I proposed in Maps of Meaning that the great myths and religious stories of the past, particularly those derived from an earlier, oral tradition, were moral in their intent, rather than descriptive. Thus, they did not concern themselves with what the world was, as a scientist might have it, but with how a human being should act. I suggested that our ancestors portrayed the world as a stage—a drama—instead of a place of objects. I described how I had come to believe that the constituent elements of the world as drama were order and chaos, and not material things.
