Being, fundamentally, a degraded version of the media, the alt-right’s presentation of this ideological narrative is unsurprisingly theatrical. This extends not only to the “meme magic” approaches that resurrected an ancient Egyptian god of primordial darkness as a cartoon frog that causes people to get punched on national television (which can be understood as a sort of cargo cult re-enactment of the neo-Situationist techniques behind leftist groups like the Occupy movement), but to their stylized and ritualized “debate” with online liberals and feminists. These responses are a quasi-coherent
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