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“Less than a month earlier, Edward’s coffin, followed by monarchs and princes, and watched by innumerable spectators clad in deepest black, had passed through the streets of the hushed capital. Now those same streets were filled again, only this time with tens of thousands of women moving to the sound of rousing music as colourful banners fluttered overhead. Indeed, after so many weeks of unremitting mourning, it was to be the procession’s colours that produced the strongest impression. Snaking all the way from Kensington to St James’s Palace, it was a walking rainbow of teachers and secretaries, nurses and shop assistants, factory workers and civil servants. In the front ranks more than six hundred women carried silver wands, which symbolised the time they had spent in prison in the service of the cause. Behind them were the so-called ‘pioneers’: elderly campaigners – one riding in a wheelchair – who had been active in the movement from its earliest days. At the other end of the spectrum, Votes for Women observed a group of girls aged between thirteen and twenty who ‘typified the devotion and thanks of the younger generation’.”

Martin Williams, The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain
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The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain by Martin Williams
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