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We’re just like other families. Every available avenue is paved with guilt, lined with pain, and pockmarked with shame. We’re embarrassed for Grandma Judy. We’re afraid for her. We’re heartsick about where this cruel descent into dementia might end.
shift to my feet, and take Fern around, and put her on the shanty porch with Gabion, who’s two, and Lark, who’s six. Camellia looks my way from where she’s staring in the front window. Closing the gate across the gangplank, I trap them all on the porch and tell Camellia not to let the little kids climb over. Camellia answers with a frown. At ten years old, she’s got Briny’s muley streak along with his dark
the best things a father can do for his daughter is let her know that she has met his expectations.
We, like many families, find ourselves confronted with a complex and difficult issue for which there is no simple answer. Complex and difficult issue…no simple answer…
We plan our days, but we don’t control them.
Do we carry the guilt from the sins of past generations? If so, can we bear the weight of that burden?
Life is not unlike cinema. Each scene has its own music, and the music is created for the scene, woven to it in ways we do not understand. No matter how much we may love the melody of a bygone day or imagine the song of a future one, we must dance within the music of today, or we will always be out of step, stumbling around in something that doesn’t suit the moment. I
“A woman’s past need not predict her future. She can dance to new music if she chooses. Her own music. To hear the tune, she must only stop talking. To herself, I mean.

