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by
Iris Chang
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August 21 - September 6, 2025
The evacuation was swift, and there was no mass persecution or imprisonment of Japanese soldiers.
EVEN BEFORE World War II drew to a close, the Allies had organized war tribunals to bring Japanese military criminals to justice. Fully expecting a Japanese defeat, the American and Chinese Nationalist governments made preliminary arrangements for the trials.
For the crimes committed during the Rape of Nanking, members of the Japanese establishment stood trial not only in Nanking but in Tokyo itself.
During the trials evidence that had been painstakingly hidden for years emerged. One of the most famous exhibits was a tiny album of sixteen photographs of atrocities taken by the Japanese themselves. When the negatives were brought to a film development shop during the massacre, the employees secretly duplicated a set of images, which were placed in an album, hidden in the wall of a bathroom, and later secreted under a statue of Buddha. The album passed from hand to hand; men risked their lives to hide it even when the Japanese issued threats and conducted searches for photographic evidence
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The focal point of the Nanking war crimes trials was Tani Hisao.
had violated the Hague Convention concerning “The Customs of War on Land and the Wartime Treatment of Prisoners of War” and helped perpetrate a slaughter that claimed an estimated three hundred thousand lives in Nanking.
death by gunfire—a
“At the IMTFE, a thousand My Lais emerged,”
The IMTFE not only created an enduring oral history record of the Nanking massacre but proved that the massacre was just a tiny fraction of the totality of atrocities committed by the Japanese during the war.
The prosecution learned, among other things, of Japanese medical experiments on their captives, of marches (such as the infamous Bataan Death March) in which gravely ill and starved prisoners dropped dead from exhaustion, of the savage conditions behind the construction of the Siam-Burma Death Railway, of the Japanese “water treatment” that pumped water or kerosene into the noses and mouths of victims until their bowels ruptured, of suspension of POWs by wrists, arms, or legs until their joints were literally ripped from their sockets, of victims being forced to kneel on sharp instruments, of
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“the Rape of Nanking was not the kind of isolated incident common to all wars. It was deliberate. It was policy. It was known in Tokyo. For that matter, it was front-page news in the world’s press.
The brunt of the blame for the Nanking atrocities fell on Matsui Iwane.
During his testimony he failed to disclose the full story of what happened in Nanking, an account that would have implicated the imperial family.
In exchange for Japan’s surrender, the American government granted him, the emperor of Japan, immunity from trial, so he was not called in as a defendant or even a witness.
The decision to give Hirohito immunity from war responsibility and, still worse, the decision to keep him on the throne, later impeded the Japanese people’s own historical awareness of their World War II crimes.
As the “iron curtain” of communism descended on Eastern Europe, so did a “bamboo curtain” in China; in 1949 the Communist forces of Mao Tse-tung defeated the armies of Chiang Kai-shek, forcing his government to retreat to the island of Taiwan. Then in 1950 the Korean War broke out, eventually killing 1 million Koreans, a quarter-million Chinese, and thirty-four thousand Americans. With China, the Soviet Union, and North Korea as its new postwar enemies, the United States suddenly viewed Japan as a country of strategic importance. Washington decided to maintain a stable government in Japan in
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while the Nazi regime was overhauled and replaced and numerous Nazi war criminals were hunted down and brought to trial, many high-ranking wartime Japanese officials
most if not all of the Nanking massacre survivors vanished from public view.
During the Korean War the PRC distorted the history of the massacre in newspaper articles to depict the Americans as the villains of Nanking who assisted the Japanese in the carnage.
Minnie Vautrin paid the price with her life. The Nanking massacre took a deeper psychic toll on her than any of the other zone leaders or refugees had realized at the time. Few were aware that under a legend that had grown to mythic proportions was a vulnerable, exhausted woman who never recovered, either emotionally or physically, from daily exposure to Japanese violence. Her last diary entry, dated April 14, 1940, reveals her state of mind: “I’m about at the end of my energy. Can no longer forge ahead and make plans for the work, for on every hand there seem to be obstacles of some kind. I
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Two weeks later she suffered a nervous breakdown. At the bottom of the last page of her diary is a sentence that was written, no doubt, by somebody else: “In May 1940 Miss Vautrin’s health broke, necessitating her return to the United States.”
