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“You have to fall in love with the label and not the A&R,” says Iero. “We loved the A&R at DreamWorks, but the label itself we knew wasn’t the right place for us. I remember meeting with Mo [Ostin], the head of DreamWorks Records at the time, and he had no idea who we were.
Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007)
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