Stacey

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Akram reminded me that Western absolutes were made, not born. What I take as Truth is built on a history of revolutions—political, industrial, and personal. A girl’s right to school and a childhood weren’t fixtures of the landscape, like a boulder or an ocean. They had to be fought for, and then created. It was bracing, this reminder of my own culture as a living tradition, built by framing and reframing the norms of what justice means.
If the Oceans Were Ink: An Unlikely Friendship and a Journey to the Heart of the Quran
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