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“All good things pass away.
Lord Asriel was a tall man with powerful shoulders, a fierce dark face, and eyes that seemed to flash and glitter with savage laughter. It was a face to be dominated by, or to fight: never a face to patronize or pity. All his movements were large and perfectly balanced, like those of a wild animal, and when he appeared in a room like this, he seemed a wild animal held in a cage too small for it.
“That’s the duty of the old,” said the Librarian, “to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.”
For no reason that anyone could imagine, children were beginning to disappear.
He found a dozen others in the cellar of the warehouse, boys and girls, none older than twelve or so; though since all of them had histories like his, none could be sure of their age.
None of the children in that warm and steamy cellar had reached the age of puberty.
She considered it a deplorable lapse on the part of her subjects not to tell her everything and at once.
It lay heavily in her hands, the crystal face gleaming, the golden body exquisitely machined. It was very like a clock, or a compass, for there were hands pointing to places around the dial, but instead of the hours or the points of the compass there were several little pictures, each of them painted with extraordinary precision, as if on ivory with the finest and slenderest sable brush. She turned the dial around to look at them all. There was an anchor; an hourglass surmounted by a skull; a chameleon, a bull, a beehive … Thirty-six altogether, and she couldn’t even guess what they meant.
There were three little knurled winding wheels, in fact, and each of them turned one of the three shorter hands, which moved around the dial in a series of smooth satisfying clicks. You could arrange them to point at any of the pictures, and once they had clicked into position, pointing exactly at the center of each one, they would not move. The fourth hand was longer and more slender, and seemed to be made of a duller metal than the other three. Lyra couldn’t control its movement at all; it swung where it wanted to, like a compass needle, except that it didn’t settle.
We’re water people all through, and you en’t, you’re a fire person. What you’re most like is marsh fire, that’s the place you have in the gyptian scheme; you got witch oil in your soul. Deceptive, that’s what you are, child.”
Your father never perished in no airship accident, because your father is Lord Asriel.”
She longed to touch that fur, to rub her cheeks against it, but of course she never did; for it was the grossest breach of etiquette imaginable to touch another person’s dæmon. Dæmons might touch each other, of course, or fight; but the prohibition against human-dæmon contact went so deep that even in battle no warrior would touch an enemy’s dæmon. It was utterly forbidden. Lyra couldn’t remember having to be told that: she just knew it, as instinctively as she felt that nausea was bad and comfort good.
If you were me, what question would you ask of the Consul of the Witches?” For the first time Dr. Lanselius smiled. “I would ask where I could obtain the services of an armored bear,” he said.
“Because they live so close to the place where the veil between the worlds is thin, they hear immortal whispers from time to time, in the voices of those beings who pass between the worlds. And they have spoken of a child such as this, who has a great destiny that can only be fulfilled elsewhere—not in this world, but far beyond. Without this child, we shall all die. So the witches say. But she must fulfill this destiny in ignorance of what she is doing, because only in her ignorance can we be saved. Do you understand that, Farder Coram?”
I stay here and drink spirits because the men here took my armor away, and without that, I can hunt seals but I can’t go to war; and I am an armored bear; war is the sea I swim in and the air I breathe. The men of this town gave me spirits and let me drink till I was asleep, and then they took my armor away from me. If I knew where they keep it, I would tear down the town to get it back. If you want my service, the price is this: get me back my armor. Do that, and I shall serve you in your campaign, either until I am dead or until you have a victory. The price is my armor. I want it back, and
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Her wonder was so strong that she had to clutch the rail to keep from falling. The sight filled the northern sky; the immensity of it was scarcely conceivable. As if from Heaven itself, great curtains of delicate light hung and trembled. Pale green and rose-pink, and as transparent as the most fragile fabric, and at the bottom edge a profound and fiery crimson like the fires of Hell, they swung and shimmered loosely with more grace than the most skillful dancer. Lyra thought she could even hear them: a vast distant whispering swish. In the evanescent delicacy she felt something as profound as
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The alethiometer had indicated something uncanny and unnatural, which was alarming; but who was she? Lord Asriel’s daughter. And who was under her command? A mighty bear. How could she possibly show any fear?
“Lonely?” he said. “I don’t know. They tell me this is cold. I don’t know what cold is, because I don’t freeze. So I don’t know what lonely means either. Bears are made to be solitary.”
Being a practiced liar doesn’t mean you have a powerful imagination.
Witches own nothing, so we’re not interested in preserving value or making profits, and as for the choice between one thing and another, when you live for many hundreds of years, you know that every opportunity will come again. We have different needs.
“You speak of destiny,” he said, “as if it was fixed. And I ain’t sure I like that any more than a war I’m enlisted in without knowing about it. Where’s my free will, if you please? And this child seems to me to have more free will than anyone I ever met. Are you telling me that she’s just some kind of clockwork toy wound up and set going on a course she can’t change?”
“We are all subject to the fates. But we must all act as if we are not,” said the witch, “or die of despair. There is a curious prophecy about this child: she is destined to bring about the end of destiny. But she must do so without knowing what she is doing, as if it were her nature and not her destiny to do it. If she’s told what she must do, it will all fail; death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life …”
you cannot change what you are, only what you do.
The stars are alive,
Everything out there is alive, and there are grand purposes abroad! The universe is full of intentions, you know. Everything happens for a purpose. Your purpose is to remind me of that. Good, good—in my despair I had forgotten. Good! Excellent, my child!”
The Magisterium decided that Dust was the physical evidence for original sin. Do you know what original sin is?”
But think of Adam and Eve like an imaginary number, like the square root of minus one: you can never see any concrete proof that it exists, but if you include it in your equations, you can calculate all manner of things that couldn’t be imagined without it.
at last there was a physical proof that something happened when innocence changed into experience.
Human beings can’t see anything without wanting to destroy it, Lyra. That’s original sin. And I’m going to destroy it. Death is going to die.”
That was why he’d cried out, “I did not send for you!” when he saw her; he had sent for a child, and the fates had brought him his own daughter. Or so he’d thought, until she’d stepped aside and shown him Roger.
So Lyra and her dæmon turned away from the world they were born in, and looked toward the sun, and walked into the sky.

