David Sasaki

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The primary sites for subculture/creative-class cross-pollination have been art schools and underground music scenes. The punk community, in particular, arose as an alliance between the British working class and students in art and fashion schools. Once this network was formed, punk’s embrace of reggae elevated Jamaican music into the British mainstream as well. Similarly, New York’s downtown art scene supported Bronx hip-hop before many African American radio stations took rap seriously.
Status and Culture: How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change
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