shook his head with infinite weariness and told us that if we were transit passengers then we were supposed to be in the other of the two rooms. We were obviously very crazy and stupid not to have realized this. He stayed there slumped against the door jamb, raising his eyebrows pointedly at us until we eventually gathered our gear together and dragged it off down the
corridor to the other room. He watched us go past him shaking his head in wonder and sorrow at the stupid futility of the human condition in general and ours in particular, and then closed the door behind us.

The second room was identical to the first. Identical in all respects other than one, which was that it had a hatchway let into one wall. A large vacant-looking girl was leaning through it with her elbows on the counter and her fists jammed up into her cheekbones. She was watching some flies crawling up the wall, not with any great interest because they were not doing anything unexpected, but at least they were doing something. Behind her was a table stacked with biscuits, chocolate bars, cola, and a pot of coffee, and we headed straight towards this like a pack of stoats.

Just before we reached it, however, we were suddenly headed off by a man in blue crimplene, who asked us what we thought we were doing in there. We explained that we were transit passengers on our way to Zaire, and he looked at us as if we had completely taken leave of our senses.
'Transit passengers? he said. 'It is not allowed for transit passengers to be in here.'
He waved us magnificently away from the snack counter, made us pick up all our gear again, and herded us back through the door and away into the first room where, a minute later, the man in the brown crimplene found us again.

He looked at us. Slow incomprehension engulfed him, followed by sadness, anger, deep frustration and a sense that the world had been created specifically to cause him vexation. He leaned back against the wall, frowned, closed his eyes and pinched the bridge of his nose.
'You are in the wrong room,' he said simply. `You are transit passengers. Please go to the other room.'

There is a wonderful calm that comes over you in such situations, particularly when there is a refreshment kiosk involved. We nodded, picked up our gear in a Zen-like manner and made our way back down the corridor to the second room. Here the man in blue crimplene accosted us once more but we patiently explained to him that he could fuck off.”
Douglas Adams, Last Chance to See

E.A. Bucchianeri
“Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.”
E.A. Bucchianeri, Brushstrokes of a Gadfly,

Don DeLillo
“Air travel reminds us who we are. It’s the means by which we recognize ourselves as modern. The process removes us from the world and sets us apart from each other. We wander in the ambient noise, checking one more time for the flight coupon, the boarding pass, the visa. The process convinces us that at any moment we may have to submit to the force that is implied in all this, the unknown authority behind it, behind the categories, the languages we don’t understand. This vast terminal has been erected to examine souls.”
Don DeLillo, The Names

Michal Coret
“Maybe I live in the gates that lead to outbound international flights. Maybe that is home.
And do I feel more comfortable at the departures or at the arrivals?”
Michal Coret, Becoming What I Might Be

“You know… the airport is the only place you can walk around with no shoes, a glazed look on your face, and sleep on the benches and no one judges you.”
Coriander Woodruff, The Call of the Spectacled Owl

“Refusal to engage in spiritual warfare does not exempt you from being among the next casualties of war”
Steven Chuks Nwaokeke

Stephen Moles
“Anubis is associated with the mummification and protection of the dead for their journeys through Denver International Airport to the afterlife. He is usually portrayed as being half human and half jackal, and holding a metal detector in his hand ... Anubis is employed by the Department of Homeland Security to examine the hearts of all travellers to make sure they have not exceeded the weight limit for psychological baggage ... He is also shown frisking mummies and confiscating firearms and other contraband. It doesn't take much to tip the scales in favour of a dead body cavity search or an afterlifetime travel ban.”
Stephen Moles, The Most Wretched Thing Imaginable or, Beneath the Burnt Umbrella

J.M.G. Le Clézio
“I wanted to write an adventure story, not, it's true, I really did. I shall have failed, that's all. Adventures bore me. I have no idea how to talk about countries, how to make people wish they had been there. I am not a good travelling salesman. Countries? Where are they , whatever became of them.
When I was twelve I dreamed of Hongkong. That tedious, commonplace little provincial town! Shops sprouting from every nook and cranny! The Chinese junks pictured on the lids of chocolate boxes used to fascinate me. Junks: sort of chopped-off barges, where the housewives do all their cooking and washing on deck. They even have television. As for the Niagara Falls: water, nothing but water! A dam is more interesting; at least one can occasionally see a big crack at its base, and hope for some excitement.
When one travels, one sees nothing but hotels. Squalid rooms, with iron bedsteads, and a picture of some kind hanging on the wall from a rusty nail, a coloured print of London Bridge or the Eiffel Tower.
One also sees trains, lots of trains, and airports that look like restaurants, and restaurants that look like morgues. All the ports in the world are hemmed in by oil slicks and shabby customs buildings. In the streets of the towns, people keep to the sidewalks, cars stop at red lights. If only one occasionally arrived in a country where women are the colour of steel and men wear owls on their heads. But no, they are sensible, they all have black ties, partings to one side, brassières and stiletto heels. In all the restaurants, when one has finished eating one calls over the individual who has been prowling among the tables, and pays him with a promissory note. There are cigarettes everywhere! There are airplanes and automobiles everywhere.”
J.M.G. Le Clézio, The Book of Flights

Warren Ellis
“At the departure gate, a drunken airport security woman was handing out box cutters to the passengers.”
Warren Ellis, Crooked Little Vein

Ioana-Cristina Casapu
“There is truly no other place bearing so much love as airports.”
Ioana Cristina Casapu

Jenny  Lawson
“Or the woman in front of me in the security line who asked if they would put her cat, Dave, through the luggage X-ray machine because she wanted to see if he'd eaten a necklace.”
Jenny Lawson, Furiously Happy: A Funny Book About Horrible Things

