emmi lou who

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The result was a book of anachronisms: Instamatic snapshots from the sixties opposite turn-of-the-century studio portraits; time shuffled up and bolted. Here were Thomas and I in front of the Unisphere at the 1964 World’s Fair; Ray in his Navy uniform; Papa in a greased handlebar mustache, arm in arm with his young bride who, later, would drown at Rosemark’s Pond. Though my grandfather had died several months before Thomas and I were born, in Ma’s book we met him face-to-face. Stupidly, carelessly, I had lost Domenico’s dictated story, but my mother had entered the fire and rescued his image.
I Know This Much Is True
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