“Behren's work resists easy classification. It is part expedition journal, part museum installation, part allegorical theatre. At the centre of the evolving vision stands a deceptively humble object - a brightly coloured toy submarine, discovered on a North Frisian island in 1974. Since then, this modest vessel has become a recurring avatar in his practice: a symbol of human curiosity, displacement, naivety. It drifts through imagined polar landscapes, burrows into archaeological strata, and even interrupts canonical works of European art history with both humour and quiet poignancy.”