Tress of the Emerald Sea

by Brandon Sanderson

for ease of both narrative and our collective sanity, I’m going to name only the more important members of the Crow’s Song. The rest, regardless of gender, I’ll call “Doug.” You’d be surprised how common the name is across worlds. Oh, some spell it “Dug” or “Duhg,” but it’s always around. Regardless of local linguistics, parents eventually start naming their kids Doug. I once spent ten years on a planet where the only sapient life was a group of pancakelike beings that expressed themselves through flatulence. And I kid you not—one was named Doug. Though admittedly it had a very distinctive smell attached when the word was “spoken.” “Doug” is the naming equivalent to convergent evolution. And once it arrives, it stays. A linguistic Great Filter; a wakeup call. Once a society reaches peak Doug, it’s time for it to go sit in the corner and think about what it has done.

If you ever want to have a good face-to-face with your mortality, you’ll find the opportunity on the deck of a ship at night, staring at the endless darkness beyond you—when you realize the darkness beneath is somehow even more heavy, more vast, and more terrifying.

Whenever one does discover a moment of joy, beauty enters the world. Human beings, we can’t create energy; we can only harness it. We can’t create matter; we can only shape it. We can’t even create life; we can only nurture it. But we can create light. This is one of the ways. The effervescence of purpose discovered.