Calypso

by David Sedaris

At what point had I realized that class couldn’t save you, that addiction or mental illness didn’t care whether you’d taken piano lessons or spent a summer in Europe? Which drunk or junkie or unmedicated schizophrenic was I crossing the street to avoid when I put it all together?

Happiness is harder to put into words. It’s also harder to source, much more mysterious than anger or sorrow, which come to me promptly, whenever I summon them, and remain long after I’ve begged them to leave.

As a business traveler, you’ll likely be met at your destination by someone who asks, “So, how was your flight?” This, as if there are interesting variations and you might answer, “The live orchestra was a nice touch,” or “The first half was great, but then they let a baby take over the controls and it got all bumpy.” In fact, there are only two kinds of flights: ones in which you die and ones in which you do not.

You hear this a lot in America, especially when you’re complaining about televisions, or loud music, or, more common still, television and loud music together in the same room. “People like it.” “Yes,” I always want to say, “but they’re the wrong people.”

I felt betrayed, the way you do when you discover that your cat has a secret secondary life and is being fed by neighbors who call him something stupid like Calypso. Worse is that he loves them as much as he loves you, which is to say not at all, really. The entire relationship has been your own invention.