Don Gagnon

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Peter had begun to feel like a character in a movie (the one which came most persistently to mind was Midnight Express), and these details only added to that sensation.
Don Gagnon
There was mesh between the front of the car and the back, and no handles or window-cranks on the doors. Peter had begun to feel like a character in a movie (the one which came most persistently to mind was Midnight Express), and these details only added to that sensation. His best judgement was that he had talked too much about too many things already, and it would be well for him and Mary to stay quiet, at least until they got to wherever Officer Friendly meant to take them. It was probably good advice, but it was hard advice to follow. Peter found himself with a powerful urge to tell Officer Friendly that a terrible mistake had been made here—he was an assistant professor of English, his specialty was postwar American fiction, he had recently published a scholarly article called “James Dickey and the New Southern Reality” (a piece which had generated a great deal of controversy in certain ivied academic bowers), and, furthermore, that he hadn’t smoked dope in years. He wanted to tell the cop that he might be a little bit overeducated by central Nevada standards, but was still, basically, one of the good guys.
Desperation
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