Diana Prince > Diana's Quotes

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  • #1
    Ilona Andrews
    “Congratulations," he said, his voice dry. "You finally managed to find a woman as tragically noble as yourself. I didn't think one existed."
    "I'm not tragic."

    Kaldar held up his hand. "Spare me. Some children are born wearing a silk shirt; you were born wrapped in melancholy. When they slapped you to make you cry, you just sighed heavily and a single tear rolled from your eye." He dragged his finger from the corner of his left eye to his cheek. " Your first words were probably 'woe is me.'"
    "My first words were 'Kaldar, shut up!' because you talked too much. Still do.”
    Ilona Andrews, Steel's Edge

  • #2
    Richelle Mead
    “Stop fighting me!" he said, trying to pull on the arm he held.

    He was in a precarious position himself, straddling the rail as he tried to lean over far enough to get me and actually hold onto me.

    “Let go of me!” I yelled back.

    But he was too strong and managed to haul most of me over the rail, enough so that I wasn’t in total danger of falling again.

    See, here’s the thing. In that moment before I let go, I really had been contemplating my death. I’d come to terms with it and accepted it. I also, however, had known Dimitri might do something exactly like this. He was just that fast and that good. That was why I was holding my stake in the hand that was dangling free.

    I looked him in the eye. "I will always love you."

    Then I plunged the stake into his chest.

    It wasn’t as precise a blow as I would have liked, not with the skilled way he was dodging. I struggled to get the stake in deep enough to his heart, unsure if I could do it from this angle. Then, his struggles stopped. His eyes stared at me, stunned, and his lips parted, almost into a smile, albeit a grisly and pained one.

    "That’s what I was supposed to say. . .” he gasped out.

    Those were his last words.”
    Richelle Mead, Blood Promise

  • #3
    Ilona Andrews
    “The good doctor put a spoon of tea into my honey." "You're drinking tea a honey badger made," Jim said. "What did you expect?”
    Ilona Andrews, Magic Bleeds

  • #4
    Libba Bray
    “We're all strangers connected by what we reveal, what we share, what we take away--our stories. I guess that's what I love about books--they are thin strands of humanity that tether us to one another for a small bit of time, that make us feel less alone or even more comfortable with our aloneness, if need be.”
    Libba Bray

  • #5
    Ilona Andrews
    “His Majesty needs a can-I girl anyway. And I’m not it.”
    “A can-I girl?” Andrea frowned.
    I leaned back. “ ‘ Can I fetch you your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick out your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I...”
    It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head.
    “He’s standing behind me, isn’t he?”
    Andrea nodded slowly.
    “Technically it should be ‘may I,’” Curran said, his voice deeper than I remembered. “Since you’re asking permission.”
    Ilona Andrews, Magic Strikes

  • #6
    Ilona Andrews
    “Hey, dickhead!" one of the other drivers yelled. "Get off the road!"
    "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug."
    A direct threat, huh? Okay.

    I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow."
    He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed.

    "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?"
    "Three," he said.

    I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide.
    "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?"

    On the barrel, pretty white letters spelled out PARTY STARTER.

    "You open your mouth again, and I'll get the party started."
    The rider clamped his jaws shut.”
    Ilona Andrews, Gunmetal Magic

  • #7
    John  Green
    “Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.”
    John Green, The Fault in Our Stars

  • #8
    Lemony Snicket
    “Fate is like a strange, unpopular restaurant filled with odd little waiters who bring you things you never asked for and don't always like.”
    Lemony Snicket

  • #9
    Libba Bray
    “In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time.”
    Libba Bray

  • #10
    Libba Bray
    “Do you ever feel that way?"
    "Lonely?"
    I search for the words. "Restless. As if you haven't really met yourself yet. As is you'd passed yourself once in the fog, and your heart leapt - 'Ah! There I Am! I've been missing that piece!' But it happens too fast, and then that part of you disappears into the fog again. And you spend the rest of your days looking for it."
    He nods, and I think he's appeasing me. I feel stupid of having said it. It's sentimental and true, and I've revealed a part of myself I shouldn't have.
    "Do you know what I think?" Kartik says at last.
    "What?"
    "Sometimes, I think you can glimpse it in another.”
    Libba Bray, The Sweet Far Thing

  • #11
    Libba Bray
    “We all do things we desperately wish we could undo. Those regrets just become part of who we are, along with everything else. To spend time trying to change that, well, it's like chasing clouds.”
    Libba Bray

  • #12
    Ilona Andrews
    “Curran lunged at a silver Bentley. The hood went flying. He thrust his hand into the car. Metal screamed, and Curran jerked a twisted clump out of the hood and smashed it into the nearest car like a club.
    “Did he just rip out the engine?” I asked.
    “Yes,” Saiman said. “And now he’s demolishing the Maserati with it.”
    Ten seconds later Curran hurled the twisted wreck of black and orange that used to be the Maserati
    into the wall.
    The first melodic notes of an old song came from the computer. I glanced at Saiman.
    He shrugged. “It begged for a soundtrack.”
    Ilona Andrews, Magic Slays

  • #13
    Patricia Briggs
    “MS. THOMPSON, it said in heavy block letters, PLEASE KEEP YOUR FELINE OFF MY PROPERTY. IF I SEE IT AGAIN, I WILL EAT IT.”
    Patricia Briggs, Moon Called

  • #14
    Gail Carriger
    “Ivy waved the wet handkerchief, as much as to say, words cannot possibly articulate my profound distress. Then, because Ivy never settled for meaningful gestures when verbal embellishments could compound the effect, she said, "Words cannot possibly articulate my profound distress.”
    Gail Carriger, Changeless

