In this model of development, the play is born bad. It exists to be reformed and bettered by the church (the institutional theater). The play is also unclean because it is a bastard child, since it is the issue of a single parent and the imagination, which has no flesh. It needs another parent, the church, to become clean. Baptism will hopefully come from a good review, without which the play is also unclean and destined for Limbo.
