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The story is, I fear, suffocatingly subjective; the kind of thing I have never written before and shall probably never write again. I have tried so to write the first chapter that those who can’t bear such a story will see at once what they are in for and close the book with the least waste of time.
is not settled happiness but momentary joy that glorifies the past.
The New House is almost a major character in my story. I am a product of long corridors, empty sunlit rooms, upstair indoor silences, attics explored in solitude, distant noises of gurgling cisterns and pipes, and the noise of wind under the tiles. Also, of endless books. My father bought all the books he read and never got rid of any of them.
With my mother’s death all settled happiness, all that was tranquil and reliable, disappeared from my life. There was to be much fun, many pleasures, many stabs of Joy; but no more of the old security.
My father, whom I implicitly believed, represented adult life as one of incessant drudgery under the continual threat of financial ruin. In this he did not mean to deceive us. Such was his temperament that when he exclaimed, as he frequently did, ‘There’ll soon be nothing for it but the workhouse,’ he momentarily believed, or at least felt, what he said. I took it all literally and had the gloomiest anticipation of adult life.
My father piqued himself on what he called ‘reading between the lines’. The obvious meaning of any fact or document was always suspect: the true and inner meaning, invisible to all eyes except his own, was unconsciously created by the restless fertility of his imagination.
His mind was too active to be an accurate receiver.
Hence while friendship has been by far the chief source of my happiness, acquaintance or general society has always meant little to me, and I cannot quite understand why a man should wish to know more people than he can make real friends of.
When the boy passes from nursery literature to school-stories he is going down, not up.

