They get on with it. Even after imagining all this fineness—the girls (check), Edward (check)—I bawled, stuck on the awful thought that the reason I’d ended up in Ellen Tanner’s house, the reason no one had hired me as a waitress or bartender, the reason I’d been fired by Eugenia Brown and answered an ad from a widower, was so I could see how a family goes on, so I could witness their suffering, their slow but indisputable survival.
