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Reading, I had learned, was as creative a process as writing, sometimes more so. When we read of the dying rays of the setting sun or the boom and swish of the incoming tide, we should reserve as much praise for ourselves as for the author. After all, the reader is doing all the work—the writer might have died long ago.
“Don’t underestimate atmosphere,” I said slowly, helping myself to a Jaffa cake. “The four opposing forces in any novel are atmosphere, plot, character and pace. But they don’t have to be in equilibrium. You can have a book without any plot or pace at all, but it has to make up for it in character and a bit of atmosphere—like The Old Man and the Sea. Most thrillers are plot and pace and nothing else, such as Where Eagles Dare. But it doesn’t matter; each to a reader’s own—”

