What she wants to say has to do not only with joy but with the penetrating, constant fear that is joy’s other half. She can bear the thought of her own death but cannot bear the thought of Clarissa’s. This love of theirs, with its reassuring domesticity and its easy silences, its permanence, has yoked Sally directly to the machinery of mortality itself. Now there is a loss beyond imagining. Now there is a cord she can follow from this moment, walking toward the subway on the Upper East Side, through tomorrow and the next day and the next, all the way to the end of her life and the end of
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