Standing in front of the Frankenthaler painting, I was reminded of the stage festooned with blue and green twinkle lights, the fire truck pulling into the firehouse, the spotlight on Gabe, of that week in December, and wondered: What if he returned now? What if he walked right into this room? What if it had all been a brief disappearance into the wings, Gabe hidden backstage, a show trick? Come back, come back. It can’t be over. Because—and I know it sounds strange—I felt his presence in that painting. It was almost like he was back and I knew that if he had walked up to me at that moment, I
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