Pascal Mercier

“After a while, he understood that he was experiencing a great liberation; the liberation from his self-imposed limitation, from a slowness and heaviness expressed in his name and had been expressed in the slow measured steps of his father walking ponderously from one room of the museum to another; liberation from an image of himself in which, even when he wasn’t reading, he was someone bending myopically over dusty books; an image he hadn’t drawn systematically, but that had grown slowly and imperceptibly; the image of Mundus, which bore not only his own handwriting, but also the handwriting of many others who had found it pleasant and convenient to be able to hold on to this silent museum-like figure and rest in it.”


Pascal Mercier, Night Train to Lisbon
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Night Train to Lisbon Night Train to Lisbon by Pascal Mercier
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