Leihla Wachlin

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It’s shocking, his world. And splendid. But also, she realizes, possibly incorrect. Because when he speaks of home, he speaks like someone in love, someone blind to faults and entranced by the mundane. Someone whose heart has learned to lie. This is a hazard she’s familiar with: when you love, you see what you love, not necessarily what’s there. The artful blur of affection.
Take What You Can Carry
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