Erasure

by Percival Everett

In my head, as I drove along Route 50, Mother by my side, disapproving Lorraine directly behind me, I considered everything that was not good about the novel I was about to publish, that I submitted for the very reason it was not good, but now that fact was killing me. It was a parody, certainly, but so easy had it been to construct that I found it difficult to take it seriously even as that. The work bored and had as its only virtue brevity. There was no playing with compositional or even paginal space. In fact, the work inhabited no space artistically that I could find intelligible. For all the surface concern with the spatial and otherwise dislocation of Van Go, there was nothing in the writing that self-consciously threw it back at me. Then I caught the way I was thinking and realized the saddest thing of all, that I was thinking myself into a funk about idiotic and pretentious bullshit to avoid the real accusation staring me in the face. I was a sell-out.