How to Hide an Empire: A History of the Greater United States

by Daniel Immerwahr

Liverpool, a port city in the north of England. Before the war, it had been a dreary factory town without much by way of entertainment beyond the music-hall scene that typified much of provincial England. Then suddenly, in the 1950s, it lit up like a Christmas tree. It turned out far more chart-topping acts in the following decades than it had any right to. Some, like the Searchers or Gerry and the Pacemakers, have faded with time. Others, like the Beatles, have not. A classmate of John Lennon’s estimated that between 1958 and 1964, five hundred bands were playing Merseyside, the area around Liverpool. Why? “There has to be some reason,” wrote the Beatles’ producer George Martin, “that Liverpool, of all British cities, actually had a vibrant teenage culture centred around pop music in the 1950s, when the rest of Britain was snoozing gently away in the pullovered arms of croon.” That Liverpool had a port surely helped. Yet for Martin, the answer was to be found elsewhere. Liverpool was a base city. It was, in fact, fifteen miles west of Burtonwood, the largest U.S. Air Force base in Europe.