Dương Thu Hương
“Outside, on the other side of a black iron grill, was another crowd, just as anxious, just as sweaty and frightened. These were the parents and friends of those departing. They all waited for deliverance. When all the customs procedures had been completed, when the crowd of travelers had passed through the last security booths and were walking toward the tarmac, you could see, on the faces of those left behind, the relief, the joy, the pride of vicarious success. The vision of a happier future elsewhere, anywhere but here. Smiles of contentment, faces radiant with happiness. Nowhere else in the world does separation bear the hideous face of joy. This was a grotesque face, a deviation from all rules of human nature.”
Duong Thu Huong, Paradise of the Blind

John Updike
“Inside, upstairs, where the planes are met, the spaces are long and low and lined in tasteful felt gray like that cocky stewardess's cap and filled with the kind of music you become aware of only when the elevator stops or when the dentist stops drilling. Plucked strings, no vocals, music that's used to being ignored, a kind of carpet in the air, to cover up a silence that might remind you of death.”
John Updike, Rabbit at Rest

“An altar is like an airport where spirits take off and land”
Steven Chuks Nwaokeke

Alain de Botton
“Even if our loved ones have assured us that they will be busy at work, even if they told us they hated us for going traveling in the first place, even if they left us last June or died twelve and a half years ago, it is impossible not to experience a shiver of a sense that they may have come along anyway, just to surprise us and make us feel special (as someone must have done for us when we were small, if only occasionally, or we would never had the strength to make it this far).”
Alain de Botton, A Week at the Airport: A Heathrow Diary

Jasleen Kaur Gumber
“Best of stories are created at Airports, Dinner Tables and Showers!”
Jasleen Kaur Gumber

John Updike
“He imagines the plane exploding as it touches down, ignited by one of its glints, in a ball of red flame shadowed in black like you see on TV all the time, and he is shocked to find within himself, imagining this, not much emotion, just a cold thrill at being a witness, a kind of bleak wonder at the fury of chemicals, and relief that he hadn't been on the plane himself but was instead safe on this side of the glass, with his faint pronged sense of doom.”
John Updike, Rabbit at Rest

Kamand Kojouri
“All this waiting.
Waiting for the rain to
stop. Waiting in traffic.
Waiting for the bill.
Waiting at the airport
for an old friend.
Waiting to depart.
Then,
there’s the big waiting:
waiting to grow up. Waiting
for love. Waiting to show your
your parents that when you
have kids you’ll be different.
Waiting to retire. Waiting for
death.
Why do we think waiting
is the antithesis of life
when it is almost
all of it?”
Kamand Kojouri

Enock Maregesi
“My novels are set in a global space and pace. However, I have never visited most of the places. I wrote my first book in London but the story took the reader to places in Mexico, Denmark and Russia, and carefully avoided London. I access these global locations with my feet planted in front of my computer. I will use my internet connection to carefully enter the streets of a foreign city and find out how long it will take my main character to get from the airport to the city center – and if there are any shortcuts on the way. I wanted to do something new. The world is becoming a global village and we have to understand these different cultures. There is a Danish culture, an Israeli culture and so on. So if you want to go to Denmark, then read the book.”
Enock Maregesi

Галина Вдовиченко
“— Дивився на своє місто. З вікон розбитого старого терміналу [...] Здавалося, можна вийти й піти додому, а ні — стріляють.

Слухаю, намагаючись уявити, як це — бачити знайомі вулиці, знати, що десь там вікно твоєї кімнати, твої книжки, зів’ялі без нагляду бегонії у вазонках, коти у сусідів або у під’їзді, безпритульні, прислухаються до кроків, чи ти, бува, не повертаєшся...”
Галина Вдовиченко, Волонтери. Мобілізація добра

“Any church that operates in prayerless and powerless Christianity spend their days and years conducting dust to dust rites in the burial grounds.”
Steven Chuks Nwaokeke

Alexander McCall Smith
“Putting Mr. Polopetsi in charge of the investigation is like putting a rabbit in charge of the airport.”
Alexander McCall Smith, The Woman Who Walked in Sunshine

Claire North
“Have you ever or are you now involved in espionage or sabotage, or in terrorist activities, or genocide? I think we can put a big yes down for all of the above.”
Claire North, Touch

“Sometimes just to see what was happening, my father would drive to the airport. Newark Airport was the first major airport serving the greater New York area. It was opened for traffic on October 1, 1928, on 68 acres of reclaimed marshland next to the Passaic River. The Port Authority of New York and New Jersey later took it over from the Army Air Corps in 1948 and started a major improvement program. Driving by and seeing activity from the road, we drove to where Eastern Airlines had a shiny new DC-3 on display, and as luck would have it, it was open to the public. It was an exciting moment when I boarded this aircraft and discovered that it was first constructed in 1934, the same year I was born. An example of modern technology, it was the first modern airliner and the forerunner of commercial aviation.
It would still be years before I would learn to fly an airplane, but for now, things could not get much better. On our way back to Jersey City, we drove over the Pulaski Skyway, one of the first elevated highways in the country. The United States was trying to crawl out of the worst depression ever and government projects, backed by stimulus money, were everywhere. The Tennessee Valley Authority was building dams to run hydroelectric generators in the South, and big projects like Boulder Dam were being built out West along the Colorado River. The nation’s electrical grid was expanding by leaps and bounds and highway construction projects with new bridges were being built. The United States was growing once again, and I was there to see it!”
Captain Hank Bracker, "Seawater One"

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