  • #15
    Libba Bray
    “I am a jumble of passions, misgivings, and wants. It seems that I am always in a state of wishing and rarely in a state of contentment.”
    Libba Bray, The Sweet Far Thing

  • #16
    Libba Bray
    “But...you could have whatever you wished."
    "Exactly," he says, nuzzling my neck.
    "But," I say, "you could turn stones to rubies or ride in a fine gentleman's carriage."
    Kartik puts his hands on either side of my face. "To each his own magic," he says and kisses me again.”
    Libba Bray

  • #17
    Gail Carriger
    “Lord Maccon was built like a brick outhouse, with opinions twice as unmoving and often equally full of crap.”
    Gail Carriger, Blameless

  • #18
    Alan Moore
    “I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie”
    Alan Moore, V for Vendetta

  • #19
    Terry Pratchett
    “The trouble with having an open mind, of course, is that people will insist on coming along and trying to put things in it.”
    Terry Pratchett, Diggers

  • #20
    Jim  Butcher
    “Sometimes the most remarkable things seem commonplace. I mean when you think about it jet travel is pretty freaking remarkable. You get in a plane it defies the gravity of a entire planet by exploiting a loophole with air pressure and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research blood sweat tears and lives have gone into the history of air travel and it has totally revolutionized the face of our planet and societies.

    But get on any flight in the country and I absolutely promise you that you will find someone who in the face of all that incredible achievement will be willing to complain about the drinks.”
    Jim Butcher, Summer Knight

  • #21
    Erin Morgenstern
    “Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.”
    Erin Morgenstern, The Night Circus

  • #22
    Maggie Stiefvater
    “We have to be back in three hours," Ronan said. "I just fed Chainsaw but she'll need it again."

    "This," Gansey replied "is precisely why I didn't want to have a baby with you.”
    Maggie Stiefvater, The Raven Boys

  • #23
    Chloe Neill
    “Have you ever had a moment where you knew, beyond a shadow of a doubt, that you were in the right place? That you were on the right journey? Maybe the sense that you'd crossed a boundary, jumped a hurdle, and somehow, after facing some unconquerable mountain, found yourself suddenly on the other side of it? When the night was warm, and the wind was cool, and a song carried through the quiet streets around you. When you felt the entire world around you, and you were part of it - of the hum of it - and everything was good.

    Contentment, I suppose, is the simple explanation for it. But it seems more than that, thicker than that, some unity of purpose, some sense of being truly, honestly, for that moment, at home.

    Those moments never seem to last long enough. The song ends, the breeze stills, the worries and fears creep in again and you're left trying to move forward, but glancing back at the mountain behind you, wondering how you managed to cross it, afraid you really didn't - that the bulk and shadow over your shoulder might evaporate and re-form before you, and you'd be faced with the burden of crossing it again.”
    Chloe Neill, Some Girls Bite

  • #24
    Chloe Neill
    “Well?”
    “Well, what?” I waved a hand at the room.
    “Start genuflecting. Let’s see some knee action.”
    “You’re serious.” I lifted my brows.
    He responded in kind, but finally nodded his head, then walked between the couches. He dropped to one knee, then held out his hands.

    “I’m monumentally sorry for the pain and humiliation that I caused you and your—”
    “Both knees.”
    “Pardon?”
    “I’d prefer to see both knees on the ground. I mean, if you’re going to grovel, be the best groveler you can, right?”
    Chloe Neill, Some Girls Bite

  • #25
    Sarah J. Maas
    “I see all of you, Rhys. And there is not one part that I do not love with everything I am.”
    Sarah J. Maas, A Court of Wings and Ruin

  • #26
    Sarah J. Maas
    There you are. I've been looking for you.

    His first words to me— not a lie at all, not a threat to keep those faeries away.

    Thank you for finding her for me.
    Sarah J. Maas, A Court of Mist and Fury

  • #27
    Sarah J. Maas
    “When you healed my arm...You didn't need to bargain with me. You could have demanded every single week of the year." My brows knit together as he turned, already half-consumed by the dark. "Every single week, and I would have said yes." It wasn't entirely a question, but I needed the answer.
    A half smile appeared on his sensuous lips. "I know," he said, and vanished.”
    Sarah J. Maas, A Court of Thorns and Roses

  • #28
    Ilona Andrews
    “Tall, with skin the color of rich coffee, and dressed all in black, Jim looked like he was carved from a block of solid muscle. Logic said that at some point he must've been a baby and then a child, but looking at him one was almost convinced that some deity touched the ground with its scepter and proclaimed, "There shall be a badass," and Jim sprung into existence, fully formed, complete with clothes, and ready for action.”
    Ilona Andrews, Magic Gifts

  • #29
    Ilona Andrews
    “I turned to the courtyard and waved at Roman and the witch next to him.
    "Is that his sister?" Andrea asked me.
    "No." I had spoken with both of them. "I'd asked her that. Her name is Alina, she isn't his sister, and she feels deeply sorry for his sisters, because if she had to put up with being in his presence for longer than a day, she would throw herself off the nearest bridge just to end the agony."
    "Well," Andrea said. "Glad she cleared that up.”
    Ilona Andrews, Magic Breaks

  • #30
    Peter Singer
    “Hebrew word for "charity" tzedakah, simply means "justice" and as this suggests, for Jews, giving to the poor is no optional extra but an essential part of living a just life.”
    Peter Singer, The Life You Can Save: Acting Now to End World Poverty



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