James David Lewis-Williams

“To understand the ‘wounded men’ of Upper Palaeolithic art, I now consider somatic hallucinations; these include attenuation of the body and limbs, polymelia (having extra limbs or digits), and, the one on which I focus, pricking and stabbing sensations.”


James David Lewis-Williams, The Mind in the Cave: Consciousness and the Origins of Art
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The Mind in the Cave: Consciousness and the Origins of Art The Mind in the Cave: Consciousness and the Origins of Art by James David Lewis-Williams
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