On May 14, 1941, a year to the day she left Nanking, Vautrin sealed the windows and doors of her home with tape, turned on the gas, and committed suicide.
three hundred thousand murdered Chinese
Perhaps more than any other nation in history, the Germans have incorporated into their postwar political identity the concession that the wartime government itself, not just individual Nazis, was guilty of war crimes.
According to a currently popular revisionist view, the country bears no responsibility for the wholesale murder of civilians anywhere during the war. The Japanese fought the war to ensure its own survival and to free Asia from the grip of Western imperialism. Indeed, in return for its noble efforts, Japan itself ended up as the ultimate victim at Hiroshima and Nagasaki.
The entire Japanese education system suffers from selective amnesia, for not until 1994 were Japanese schoolchildren taught that Hirohito’s army was responsible for the deaths of at least 20 million Allied soldiers and Asian civilians during World War II. In the early 1990s a newspaper article quoted a Japanese high school teacher who claimed that his students were surprised to learn that Japan had been at war with the United States. The first thing they wanted to know was who won.
Before the great massacre, Japan had already earned notoriety as the first country in Asia to break the taboo and use airpower not only as a battlefield weapon but as a means of terrorizing civilian populations. Then it launched its armed forces on a campaign of slaughter that started in Shanghai, moved through Nanking, and proceeded inland.
the “Three-all” policy (“Loot all, kill all, burn all”) in northern China, where Communist Chinese guerrillas had fought the Japanese furiously and effectively.
It has often been suggested that those with the least power are often the most sadistic if given the power of life and death over people even lower on the pecking order, and the rage engendered by this rigid pecking order was suddenly given an outlet when Japanese soldiers went abroad. In foreign lands or colonized territories, the Japanese soldiers—representatives of the emperor—enjoyed tremendous power among the subjects. In China even the lowliest Japanese private was considered superior to the most powerful and distinguished native, and it is easy to see how years of suppressed anger,
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second factor in the atrocities, scholars believe, is the virulent contempt that many in the Japanese military reserved for Chinese people—a contempt cultivated by decades of propaganda, education, and social indoctrination.
there were those in the imperial army who saw the Chinese as subhuman beings whose murder would carry no greater moral weight than squashing a bug or butchering a hog.
third factor was religion.
Imbuing violence with holy meaning, the Japanese imperial army made violence a cultural imperative every bit as powerful as that which propelled Europeans during the Crusades and the Spanish Inquisition. “Every single bullet must be charged with the Imperial Way, and the end of every bayonet must have the National Virtue burnt into it,” one Japanese general declared in a speech in 1933.
With an entity higher than God on its side, it was not difficult for the Japanese military to take the next step—adopting the belief that the war, even the violence that came with it, would ultimately benefit not only Japan but its victims as well. Some perceived atrocity as a necessary tool to achieve a Japanese victory that would serve all and help create a better China under Japan’s “Greater East Asian Co-Prosperity Sphere.” This attitude echoes that of the Japanese teachers and officers who beat their students and soldiers senseless while insisting, between blows, that it was all done for
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democide (a term he coined to include both genocide and government mass murder),
“Power kills, and absolute power kills absolutely.” The less restraint on power within a government, Rummel found, the more likely that government will act on the whims or psychologically generated darker impulses of its leaders to wage war on foreign governments.
can be seen as a predictable if not inevitable outgrowth of ceding to an authoritarian regime, dominated by a military and imperial elite, the unchallenged power to commit an entire people to realizing the sick goals of the few with the unbridled power to set them.
the frightening ease with which the mind can accept genocide, turning us all into passive spectators to the unthinkable.
Apparently some quirk in human nature allows even the most unspeakable acts of evil to become banal within minutes, provided only that they occur far enough away to pose no personal threat.
One of the greatest ironies of the cold war is that Japan not only eluded its responsibility to pay reparations but received billions of dollars in aid from the United States, which helped build its former enemy into an economic powerhouse and competitor. Now there is considerable concern in Asia about the prospect of renewed militarism among the Japanese people. During the Reagan administration the United States pushed Japan to beef up its military power—something that alarmed many who had suffered years of Japanese wartime agression. “Those who ignore history tend to become its victims,”
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Ying-Ying Chang’s The Woman Who Could Not Forget

