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with him his tiny Irish wife, a tight hard little woman humor-less as a chicken. She had a dour Presbyterian mind and a code of morals that pinned down and beat the brains out of nearly everything that was pleasant to do.
At the very first he knew he was lying, but it was not long before he was equally sure that every one of his stories was true.
During the years he was never sick, except of course for the chronic indigestion which was universal, and still is, with men who live alone, cook for themselves, and eat in solitude.
when people are very poor they still have something to give and the impulse to give it.
People are felt rather than seen after the first few moments.
Most children abhor difference. They want to look, talk, dress, and act exactly like all of the others. If the style of dress is an absurdity, it is pain and sorrow to a child not to wear that absurdity. If necklaces of pork chops were accepted, it would be a sad child who could not wear pork chops. And this slavishness to the group normally extends into every game, every practice, social or otherwise. It is a protective coloration children utilize for their safety.
I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar—if he is financially fortunate.
I wouldn’t want a child that didn’t have some gumption.

